roycroft press (18 risultati)

Condizione: Good. Good condition. (English Authors, Biography) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condizione: Good. This edition was published by G.P. Putnam's in 1903.

Condizione: Fair. East Aurora, NY: Roycrofters, 1897. 1st edition. Volume 5, No. 1-6. 24mo hardcover. 192pp. Fair book. Ex-Library. Front hinge cracked. Unopened pages. (Christianity, Literature, Periodicals) Inquire if you need further information.

Hardcover. Condizione: Very Good. Very Good condition! Pages crisp, clean, and bright. May show light signs of wear; e.g bumping, rubbing, creasing. Binding strong & spine intact!

limp suede. Condizione: Very Good. 16 photos of Roycrofters (illustratore). First edition. 12mo, 32 pages, green suede a bit worn, rubber stamped & ink name on endpaper The first full catalog of the Press. [McKenna 54 ( see also no. 368); Ransom 40]. Title page and initials by Samuel Warner. Incorporates articles on the development and philosophy of the Roycrofters. With 16 photos of Roycrofters.

Soft cover. Condizione: Very Good. No Jacket. Limited Edition. Limited edition. Thin octavo. Frontispiece engraved portrait of Wagner; titles hand colored in red, green, gold and black. Full brown suede, upper cover with gilt and blindstamped labels, t.e.g., uncut. Very good. #283/940 numbered copies signed by Elbert Hubbard on the limitation page. Signed by Author(s).

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Octavo. Title page in green and orange. 15 b/w photographs of deluxe leather bindings, Roycroft bindings, Elbert Hubbard and family. Original stitched tan wrappers with pictorial border stamp in black, orange, purple and green. No dust jacket. Very good. 34 pages. No signatures or bookplates.

Hardcover. Condizione: Very Good. 1st Edition. First edition thus. Octavo. Frontispiece portrait. Full green suede with wallet edges, upper cover with gilt stamped matching leather label, green silk pastedowns, t.e.g. (front hinge starting, fading to spine and edges). Very good.

Hardcover. Condizione: Very Good. Dust Jacket Included. DUST JACKET FIRST EDITION VERY GOOD.

Hardcover. Condizione: Very Good. 1/2 BROWN SUEDE OVER GILT STAMPED BLUE BOARDS; FRONTISPIECE PORTRAIT OF STEVENSON BY SAMUEL WARNER. TYPOGRAPHY BY ANDREW ANDREWS. FIRST EDITION THUS. VERY GOOD.

Small 4to. [4], 34 pp. Woodcut-illust title design in green, black & red, 15 photo plates, rubricated & decorated initials in green & red, text in red & black. Light gray softcovers, embossed raised illust. & woodcut ornament design by Dard Hunter, w/ initials at lower fore-edge, yapp edges (minor shelfwear, very slight soiling at spine), VG. First edition of this beautifully printed catalogue of specialty deluxe bindings by the Roycrofters in leather and modeled leather, Dard Hunter intarsia, modeled leather, and deluxe full morocco bindings. A very nice sample of Roycroft Press prowess.

Hardcover. Condizione: As New. No Jacket. Thin 8vo. Title page printed in brown and black within decorative floral borders. Illustrated with 16 photogravures. Full original green suede, upper cover with gilt stamped green morocco label (toning to cover). Very good. 32 pages + 6 pages of advertisements. No signatures or bookplates. Cover title: "The Book of the Roycrofters.".

#390 OF AN EDITION LIMITED TO 940 COPIES SIGNED BY ELBERT HUBBARD AND ILLUMINATOR HARRIET ROBARGE. Hardcover: H 26.5cm x L 21cm. Half-leather binding - suede leather spine and black paper boards with suede leather corners. Stains to upper spine and to front board's top left leather; small loss to spine's brown title label but with gilt lettering still bright; other flaked spots to spine decoration; surface abrasions and wear to leather corners; front board's gilt stamping remains bright. Gilt top edge; deckle fore-edges and bottom edges. Some light foxing and a few unobtrusive spots of soiling/stains to interior leaves. Binding is firm.

Hardcover. Condizione: Fine. FULL GREEN MOROCCO; SLIPCASE FINE.

First Edition. Interesting and scarce custom print job by The Roycroft Press to commemorate a dinner sponsored by Rodman Wanamaker. The purpose of this gathering was to propose the building of a large statue of a Native American at the New York Harbor, in the effort to honor and preserve the culture and heritage of the North American Indian. The dinner also honored Buffalo Bill who spoke to those efforts of preservation. Other attendees included Frederick Remington, Pawnee Bill, and Homer Davenport. Beautifully designed, the booklet contains two mounted photographs and is printed in red and black throughout with initials designed by Dard Hunter. The limitation is likely that of the number of attendees of the dinner plus a few extra (Paul Jackson, roycroftbooks). Very good with chipping and wear to edges of wraps, with triangle chip to upper corner of rear cover and blank endpaper. Clean and sound internally. Not in McKenna. 8vo, 9" x 7," [8], 42pp. Letterpress printed brown wrappers with brown and red lettering and embossed illustration. Leather string tie bound via three punch holes.

Hardcover. Condizione: Fine. Large 4to (9 1/4" x 11 1/2"). Frontispiece portrait, title page in red and black. Original 3/4 gilt stamped purple morocco over marbled boards, spine with raised bands and gilt stamped floral designs, covers ruled in gilt, marbled endpapers, t.e.g. A fine, fresh copy. Enclosed in an unusual imitation snakeskin slipcase, lined in golden fleece (slipcase with wear, book as new). Number 92 of 100 numbered copies on Japan vellum, signed by Hubbard on limitation page. Alice G. Mahoney's copy; with her Roycroft Fraternity membership certificate and her signature on the front free endpaper. Signed by Author(s).

Each item is on a sheet of laid paper, 39 x 29 cm, and each with the Roycroft watermark. Both items are grubby, with wear and creasing to extremities, but with the design and much of the margin entirely undamaged. Both have an identical block of printed text (roughly 13.5 x 9 cm) at the centre: 'THE truth is that in human service there is no low or high degree: the woman who scrubs is as WORTHY of RESPECT as the man who Preaches | ELBERT HUBBARD'. In both cases this is placed in the green centre of a block of hand-painted illumination roughly 20.5 x 15 cm: one of the two with a brown, yellow and red decorative border, and the other with a blue, green and red border. Both with the Roycroft single-R orb device to the bottom right outside the illumination. No record found on COPAC or WorldCat.

207 x 132 mm. (8 1/8 x 5 1/4"). 4 p.l., 111, [3] pp. Original suede-backed dun-colored boards by the Roycroft Bindery, raised bands flanked by blind rules extending across leather on cover, two panels lettered in blind, dun-colored endpapers, top edge gilt, other edges untrimmed. In the original matching dun paper clamshell box line with fleece, printed paper label to tail edge (and in fine condition). With title page, gothic initials, and printer's device printed in black and pale orange. âPerhaps a hint of scuffing along top edge of suede, otherwise nearly pristine. This is a virtually unworn copy of what the colophon says is a "sincere attempt to depict the life, times and teachings, and with truth [to show] the personality of the Man of Sorrows." Its author, Elbert Hubbard, began writing his "Little Journeys to the Homes of the Great" series in 1894, contracting to produce one a month for Putnam and Sons. Later, these short works were published by Roycroft, both as stand-alone volumes and as introductions to other works. Inspired by William Morris' Kelmscott Press, Elbert Hubbard (1856-1915) purchased the struggling Roycroft Printing Shop in East Aurora, New York, in 1897 and set out to launch an American Arts & Crafts movement. According to ANB, within five years, the Roycroft organization "had shops for printing and binding and for furniture, metal, and leather work; it also established training schools for the local youth in drawing, watercolor, and bookbinding. . . . Hubbard allowed free experimentation and never questioned the cost . . . . Designers and craftsmen could work out ideas and, if unsuccessful, just start over. There were never deadlines for the books or prohibitions on design motifs." While Roycroft productions did not reach the elevated achievements of the best English private presses, Hubbard nevertheless had an important impact on American book arts: as his friend William Marion Reedy observed, "he makes lovers of books out of people who never knew books before." This binding (not to mention its remarkably well-preserved original publisher's box) shows a cleanness of design and discerning decisions regarding colors and texture; it is not overpowering, but rather just as it should be. FIRST EDITION. No. 62 of 100 COPIES on Imperial Japanese Vellum.