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Hardcover. Condizione: Very Good. First Edition. 375 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. Remainder mark (one dot) on top / bottom fore-edge. First Edition / First Printing. 10,9,8,7,6,5,4,3,2,1.
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 392.
Condizione: New.
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Da: Basi6 International, Irving, TX, U.S.A.
Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: MIT Press Ltd, Cambridge, Mass., 2019
ISBN 10: 0262039702 ISBN 13: 9780262039703
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. An alternative history of software that places the liberal arts at the very center of software's evolution.In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software's evolution. Tracing the origins of software to eighteenth-century French encyclopedists' step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts.Sack offers a reading of the texts of computing-code, algorithms, and technical papers-that emphasizes continuity between prose and programs. He translates concepts and categories from the liberal and mechanical arts-including logic, rhetoric, grammar, learning, algorithm, language, and simulation-into terms of computer science and then considers their further translation into popular culture, where they circulate as forms of digital life. He considers, among other topics, the "arithmetization" of knowledge that presaged digitization; today's multitude of logics; the history of demonstration, from deduction to newer forms of persuasion; and the post-Chomsky absence of meaning in grammar. With The Software Arts, Sack invites artists and humanists to see how their ideas are at the root of software and invites computer scientists to envision themselves as artists and humanists. An alternative history of software that places the liberal arts at the very center of software's evolution. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 45,47
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Aggiungi al carrelloCondizione: New. pp. 392.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Aggiungi al carrelloHardcover. Condizione: Brand New. 375 pages. 9.25x7.25x1.25 inches. In Stock.
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Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloGebundene Ausgabe. Condizione: Neu. Neu Neuware, auf Lager - An alternative history of software that places the liberal arts at the very center of software's evolution.
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Aggiungi al carrelloCondizione: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Coins abîmés. 364166-1 - Langage et idéologie Penser le devenir de la langue avec Klemperer, 2022.
EUR 50,38
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Aggiungi al carrelloHardback. Condizione: New.
Lingua: Inglese
Editore: MIT Press Ltd, Cambridge, Mass., 2019
ISBN 10: 0262039702 ISBN 13: 9780262039703
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 97,68
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. An alternative history of software that places the liberal arts at the very center of software's evolution.In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software's evolution. Tracing the origins of software to eighteenth-century French encyclopedists' step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts.Sack offers a reading of the texts of computing-code, algorithms, and technical papers-that emphasizes continuity between prose and programs. He translates concepts and categories from the liberal and mechanical arts-including logic, rhetoric, grammar, learning, algorithm, language, and simulation-into terms of computer science and then considers their further translation into popular culture, where they circulate as forms of digital life. He considers, among other topics, the "arithmetization" of knowledge that presaged digitization; today's multitude of logics; the history of demonstration, from deduction to newer forms of persuasion; and the post-Chomsky absence of meaning in grammar. With The Software Arts, Sack invites artists and humanists to see how their ideas are at the root of software and invites computer scientists to envision themselves as artists and humanists. An alternative history of software that places the liberal arts at the very center of software's evolution. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.