Sadie coles (21 risultati)

Paperback. Condizione: New.

Hardcover with dustjacket, unpaginated; in English; very good condition, small crimps to top and bottom of spine; light rubbing to dj; no internal marks. Foreign shipping may be extra.

0. Yoko. Catalogue. Sadie Coles, London 2004. Verlag der Buchhandlung Walther König, Köln. Vorw. von Sara Harrison. 48 S. mit 20 teils farb. Abb., brosch. - Guter bis sehr guter Zustand. Brown`s wife Yoko has been the subject of an ongoing series of sculptures by Don Brown since 1999. Reduced precisely to half or three-quarter scale, these pure white sculptures present Yoko in different poses - sleeping, sitting, shrouded, clothed, naked. This book features 20 of these works, juxtaposed with short texts by artists, critics, collectors, curators and friends, among them Stefan Kalmar, Gregor Muir, Richard Prince, Norman Rosenthal, Rudolf Sagmeister and others. ***** Seit 1999 erschafft Don Brown Skulpturen seiner Frau Yoko. Im Maßstab genau auf ein Drittel oder die Hälfte der Größe Yokos verkleinert, zeigen die rein weißen Skulpturen Yoko in verschiedenen Posen - schlafend, sitzend, zugedeckt, angezogen oder nackt. Das Buch zeigt 20 dieser Werke, kombiniert mit kurzen Texten von Künstlern, Kritikern, Sammlern, Kuratoren oder Freunden, u. a. Stefan Kalmar, Gregor Muir, Richard Prince, Norman Rosenthal und Rudolf Sagmeister.…

Soft cover. Condizione: Very Good. Very good book. Colour illustrations.

Paperback. Condizione: New. Ugo Rondinone (b. Brunnen, Switzerland, 1964; lives and works in New York) is one of the most accomplished artists of his generation. For three decades, the conceptual and installation artist has built an oeuvre grappling with themes of time and impermanence, day and night, reality and fiction, nature and culture. Spanning diverse media - painting, sculpture, film, and installation art - his work is rooted in the transformation of outward reality into a subjective and emotionally charged world within, harnessing a multifaceted system of inspirations and references from German Romanticism to American Land Art and international pop culture. Balancing the mundane with the spiritual, the artist conjures suggestive atmospheres that capture the contemporary mood.This book gathers four exhibitions of Ugo Rondinone's work in 2021: a wall . a door . a tree . a lightbulb . winter at the Sørlandets Kunstmuseum (SKMU), Kristiansand, Norway; a sky . a sea . distant mountains . horses . spring at Sadie Coles hq, London; a rainbow . a nude . bright light . summer at Kamel Mennour, Paris; and a low sun . golden mountains . fall at Galerie Krobath, Vienna.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. First Edition. Original oversized cloth. Fine but for very gently bumped lower points. The DJ is softened at same points.; 255 X 20 X 320 millimeters; 192 pages.

Condizione: VG+. Condizione sovraccoperta: VG+. Hardcover 4to Very Good + condition with only the faintest wear to boards where the dust-jacket is a bit abraded, barely noticeable. 196 pp, 454 illustrations, 76 in colour.

320 mm x 250 mm, 10 gr. 195 S. mit 454 Abb. (davon 76 in Farbe). OPbd. mit illustr. OU. Schutzumschlag mit zwei kleinen Randläsuren, gutes Exemplar. Sprache: englisch.

First edition, first printing. Large format. Fine in fine dustjacket.

Paperback. Condizione: Fine. First Edition. Hardback. 4to. pp 79. Original publisher's blue cloth firm colour illustrated slip-case, lettered gilt at the spine. 2 large paper wraps catalogues --published to accompany the exhibition "Situation Miss Jumbo Savaloy" held at Sadie Coles, London, February 16 - March 17, 2012, and the exhibition "Situation Absolute Beach Man Rubble", held at the Whitechapel Gallery, London, October 2 - December 15, 2013. ISBN: 0854882235 Fine in fine colour illustrated slip-case cover.…

Hardcover with dustjacket, 196 pages; very good condition except dj lightly yellowed and lightly creased along bottom edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. 196 pp, 454 illustrations, 76 in colour. Still shrinkwrapped. 3775716432 4to. Catalogue Raisonne.

Prinzhorn, Martin et al. SARAH LUCAS. 196 pp., 76 color and 378 b&w illustrations. 4to, cloth. Ostfildern-Ruit, Hatje Cantz Publishers, 2005. This catalogue accompanies the first major retrospective devoted entirely to Lucas' art. It includes a catalogue raisonné of work from the early 90s to the present.…

Softcover. Condizione: gut. 2003. Richard Prince: American English (Englisch) von Richard Prince (Autor) In englischer Sprache. 134 pages. 21,9 x 15,4 x 1,2 cm.

Condizione: Very Good.

Softcover. Condizione: gut. 2005. Sarah Lucas In deutscher Sprache. pages.

Hardcover. Condizione: As New. GOD IS DAD. That was the title of Sarah Lucas's last show in New York, in which the pun-prone artist assembled an array of sculptures constructed from cast concrete forms, tacky beige nylon stockings, and random metal objects. These typically abject art pieces fit right into the body of work Lucas has been building since the early 1990s from apparently banal, everyday materials. Old, worn furniture, clothing, food, newspapers, cigarettes, cars, resin, plaster, neon lamps, and light fixtures combine to form grungy assemblages whose appearance belies the serious and complex subject matter they address. Through the slyly anthropomorphic character of her sculptures, Lucas makes constant reference to the human body, questioning gender definitions and challenging male-dominated culture, especially that espoused by the sensationalist British press. She subverts sexual stereotypes in her appropriations of the tabloid vernacular and by making unexpected juxtapositions of objects, often employing visual wit and a defiant, bawdy humor. Her most iconic work, Two Fried Eggs and a Kebab, which was included in the landmark Sensation exhibition in 1999, bears this out with a nasty wink: The title, which precisely describes the materials from which the piece was made, is slang for, well . . . just look it up. This extensive, large-format catalogue comprehensively tracks the career of one of the leading figures in an outstanding generation of British artists. Lucas, who first came to attention as a YBA (Young British Artist) in the 1990s, is here granted her first major exhibition survey. Included in this accompanying publication is documentation of key works, plus new work made especially for the Tate Liverpool. It is the most comprehensive publication on the artist to date. Essays by Yilmaz Dziewior, Sadie Coles and Martin Prinzhorn. Interview by Beatrix Ruf. Hardcover, 10 x 12.75 in./192 pgs / 273 color.…

Hardcover. Condizione: As New. GOD IS DAD. That was the title of Sarah Lucas's last show in New York, in which the pun-prone artist assembled an array of sculptures constructed from cast concrete forms, tacky beige nylon stockings, and random metal objects. These typically abject art pieces fit right into the body of work Lucas has been building since the early 1990s from apparently banal, everyday materials. Old, worn furniture, clothing, food, newspapers, cigarettes, cars, resin, plaster, neon lamps, and light fixtures combine to form grungy assemblages whose appearance belies the serious and complex subject matter they address. Through the slyly anthropomorphic character of her sculptures, Lucas makes constant reference to the human body, questioning gender definitions and challenging male-dominated culture, especially that espoused by the sensationalist British press. She subverts sexual stereotypes in her appropriations of the tabloid vernacular and by making unexpected juxtapositions of objects, often employing visual wit and a defiant, bawdy humor. Her most iconic work, Two Fried Eggs and a Kebab, which was included in the landmark Sensation exhibition in 1999, bears this out with a nasty wink: The title, which precisely describes the materials from which the piece was made, is slang for, well . . . just look it up. This extensive, large-format catalogue comprehensively tracks the career of one of the leading figures in an outstanding generation of British artists. Lucas, who first came to attention as a YBA (Young British Artist) in the 1990s, is here granted her first major exhibition survey. Included in this accompanying publication is documentation of key works, plus new work made especially for the Tate Liverpool. It is the most comprehensive publication on the artist to date. Essays by Yilmaz Dziewior, Sadie Coles and Martin Prinzhorn. Interview by Beatrix Ruf. Hardcover, 10 x 12.75 in./192 pgs / 273 color.…

Hardcover. Condizione: As New.

87, (1)pp. 76 plates. 4to. Wraps. D.j.

Wrappers. Condizione: Very Good. (London). (Sadie Coles HQ). (2005). 8vo. LIMITED to 1,000 copies. Published on the occasion of the exhibtion at Hydra Workshops in Greece, July 23-September 10, 2005. Minimal edgewear to wrappers. Gentle creases to lower forecorners of covers, and upper forecorner of last leaf. VG in wrappers.…