Salvatore tedesco (34 risultati)

unknown_binding. Condizione: Good. Good. Used with wear but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

Paperback. Condizione: New.

Brossura. Condizione: new. Roma, 2023; br., pp. 214, cm 14,2x21.(Gli Anelli di Saturno). Obiettivo di questo studio è quello di far dialogare la forma del pensiero poetico di Inger Christensen, Anne Carson e Marija Stepanova con quella del pensiero estetico, ritraducendo la prima nella seconda per aprire l'indagine sulla forma del nostro tempo al discorso estetico-filosofico. È solo in questo modo che va intesa la costruzione di una morfologia. La prospettiva morfologica oggetto di questo studio non sceglie come exempla le opere poetiche e le riflessioni poetologiche presentate, ma piuttosto si costruisce nel dialogo con esse. Non è dunque una dimensione "applicativa" quella in opera nel pensiero morfologico, anzi esso attraversa le proprie condizioni di possibilità nel farsi del paesaggio teoretico e storico da cui emerge. Per questo risulta utile riportare le analisi che qui si è cercato di sviluppare a tre rubriche di fondo poste in elenco come riferimenti incrociati fra ontologia, poetica, storia. Libro.…

Paperback. Condizione: New.

Brossura editoriale. Condizione: New. Un volume.

Paperback. Condizione: New.

brossura Copertina flessibile. Condizione: Good. Condizione: Buono. Libro già letto ma in buone condizioni generali. Copertina con lievi bruniture. Ingegno e immaginazione nella poetica critica dell'Illuminismo tedesco. Copertina flessibile 77 Buono (Good) . Book.

brossura Copertina flessibile. Condizione: Good. Condizione: Buono. Libro già letto ma in buone condizioni generali, copertina con lievi segni d'uso, interno integro e fruibile Copertina flessibile 221 Buono (Good) . Book.

Condizione: New. In English.

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the 'two cultures', the fields of morphological culture that are the object of this glossary have profoundly changed.The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing - as Horst Bredekamp observes - an immense mass of images that fill our time and affect the most diverse areas of our culture.The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision.The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary. 552 pp. Englisch.…

Condizione: New.

Condizione: New. 1st ed. 2020 edition NO-PA16APR2015-KAP.

Condizione: New.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the 'two cultures', the fields of morphological culture that are the object of this glossary have profoundly changed.The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes incultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing - as Horst Bredekamp observes - an immense mass of images that fill our time and affect the most diverse areas of our culture.The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, bothexpressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision.The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.…

Taschenbuch. Condizione: Neu. Glossary of Morphology | Federico Vercellone (u. a.) | Taschenbuch | Lecture Notes in Morphogenesis | xii | Englisch | 2021 | Springer | EAN 9783030513269 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Condizione: New. 2020th edition NO-PA16APR2015-KAP.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the 'two cultures', the fields of morphological culture that are the object of this glossary have profoundly changed.The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes incultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing - as Horst Bredekamp observes - an immense mass of images that fill our time and affect the most diverse areas of our culture.The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, bothexpressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision.The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.…

Brossura. Condizione: nuovo. Inschibboleth Edizioni, 2025. 144pp La pittura di Artemisia Gentileschi testimonia la forte rivendicazione di un ruolo nuovo autoriale, inedito perché riferito a una donna, ma altrettanto inedito per il modo in cui l'inclinazione artistica si pone nei confronti del mondo. Al tempo stesso, Artemisia supera con consapevolezza i confini sino allora posti alla produzione pittorica femminile, innalzandosi dalla natura morta e dalla ritrattistica alla narrazione di vicende mitologiche e storiche. Dunque dalla natura (ruolo a cui la donna appariva confinata per ruolo sociale e ambito d'educazione) alla storia (rivendicata da sempre come ambito d'operazione e di costruzione esclusivamente maschile); ma al tempo stesso la storia e il mito rivelano adesso in Artemisia componenti nuove e inedite, personaggi, modi di svolgimento, valori mai praticati.…

Paperback. Condizione: New.

In 8° 170 pp.Legatura cartoncino editoriale. Ottimo. All books are in stock in fine condition or described meticulously. Very safe packaging ***Books dated over 70 years old: ONLY SHIPPING WITHIN ITALY - please do not order if locaded abroad***.

Paperback. Condizione: New.

Paperback. Condizione: New.

Condizione: new. Questo è un articolo print on demand.

Condizione: new. Questo è un articolo print on demand.

Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order. …

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the 'two cultures', the fields of morphological culture that are the object of this glossary have profoundly changed.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 552 pp. Englisch.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the 'two cultures', the fields of morphological culture that are the object of this glossary have profoundly changed.The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing - as Horst Bredekamp observes - an immense mass of images that fill our time and affect the most diverse areas of our culture.The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision.The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary. 552 pp. Englisch.…