sam chermayeff (12 risultati)

No marks in text. Not a library book. One copy only of this title. Ships in a cardboard enclosure. THE BOOK YOU SEE DESCRIBED IS THE COPY YOU WILL RECEIVE. Tim's Used Books, open shop in Provincetown, Mass., providing good books at reasonable prices on the same spot since 1991. shelf 33.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 24 x 31 cm, 72 Seiten, 46 Farbabbildungen und Pläne, Leineneinband - Auf dem Novartis-Campus in Basel steht das schmale, verglaste Bürogebäude von SANAA/ Sejima + Nishizawa mit einem parkartigen Innenhof. Die nur 5,5 Meter breiten Büroräume sind frei unterteilbar und bieten allen Angestellten einen Arbeitsplatz in Fensternähe. Dank den völlig transparenten Glasfassaden kommen die Geschossplatten als strukturierende Elemente des eleganten Baus voll zur Geltung.

Condizione: New. Arquitectura-G ist ein junges Architekturbuero mit Sitz in Barcelona, das von Jonathan Arnabat, Jordi Ayala-Bril, Aitor Fuentes und Igor Urdampilleta geleitet wird. Das Team begann seine berufliche Laufbahn mitten in der Wirtschaftskrise, als oeffentliche Arc.

Soft cover. Condizione: Near Fine. No Jacket. Pérez Rubio, Agustín (illustratore). Near Fine / -- . Unpaginated. Colour and b/w illustrations Pictorial card covers with French flaps. Binding is firm and tight. No inscriptions. Not ex-library.

paperback. Condizione: New. Pérez Rubio, Agustín (illustratore). In shrink wrap. Looks like an interesting title!

paperback. Condizione: Good. Pérez Rubio, Agustín (illustratore). Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

No Binding. Condizione: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.