Ruben ortiz torres (32 risultati)

Soft cover. Condizione: Very Good. 1st Edition. Interesting, lesser-known artist. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, buyers and sellers of good books at fair prices since 1991. Come visit! Please contact us if downsizing your library; we travel worldwide to buy good collections.…

Softcover, 64 pages; very good condition; except abrasion to bottom of spine; no internal marks. DVD in pocket on inside rear cover. Foreign shipping may be extra.

Paperback. Condizione: Very Good. Murder in My Suite Bienvenidos al Hotel California (ISBN 0-9639050-0-7) by Stephen Callis, Leslie Ernst and Ruben Ortiz Torres. A photo novel that addresses the Los Angeles Hotel Industry union struggle in mystery novel form. Text in English and Spanish. Unpaginated. Paper with stiff cover. 8" x 11". Black and white reproductions. Very good condition. …

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.…

Softcover, 72 pages; in English and Spanish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. 1st Edition. 8vo bound in wrappers with jacket. 303 pp. In color. Near Fine with light edge wear. Please inquire about overseas shipping prior to purchase. [OJ].

First Edition. First edition. Softcover. Exhibition brochure for a show that ran November 8, 2001 through January 13, 2002. Single sheet folded three times to create 8 pages. Features text by Cuauhtemoc Medina. Includes several color illustrations, list of previous exhibitions, and a selected bibliography. A fine copy. Uncommon.…

Paperback. Condizione: Very Good. No Jacket. First Edition. First published in Mexico City in 1991, Mandorla emphasizes innovative writing in its original language--most commonly English or Spanish--and high-quality translations of existing material. Visual art and short critical articles complement this work. The name of the magazine--mandorla, describing a space created by two intersecting circles--alludes to the notion of exchange and imaginative dialogue that is necessary now among the Americas. Bilingual English and Spanish. Book is in very good condition. Rubén Ortiz Torres Photographer (illustratore).…

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. 180 Illustrations Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America, extending from Donald Duck's first featured role, to the 2013 attempt to copyright the Day of the Dead. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. …

Paperback. Condizione: New. The Mexican postmodern polymath receives his first overviewPublished with MUAC.Published for the polymathic artist's first retrospective, Customatism celebrates the work of San Diego-based Mexican photographer, painter, sculptor, film and video producer Rubén Ortiz Torres (born 1964) from the mid-1980s to the present.…

Flexibound. Condizione: New. Special order direct from the distributor.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. …

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. [64]p. photonovela, 8x11 inches, in English and Spanish (each panel is bilingual), wraps, in very good condition. 'Set against a backdrop of conspiracy and corruption in the City of Angels, THE BIG SWEEP explores the seamy underside of working conditions, la Migra, and class conflict from the point of view of a Mexican journalist in search of her missing compañero, an outspoken union activist and hard working janitor named Ramón.' - p. 1.…

Paperback. Condizione: New. The Mexican postmodern polymath receives his first overviewPublished with MUAC.Published for the polymathic artist's first retrospective, Customatism celebrates the work of San Diego-based Mexican photographer, painter, sculptor, film and video producer Rubén Ortiz Torres (born 1964) from the mid-1980s to the present.…

Paperback. Condizione: Brand New. 304 pages. 12.25x9.00x1.00 inches. In Stock.

Hardback. Condizione: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. …

Condizione: New. Investigating the reception and reuse of the imagery of one of the world s largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America, extending from Donald Duck s first featured role, to the 20.

Cloth. Condizione: Very Good. Condizione sovraccoperta: No Jacket, As Issued. 256 pages. Hardcover. Texts in English. There is a bit of light soiling and some mild staining to the covers. The binding is tight and crisp, with sharp edges and corners on the boards, and a clean interior free of markings. Bound in printed cloth covered boards and issued without a dustjacket. An explosive collection of illustrated essays that collectively explore some exciting collections of Latin American art. And you have to love a book that includes an essay on "Flatulence, Collecting, and the American Dream," right?!. Book.…

Hardcover. Condizione: new. Hardcover. With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. 180 Illustrations Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America, extending from Donald Duck's first featured role, to the 2013 attempt to copyright the Day of the Dead. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. …

Paperback. Condizione: New.

Condizione: Near fine. 10 1/4 x 7 3/8". 256pp. Profusely illustrated with color photographs of each collection on glossy paper with essays printed on smaller colored paper interspersed throughout. Orange cloth with black titles, issued without dust jacket. Small spot of soiling on front cover.

Condizione: Near Fine. Ultrabaroque: Aspects of Post-Latin American Art San Francisco: SFMOMA, 2001 (08), 15,3×11 cm. Exhibition announcement card for group show tracing tendencies of eclectic and lowbrow infused art from Latin America. Participating artist: Miguel Calderón, María Fernanda Cardoso, Rochelle Costi, Arturo Duclos, José Antonio Hernández-Diez, Yishai Jusidman, Inigo Manglano-Ovalle, Lia Menna Barreto, Franco Mondini Ruiz, Rubén Ortiz Torres, Nuno Ramos, Valeska Soares, Einar and Jamex de la Torre, Meyer Vaisman, Adriana Varejao. Recto early work by Rubén Ortiz Torres, Bart Sanchéz, 1991. …