rottgers philipp (39 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Genesis is one of the most successful British rock bands of all time. Their long and diverse career has not only allowed its three principal members-Phil Collins (vocals, drums), Mike Rutherford (guitars, bass) and Tony Banks (keyboards)-to pursue successful solo careers, it has also divided their fanbase. While some celebrate the band's early years in the 1970s, characterised by epic rock classics like 'The Musical Box' and 'Supper's Ready' and singer Peter Gabriel in his strange masks and costumes, others prefer their chart-topping period of the 1980s and early 1990s, when drummer Phil Collins had taken over the microphone and the band produced hits like 'That's All', 'Invisible Touch' and 'I Can't Dance'. The common perception of this transition, however, that Genesis went from prog to pop, is wrong. Genesis have always been the most progressive of all the 'progressive rock' bands. Without losing their identity they survived the loss of Peter Gabriel and guitarist Steve Hackett and went on to become one of the biggest bands on the planet. Genesis: Song by Song shows what Genesis is all about, analysing every track ever made, with additional commentary on music videos, album covers and reviews from across the band's history.

Hardback. Condizione: New. Genesis is one of the most successful British rock bands of all time. Their long and diverse career has not only allowed its three principal members-Phil Collins (vocals, drums), Mike Rutherford (guitars, bass) and Tony Banks (keyboards)-to pursue successful solo careers, it has also divided their fanbase. While some celebrate the band's early years in the 1970s, characterised by epic rock classics like 'The Musical Box' and 'Supper's Ready' and singer Peter Gabriel in his strange masks and costumes, others prefer their chart-topping period of the 1980s and early 1990s, when drummer Phil Collins had taken over the microphone and the band produced hits like 'That's All', 'Invisible Touch' and 'I Can't Dance'. The common perception of this transition, however, that Genesis went from prog to pop, is wrong. Genesis have always been the most progressive of all the 'progressive rock' bands. Without losing their identity they survived the loss of Peter Gabriel and guitarist Steve Hackett and went on to become one of the biggest bands on the planet. Genesis: Song by Song shows what Genesis is all about, analysing every track ever made, with additional commentary on music videos, album covers and reviews from across the band's history.

Condizione: new.

Hardcover. Condizione: Brand New. 176 pages. 9.25x6.25x9.30 inches. In Stock.

Condizione: New.

Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Genesis is one of the most successful British rock bands of all time. Their long and diverse career has not only allowed its three principal members-Phil Collins (vocals, drums), Mike Rutherford (guitars, bass) and Tony Banks (keyboards)-to pursue successful solo careers, it has also divided their fanbase. While some celebrate the band's early years in the 1970s, characterised by epic rock classics like 'The Musical Box' and 'Supper's Ready' and singer Peter Gabriel in his strange masks and costumes, others prefer their chart-topping period of the 1980s and early 1990s, when drummer Phil Collins had taken over the microphone and the band produced hits like 'That's All', 'Invisible Touch' and 'I Can't Dance'. The common perception of this transition, however, that Genesis went from prog to pop, is wrong. Genesis have always been the most progressive of all the 'progressive rock' bands. Without losing their identity they survived the loss of Peter Gabriel and guitarist Steve Hackett and went on to become one of the biggest bands on the planet. Genesis: Song by Song shows what Genesis is all about, analysing every track ever made, with additional commentary on music videos, album covers and reviews from across the band's history.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Country Houses and Landscape Gardens, language: English, abstract: Haunted houses have become an own genre in literature. ¿The Haunting of Lamb House¿ seems a classical ¿haunted house¿-story. It is a novel, written in 1991 by British author Joan Aiken, and it deals with the real-existing Lamb House in Rye, Sussex. First, I will give a short overview over the real existing Lamb House in Rye (in the neighbourhood of Aiken¿s birthplace) and some information about its inhabitants, which might be important for the story. In the analysis I will give a definition of the ¿haunted house¿ and the whole genre that deals with haunted houses. Then I will go through the story of the novel and point out the impact Lamb House has on its inhabitants and the way the house is presented. Afterwards, I will have a look at the historic background of the story Aiken has written. In the conclusion, I will also try to find out if Lamb House (in the story) represents a haunted house and if the novel fulfils the criteria for being a novel which fits into the genre of the ¿haunted house¿.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Mapping the Romances, language: English, abstract: This analysis looks at the similarities between Shakespeare's play 'Cymbeline' and George R. R. Martin's 'A Song of Ice and Fire' books and tries to find out if Martin has been influenced by Shakespeare's play and if the fantasy genre has been influenced by Shakespeare's romances in general. Fans and scholars have long argued if 'Game of Thrones' has been inspired by the works of William Shakespeare. Especially Macbeth is mentioned quite often, though Othello, Hamlet and King Lear are also mentioned from time to time. However, something that rarely comes up are the so-called 'romances', the plays (presumably) from Shakespeare¿s last period. This might not seem odd, since the romances themselves are quite difficult to categorize in Shakespeare's body of work. But when one looks at them, some similarities to the fantasy genre spring to the eye. There are wicked kings and queens, magic, apparitions of gods and fairy-tale-like figures, battles, fights, and much more that nowadays seems to be stereotypical of fantasy fiction. Since 'A Song of Ice and Fire' uses many of these stereotypes, it can be seen as prototypical for the high fantasy genre.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistics, grade: 2,3, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Issues in Linguistics: Macrolinguistics 'Sociolinguistics', language: English, abstract: In this term paper I will look for the relationship between language and status or language and power in the episode 'A Friend in Deed' from the Lieutenant Columbo series. In this episode, the Lieutenant has to investigate against his own boss, Commissioner Mark Halperin, who covered up one murder and commits one himself. I have chosen this episode, because I am a big fan of the Columbo series and because I think it is very interesting to see how both of them act during the investigations. Halperin wants to cover the truth by blaming a burglar, while Columbo finds out that something is wrong and his boss may be suspicious. Through the hierarchical background they try to manipulate each other. Halperin stops Columbo every time he finds out new traces that lead to the Commissioner as the murderer by telling him to look for a burglar. This again leads Columbo to the conclusion that his boss might be involved in the murder cases. But still, he has to follow his orders, because he is the subordinate and Halperin is the superior of the two. So he uses his possibilities of 'using power' in a very subliminal, careful way, by telling the Commissioner his new developments every time he finds out something new, which again makes the Commissioner use his power to give him orders to stop investigating into that direction. But nevertheless, Columbo manipulates him this way and in the end he can arrest him as a murderer. The plot of the episode can be found in the appendix. For research I have looked up some books concerning 'power and language' or 'status and language', explaining the linguistic background between language and power and giving definitions of the relationship between it. First of all, I will give some short background information about the Columbo series, and then I will give some explanations concerning the relationship between language and power with the background of the chosen literature. After that I will describe how I use the results from the theoretical part for the analysis of two chosen dialogues between the Lieutenant and the Commissioner, which can be found in the appendix. This leads to the discussion of the results of the analysis and in the conclusion I will have a look on how language and power work together in this context and if the theories from the literature work in dialogues between superior and subordinate.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2016 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Poverty, language: English, abstract: This analysis looks at how Genesis and their singers portray poverty and Africa in their songs. Is the portrayal appropriate or is it full of clichés and prejudices And did these songs do anything to help the poor or were they merely there for commercial success and artistic pleasure For that, I will give a short biography of the band, and then I will select some songs and see how the band Genesis has dealt with the topic of poverty in their music. The representation of poverty or of poverty in Africa has always been a big topic in popular music, especially combined with the idea of fighting poverty or helping the poor people in Africa. One of the most famous examples is probably the Live Aid concert in 1985. It was the continuation of the Band Aid single 'Do They Know It¿s Christmas ' from 1984, in which musician Bob Geldof had gathered many famous pop stars to raise money for the poor starving population in Ethiopia. The concept worked and half a year later, the Live Aid performances were celebrated with the same intention. There were two parallel concerts, one in London, one in Philadelphia, and the whole 80s pop world seemed to participate in the event. One man stuck out: Genesis lead vocalist Phil Collins, who was at that time becoming increasingly famous with his solo career, was the only one who played on both concerts. This was made possible when he crossed the Atlantic with a Concorde. He made it into the Guinness Book, and helped Live Aid to become an even more memorable event. Collins has done charity work throughout his whole career, and he wrote some outstanding songs that deal with the critical topic of homelessness or the apartheid. These include songs from his solo career as well as from his time with rock band Genesis. Genesis was founded in 1967 and included Peter Gabriel on vocals, Tony Banks on keyboards and Mike Rutherford on guitars. Later, Phil Collins joined them as a drummer, and when Gabriel left in 1975, he became the new lead singer. Genesis launched a successful career full of hits and chart-topping albums, and all its members had more or less successful solo careers. Especially Collins rose to stardom, but also former singer Peter Gabriel became a certified superstar. He too, like Collins, has done a lot of charity work and wrote a couple of songs that deal with the crises and catastrophes in the world.

Paperback. Condizione: Gut. Gebraucht - Gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden, Cover und paar Seiten geknickt -Genesis is one of the most successful British rock bands, hands down. And a band with a long and diverse career that was able to allow all its members to have also long and diverse solo careers (and in some cases very successful, too). Genesis always seemed to have an invisible touch on their listeners and fans. Starting off as a progressive rock band in the early 1970s with singer Peter Gabriel and his strange costumes and masks, the band changed into a pop band with single hits in the 1980s after he left and drummer Phil Collins took over the microphone. At least that is the common conception. Philipp R ttgers takes a look beyond and asks if this change even exists or if there is some kind of misunderstanding. He turns it on again and analyzes certain songs from both eras , takes a look at live performances, music videos, album covers and press and fan reviews. He runs through the band s history and also includes the solo careers to find out if their image should be renewed.Nomos Verlagsgesellschaft mbH & Co. KG, Waldseestr. 3-5, 76530 Baden-Baden 120 pp. Englisch.

Taschenbuch. Condizione: Neu. Speech Functions. An Analysis of Language and Status in "Columbo: A Friend in Deed" | Philipp Röttgers | Taschenbuch | Englisch | 2022 | GRIN Verlag | EAN 9783346622921 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Shakespeare and his impact on modern day fiction. Traces of Cymbeline in George R.R. Martin's "A Song of Ice and Fire" | Philipp Röttgers | Taschenbuch | Englisch | 2022 | GRIN Verlag | EAN 9783346620903 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Peter Gabriel, Phil Collins and Genesis. The representation of poverty and the troubles in Africa in their music | Philipp Röttgers | Taschenbuch | Englisch | 2022 | GRIN Verlag | EAN 9783346621061 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. The role of "Lamb House" in Joan Aiken's novel "The Haunting of Lamb House" | Philipp Röttgers | Taschenbuch | Englisch | 2022 | GRIN Verlag | EAN 9783346620866 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

paperback. Condizione: Sehr gut. 294 Seiten; 9783963171888.2 Gewicht in Gramm: 500.

Buch. Condizione: Neu. Neuware - A track-by-track analysis of Genesis's entire catalogue, exploring the band's evolution from progressive rock pioneers to global pop superstars.Genesis is one of the most successful British rock bands of all time. Their long and diverse career has not only allowed its three principal members--Phil Collins (vocals, drums), Mike Rutherford (guitars, bass) and Tony Banks (keyboards)--to pursue successful solo careers, it has also divided their fanbase. While some celebrate the band's early years in the 1970s, characterised by epic rock classics like 'The Musical Box' and 'Supper's Ready' and singer Peter Gabriel in his strange masks and costumes, others prefer their chart-topping period of the 1980s and early 1990s, when drummer Phil Collins had taken over the microphone and the band produced hits like 'That's All', 'Invisible Touch' and 'I Can't Dance'. The common perception of this transition, however, that Genesis went from prog to pop, is wrong. Genesis have always been the most progressive of all the 'progressive rock' bands. Without losing their identity they survived the loss of Peter Gabriel and guitarist Steve Hackett and went on to become one of the biggest bands on the planet. Genesis: Song by Song shows what Genesis is all about, analysing every track ever made, with additional commentary on music videos, album covers and reviews from across the band's history.

Taschenbuch. Condizione: Neu. Two eras of Genesis? | The development of a rock band | Philipp Röttgers | Taschenbuch | 120 S. | Englisch | 2015 | Tectum-Verlag | EAN 9783828835924 | Verantwortliche Person für die EU: Nomos Verlagsgesellschaft mbH & Co. KG, Waldseestr. 3-5, 76530 Baden-Baden, nomos[at]nomos[dot]de | Anbieter: preigu.

Hardback. Condizione: New. Genesis is one of the most successful British rock bands of all time. Their long and diverse career has not only allowed its three principal members-Phil Collins (vocals, drums), Mike Rutherford (guitars, bass) and Tony Banks (keyboards)-to pursue successful solo careers, it has also divided their fanbase. While some celebrate the band's early years in the 1970s, characterised by epic rock classics like 'The Musical Box' and 'Supper's Ready' and singer Peter Gabriel in his strange masks and costumes, others prefer their chart-topping period of the 1980s and early 1990s, when drummer Phil Collins had taken over the microphone and the band produced hits like 'That's All', 'Invisible Touch' and 'I Can't Dance'. The common perception of this transition, however, that Genesis went from prog to pop, is wrong. Genesis have always been the most progressive of all the 'progressive rock' bands. Without losing their identity they survived the loss of Peter Gabriel and guitarist Steve Hackett and went on to become one of the biggest bands on the planet. Genesis: Song by Song shows what Genesis is all about, analysing every track ever made, with additional commentary on music videos, album covers and reviews from across the band's history.

Taschenbuch. Condizione: Neu. Jack the Ripper - Die Whitechapel-Morde 1888 | Eine Chronologie | Philipp Röttgers (u. a.) | Taschenbuch | 248 S. | Deutsch | 2023 | via tolino media | EAN 9783757923297 | Verantwortliche Person für die EU: tolino media GmbH & Co KG, Albrechtstr. 14, 80636 München, gpsr[at]tolino[dot]media | Anbieter: preigu.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistics, grade: 2,3, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Issues in Linguistics: Macrolinguistics 'Sociolinguistics', language: English, abstract: In this term paper I will look for the relationship between language and status or language and power in the episode 'A Friend in Deed' from the Lieutenant Columbo series. In this episode, the Lieutenant has to investigate against his own boss, Commissioner Mark Halperin, who covered up one murder and commits one himself. I have chosen this episode, because I am a big fan of the Columbo series and because I think it is very interesting to see how both of them act during the investigations. Halperin wants to cover the truth by blaming a burglar, while Columbo finds out that something is wrong and his boss may be suspicious. Through the hierarchical background they try to manipulate each other. Halperin stops Columbo every time he finds out new traces that lead to the Commissioner as the murderer by telling him to look for a burglar. This again leads Columbo to the conclusion that his boss might be involved in the murder cases. But still, he has to follow his orders, because he is the subordinate and Halperin is the superior of the two. So he uses his possibilities of 'using power' in a very subliminal, careful way, by telling the Commissioner his new developments every time he finds out something new, which again makes the Commissioner use his power to give him orders to stop investigating into that direction. But nevertheless, Columbo manipulates him this way and in the end he can arrest him as a murderer. The plot of the episode can be found in the appendix. For research I have looked up some books concerning 'power and language' or 'status and language', explaining the linguistic background between language and power and giving definitions of the relationship between it. First of all, I will give some short background information about the Columbo series, and then I will give some explanations concerning the relationship between language and power with the background of the chosen literature. After that I will describe how I use the results from the theoretical part for the analysis of two chosen dialogues between the Lieutenant and the Commissioner, which can be found in the appendix. This leads to the discussion of the results of the analysis and in the conclusion I will have a look on how language and power work together in this context and if the theories from the literature work in dialogues between superior and subordinate. 24 pp. Englisch.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2016 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Poverty, language: English, abstract: This analysis looks at how Genesis and their singers portray poverty and Africa in their songs. Is the portrayal appropriate or is it full of clichés and prejudices And did these songs do anything to help the poor or were they merely there for commercial success and artistic pleasure For that, I will give a short biography of the band, and then I will select some songs and see how the band Genesis has dealt with the topic of poverty in their music. The representation of poverty or of poverty in Africa has always been a big topic in popular music, especially combined with the idea of fighting poverty or helping the poor people in Africa. One of the most famous examples is probably the Live Aid concert in 1985. It was the continuation of the Band Aid single 'Do They Know It¿s Christmas ' from 1984, in which musician Bob Geldof had gathered many famous pop stars to raise money for the poor starving population in Ethiopia. The concept worked and half a year later, the Live Aid performances were celebrated with the same intention. There were two parallel concerts, one in London, one in Philadelphia, and the whole 80s pop world seemed to participate in the event. One man stuck out: Genesis lead vocalist Phil Collins, who was at that time becoming increasingly famous with his solo career, was the only one who played on both concerts. This was made possible when he crossed the Atlantic with a Concorde. He made it into the Guinness Book, and helped Live Aid to become an even more memorable event. Collins has done charity work throughout his whole career, and he wrote some outstanding songs that deal with the critical topic of homelessness or the apartheid. These include songs from his solo career as well as from his time with rock band Genesis. Genesis was founded in 1967 and included Peter Gabriel on vocals, Tony Banks on keyboards and Mike Rutherford on guitars. Later, Phil Collins joined them as a drummer, and when Gabriel left in 1975, he became the new lead singer. Genesis launched a successful career full of hits and chart-topping albums, and all its members had more or less successful solo careers. Especially Collins rose to stardom, but also former singer Peter Gabriel became a certified superstar. He too, like Collins, has done a lot of charity work and wrote a couple of songs that deal with the crises and catastrophes in the world. 24 pp. Englisch.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Country Houses and Landscape Gardens, language: English, abstract: Haunted houses have become an own genre in literature. ¿The Haunting of Lamb House¿ seems a classical ¿haunted house¿-story. It is a novel, written in 1991 by British author Joan Aiken, and it deals with the real-existing Lamb House in Rye, Sussex. First, I will give a short overview over the real existing Lamb House in Rye (in the neighbourhood of Aiken¿s birthplace) and some information about its inhabitants, which might be important for the story. In the analysis I will give a definition of the ¿haunted house¿ and the whole genre that deals with haunted houses. Then I will go through the story of the novel and point out the impact Lamb House has on its inhabitants and the way the house is presented. Afterwards, I will have a look at the historic background of the story Aiken has written. In the conclusion, I will also try to find out if Lamb House (in the story) represents a haunted house and if the novel fulfils the criteria for being a novel which fits into the genre of the ¿haunted house¿. 24 pp. Englisch.