Saloman randi (68 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. E.M. Forster's vision of love struggling to assert itself in spite of the rigid class boundaries of Edwardian England, A Room with a View contains an introduction by Malcolm Bradbury in Penguin Classics. Visiting Florence with her prim and proper cousin Charlotte as a chaperone, Lucy Honeychurch meets the unconventional, lower-class Mr Emerson and his son, George. Upon her return to England, Lucy becomes engaged to the supercilious Cecil Vyse, but she finds herself increasingly torn between the expectations of the world in which she moves and the passionate yearnings of her heart. More than a love story, A Room with a View (1908) is a penetrating social comedy and a brilliant study of contrasts - in values, social class, and cultural perspectives - and the ingenuity of fate. In his sparkling introduction Malcolm Bradbury notes that A Room with a View 'was the work where Forster laid down most of his key themes, the place where he displayed both his warmth and sharpness, and developed his famous light style.' This edition also contains suggestions for further reading and explanatory notes. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed A Room with a View, you might enjoy D.H. Lawrence's Women in Love, also available in Penguin Classics. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Paperback or Softback. Condizione: New. A Room with a View. Book.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. The first full critical edition of E.M. Forster's celebrated novel includes a rich selection of contextual materials. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

paperback. Condizione: New. Special order direct from the distributor.

Paperback. Condizione: New. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukács, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: new. Paperback. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukcs, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel Explores the way Woolf used essay-writing techniques to develop her own conception of the modern novel. This book forcuses on Woolf's vast output of essays and their relation to her fiction. Saloman shows that it was by employing tools and methods drawn from the essay genre that Woolf managed to leave behind the realism of the 19th-century novel. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…