ruben ortiz torres (17 risultati)

Unknown. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good. 1st Edition. Interesting, lesser-known artist. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, buyers and sellers of good books at fair prices since 1991. Come visit! Please contact us if downsizing your library; we travel worldwide to buy good collections.

Softcover, 64 pages; very good condition; except abrasion to bottom of spine; no internal marks. DVD in pocket on inside rear cover. Foreign shipping may be extra.

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

Softcover, 72 pages; in English and Spanish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. 1st Edition. 8vo bound in wrappers with jacket. 303 pp. In color. Near Fine with light edge wear. Please inquire about overseas shipping prior to purchase. [OJ].

Paperback. Condizione: Very Good. No Jacket. Rubén Ortiz Torres Photographer (illustratore). First Edition. First published in Mexico City in 1991, Mandorla emphasizes innovative writing in its original language--most commonly English or Spanish--and high-quality translations of existing material. Visual art and short critical articles complement this work. The name of the magazine--mandorla, describing a space created by two intersecting circles--alludes to the notion of exchange and imaginative dialogue that is necessary now among the Americas. Bilingual English and Spanish. Book is in very good condition.

Paperback. Condizione: Brand New. bilingual edition. 303 pages. Spanish language. 8.50x6.25x1.00 inches. In Stock.

Paperback. Condizione: New. The Mexican postmodern polymath receives his first overviewPublished with MUAC.Published for the polymathic artist's first retrospective, Customatism celebrates the work of San Diego-based Mexican photographer, painter, sculptor, film and video producer Rubén Ortiz Torres (born 1964) from the mid-1980s to the present.

Hardback. Condizione: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others.

Condizione: New.

Paperback. [64]p. photonovela, 8x11 inches, in English and Spanish (each panel is bilingual), wraps, in very good condition. 'Set against a backdrop of conspiracy and corruption in the City of Angels, THE BIG SWEEP explores the seamy underside of working conditions, la Migra, and class conflict from the point of view of a Mexican journalist in search of her missing compañero, an outspoken union activist and hard working janitor named Ramón.' - p. 1.

Paperback. Condizione: New. The Mexican postmodern polymath receives his first overviewPublished with MUAC.Published for the polymathic artist's first retrospective, Customatism celebrates the work of San Diego-based Mexican photographer, painter, sculptor, film and video producer Rubén Ortiz Torres (born 1964) from the mid-1980s to the present.

Paperback. Condizione: Brand New. 304 pages. 12.25x9.00x1.00 inches. In Stock.

215 S. Hardcover mit Schutzumschlag. 4°. Zweisprachig: englisch, spanisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

Hardback. Condizione: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others.

Encuadernación de tapa dura. Condizione: Muy bien. Antología de narrativa. Introducción, selección y notas de Guillermo Sheridan. BUEN ejemplar. 210pp + índice.