Roy perkinson (34 risultati)

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Near Fine. Second Edition. Booklet, stiff wraps, lettered in black. Minor shelf/handling wear. 48 pp. Size: 8vo - over 7¾" - 9¾" tall. Book.

Soft cover. Condizione: Very Good. 1971, Art, Conservation, Book arts. Museum of Fine Arts, Boston. 46p., Very good to good+ paperback (mixed crate 7/26 cover design looks like spotting.foxing.

softcover. Condizione: Very Good. Complete in original wrapper.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. 46 pp. A few b&w illustrations. VG+. Very light wear to cover. U.S. orders are shipped from Lewiston, NY location.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condizione: Very Good. Museum of Fine Arts Boston January 1971 Binding: Trade Paperback.

Softbound. Condizione: Very Good. Octavo, stapled paper covers, 46 pp., b/w illustrations, materials and services, bibliography.

Soft Cover - Stapled. Condizione: Near Fine. Third Edition. pp.48 clean tight copy but for price sticker shadow on top front right corner Size: 12mo - over 6¾" - 7¾" tall.

46pp. 11 illus. Sm. 4to. Wraps.

Soft cover. Condizione: Fine. 1st Edition. Stiff color illus. wraps. As issued. lxxii,272 pp., fully illus. throughout. Firm, uncreased binding, clean and unmarked interior. Catalogue to accompany 1984-85 traveling exhibition to Boston, Philadelphia and London. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Condizione: Fine. 3rd Edition. Softcover. Clean, tight, and unmarked. Very neat -- very nearly as new. Size: 8vo - over 7¾ - 9¾" tall. Book.

later cloth boards. 8vo. later cloth boards. 46 pages. Later printing. Exlibrary with markings. A very good copy. Table of contents, preface, list of materials and services, bibliography. Black and white illustrations. Small tear on bottom front wrapper. Conservation (illustratore).

Condizione: Good. Original stapled wrappers, illustrations in b/w, 8vo.

Condizione: Good. Original stapled wrappers, illustrations in b/w, 8vo.

Condizione: Good. Original stapled wrappers, illustrations in b/w, 8vo.

Condizione: As New. Very clean condition un-marked Line Drawings & Photograhic Reproductions. Full of examples on how to preserve works of art that are paper based.

Condizione: Good. 8vo. 46 pp. Stapled Wraps. VG. Illustrated. The publication of this guide was prompted by two exhibitions held at the Museum of Fine Arts, Boston in the spring of 1971. From the Collection of the Book Designer Philip Grushkin (1921 - 1998).

Condizione: Good. 8vo. 46 pp. Stiff, stapled beige and red marbled wraps with black lettering. Good with marginal creasewear and soiling along wraps. Black and white plates and illustrations. Includes bibliography. Catalogue prompted on occasion of two exhibitions held at the Museum of Fine Arts, Boston in the Spring of 1971. First edition. …

Condizione: New. Satisfaction Guaranteed or your money back.

Heft. Condizione: Gut. 4.Aufl. Einband mit Gebrauchsspuren.

Hardcover. Condizione: Very Good. 1st Edition. First edition. Oversized hardcover without dust jacket as issued. A clean tight unmarked copy with some bumping to corner, small nick and light fading to spine, internally fine. Richly illustrated throughout. 302 pages. Uncommon.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Jacket, as Issued. First English Language Edition. hardcover, illustrated boards., minute wrinkle to bottom tips of boards. no other flaws or wear. clean, no markings of any sort. tight binding. verso of cover has an unusually fine bookplate without a name.; xiii-301pp., illustrated throughout in color, b/w. first english translation of this important german work on paper conservation. Size: 4to - over 9¾" - 12" tall.…

Condizione: new.

Museum of Fine Arts Boston. 1979. Third Edition. Paperback booklet with staples. Illustrated. A nice clean copy.

Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: Brand New. new title edition. 316 pages. 11.00x8.00x1.00 inches. In Stock.

Hardcover. Condizione: New. Ever since its original publication in Germany in 1938, Max Schweidler's "Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw" has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures,' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotations elucidate the text itself. An amply illustrated appendix presents technical reports on eleven old master prints that underwent repair or other treatment using techniques similar to those Schweidler describes; it complements Schweidler's own text in aiding curators, conservators, and collectors to detect such repairs. There is also a glossary.…