Sally struthers (18 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. B00K: Fine/ $48.90 0385143508 The Sally Struthers Natural Beauty Book; SIGNED * Struthers, Sally; Virtue, Joyce; Wilkie, Jane. Doubleday 1979 1sT Edition Cream Colored Spine With title In Black And Light Brown Letters, Tall, And Wide, Dust Jacket: Very Good, Shelf, Corner And Edge Ware. Hard Cover B0K: Fine, 210 Numbered Pages That Were Lightly Read Or Not Read At All, Corners Are Lightly Bumped, Gift Inscription, Signed By Sally Struthers, In The Front Of The Book, In Black Ink. = Description Applies To This B00K, Only. = This Author Signed Book Has A Special Significance, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE. =*=* California State Law Now Requires The Following Notice Be Given: *=*=* Seller Did Not See And Was Not Present When This Item Was Signed. No Certificate Of Authenticity Is Included In This Sale/Purchase Price. If You Would Like A Certificate Of Authenticity, You Can Obtain One At Your Own Convenience And Expense, Which Is Not Included In The Purchase Price Of This Item. =*=*. B00K: Fine/ 1979 (illustratore). Signed by Author(s). …

Paperback. Condizione: New.

First Edition. ROLLING STONE MAGAZINE, #119, 10-12-1972, first edition, near fine in wraps. Sam Peckinpah, Steve McQueen, Sally Struthers, Neal Cassady, Terry Knight, et.al.

No Binding. Condizione: Very Good. ("Sally Struthers") boldly penned in purple on First-Day Cover for the 13 cent Talking Picture stamp (Scott # 1727), with pictorial cachet by Art Craft, postmarked Hollywood, CA, October 6, 1977. 6 1/2" x 3 3/4". Very good. Signed and inscribed: "For my friend Adrian - Love and the children, Sally Struthers". Signed by Author(s).…

Vintage studio still photograph from the 1970 film, showing a line of men in drag. A rock-and-roll quartet is sent to Albania, where they are tasked with recovering American hostages who have been kidnapped by Communists. Featuring numerous celebrity cameos by Busby Berkeley, Xavier Cugat, Andy Devine, Ruby Keeler, Dorothy Lamour, Guy Lombardo, Richard Pryor, Colonel Sanders, Ed Sullivan, Rudy Vallee, and many others. Shot on location in Ávila. 10 x 8 inches. Very Good plus, with a bruise at the bottom left corner.…

hardcover. Condizione: Good. Includes dust jacket. Chipping along top edge of dust jacket. Pages are clean and in very good condition. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed.…

Final Shooting Draft script for Season 5 Episode 23 of the 1982-1988 television series. Originally aired March 5, 1988 on syndicated television. The five season series was based on the 1980 film about the lives of four working women. In this episode, the women in the office suspect one of their married colleagues is sending checks to a woman he keeps on the other side of town. Green titled wrappers, noted as FINAL SHOOTING on the front wrapper, production No. 4X49, dated February 3, 1988, with credits for screenwriters David Silverman and Steve Sustarsic and director Philip Cusack. Title page integral with front wrapper. 37 leaves, with last page of text numbered 32. Xerogrpahic duplication, rectos only, with undated yellow and pink revision pages throughout. Pages Fine, wrapper Near Fine, bound with two gold brads.…

Three Draft scripts for Season 5, Episode 17 of the 1982-1988 television series, which aired in syndication on January 23, 1988. A First Draft script with manuscript pencil annotations on 29 pages striking and amending dialogue. A Revised First Draft script with manuscript pencil annotations on 24 pages striking and amending dialogue. And a Final Shooting Script with annotations on 20 pages striking and amending dialogue. All three scripts preceded by a one page Short Rundown, a Tentative Rehearsal and Taping Schedule, and a Cast page. Laid in are 39 pink, yellow, goldenrod, and white revision pages. Based on the 1980 film directed by Colin Higgins starring Jane Fonda, Lily Tomlin, and Dolly Parton about the lives of four working women. The series premiered on March 25, 1982 and aired for 85 episodes over five seasons before ending on March 26, 1988. In this episode, Masha (Sally Struthers) reluctantly agrees to take Felb (Fred Applegate) in after his wife kicks him out, but the situation quickly becomes unbearable. First Draft script: White titled wrappers, noted as FIRST DRAFT on the front wrapper, dated November 9, 1987, with credits for screenwriters Ursula Ziegler and Steven Sullivan. 40 leaves, with last page of text numbered 36. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Revised First Draft script: Front wrapper integral with title page, dated November 10, 1987, noted as REVISED FIRST DRAFT, with credits for screenwriters Ursula Ziegler and Steven Sullivan. 38 leaves, with last page of text numbered 33. Xerographic duplication on yellow leaves, rectos only, with pink revision pages throughout, dated 11/10/87. Pages Near Fine, bound with two gold brads. Final Shooting script: Goldenrod titled wrappers, noted as FINAL SHOOTING SCRIPT on the front wrapper, dated November 10, 1987, with credits for screenwriters Ursula Ziegler and Steven Sullivan. 40 leaves, with last page of text numbered 33. Xerographic duplication, rectos only, with pink, yellow, and green revision pages throughout, dated 11/11/87 and 11/12/87. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

First Draft script for Season 5 Episode 19 of the 1982-1988 television series. Originally aired on February 6, 1988, on syndicated television. The five season series was based on the 1980 film about the lives of four working women. In this episode, one of the women's ex husbands wants joint custody of their children until he realizes all it entails. White titled wrappers, dated December 14, 1987, and noted as FIRST DRAFT on the front wrapper, with credit for screenwriters David Silverman and Stephen Sustarsic and for director Phil Cusack. Title page integral with front wrapper. 42 leaves, with last page of text numbered 39. Mimeograph duplication. Pages Fine, wrapper Near Fine, bound with two gold brads.…

Final Shooting script for Season 5 Episode 14 of the 1982-1988 television series. Originally aired on December 19, 1987, on syndicated television. The five season series was based on the 1980 film about the lives of four working women. In this episode, the women clash when the secretaries at work organize a strike. Titled self wrappers, noted as FINAL SHOOTING SCRIPT on the front wrapper, dated November 4, 1987, with credits for screenwriters David Silverman and Stephen Sustarsic and for director Gary Shimokawa, and with manuscript ink annotation to the front wrapper. Title page integral with front wrapper. 43 leaves, with last page of text numbered 37, with white revisions pages dated variously between 11/04 and 1105. Mimeograph duplication. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

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Vintage reference photograph from the 1972 film, showing director Sam Peckinpah behind the camera. Mimeo snipe on the verso. A ballet of violence, and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of the New American Cinema, including a supremely confident Steve McQueen as an antihero, and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" four years prior-handling the screenplay. 8 x 10 inches. Light toning to margins, else Near Fine. Grant US. Silver Classic Noir. Spicer US.…

Vintage double weight matte-finish reference photograph from the set of the 1972 film showing director Sam Peckinpah at work on location. Peckinpah at the peak of his powers, a ballet of violence, and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema, including a supremely confident Steve McQueen as an anti-hero, and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" 4 years prior-handling the screenplay. Approximately 10 x 8 inches. Near Fine. Lee, The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US.…

Vintage reference photograph from the set of the 1972 film, showing director Sam Peckinpah with actors Steve McQueen and Ali McGraw. With a mimeo snipe on the verso. Peckinpah at the peak of his powers, a ballet of violence, and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema, including a supremely confident Steve McQueen as an anti-hero, and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" 4 years prior-handling the screenplay. Approximately 10 x 8 inches. Near Fine. Lee, The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US.…