sandra dagher (7 risultati)

Paperback. Condizione: Near Fine. Color Plates; 6.01 X 0.4 X 9 inches; 256 pages.

Softcover, 256 pages, in English and Arabic; very good condition; small crease to upper right corner of cover and first few pages; no internal marks. Foreign shipping may be extra.

Joreige, Lamia, and Sandra Dagher. GERHARD RICHTER: Beirut. 254 pages, including roughly 336 color plates. Small 4to, wraps. Beirut, Beirut Art Center, in association with London, Heni Publishing, and Cologne, Walther Koenig, 2012. Exhibition in Beirut. Text in English and Arabic.

Soft cover. Condizione: Good. English & Arabic. Softcover. Condition: GOOD. Light general shelf wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp. Beirut presents a large gathering of Gerhard Richter's overpainted photographs from the mid-1980s to the present. Rarely seen in print, these works merge the artist's longstanding fascination with the respective languages and textures of photography and abstract painting. The imagery ranges from domestic and family photos to holiday snaps, landscapes, mountain ranges and studio shots, all drawn from Richter's photographic archives. Also featured in this volume is Museum Visit, a series of 234 overpainted photographs, each of which was taken during a typical busy day at the Tate Modern. An essay by Achim Borchardt-Hume considers the overpainted photographs within Richter's wider oeuvre, from the photo paintings of the 1960s to the 18 October 1977 cycle, from Atlas to War Cut. Borchardt-Hume asserts: "The photographs allow an insight into the private world of Richter, albeit an insight that is always seen--quite literally--through the veil of paint and painting.".

Hardcover without dustjacket as issued, 296 pages; in English, Italian and Arabic; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 18 x 24 cm, 256 pages with 336 color illustrations - Beirut presents a large gathering of Gerhard Richter s overpainted photographs from the mid 1980s to the present. Rarely seen in print, these works merge the artist s longstanding fascination with the respective languages and textures of photography and abstract painting. The imagery ranges from domestic and family photos to holiday snaps, landscapes, mountain ranges and studio shots, all drawn from Richter s photographic archives. Also featured in this volume is Museum Visit, a series of 234 overpainted photographs, each of which was taken during a typical busy day at the Tate Modern. An essay by Achim Borchardt-Hume considers the overpainted photographs within Richter s wider oeuvre, from the photo paintings of the 1960s to the 18 October 1977 cycle, from Atlas to War Cut. Borchardt-Hume asserts: The photographs allow an insight into the private world of Richter, albeit an insight that is always seen--quite literally--through the veil of paint and painting.

253 S., broschiert ; Ausstellungskatalog, 27. April - 16. Juni 2012, Beirut Art Center ; Text englisch und arabisch, teilweise in arabischer Schrift ; überwiegend Illustrationen ; 24 cm ; sehr guter Zustand, keine Gebrauchsspuren, keine Mängel ;