Sarah ann long (29 risultati)
A Place at the Table : Participating in Community Building
Kathleen De La Pena McCook ( Author); Sarah Ann Long (Foreword by)
Lingua: Inglese
Editore: American Library Association, Chicago, London, 2000
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Trade Paperback. Condizione: Good. 117 pp. Tightly bound copy with moderate wear.
Lingua: Inglese
Editore: Rochester, NY: University of Rochester Press, 2021
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Da: Anselm Scrivener Books, Chapel Hill, NC, U.S.A.Anselm Scrivener Books
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Hardcover. Condizione: As New. Eastman Studies in Music. xv, 350 pp., 20 illus. Hardcover with pictorial boards. Unread, as new. New list price: $130.00.
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paperback. Condizione: New. 1st.
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Antiphonaria Catalogue of Notated Office Manuscripts Preserved in Flanders C.1100 - C. 1800 : Averbode, Dendermonde, Diest, Geel, Ghent, Tongeren
Long, Sarah Ann (EDT); Behrendt, Inga (EDT); Gabriels, Nele (CON); Helsen, Kate (CON); Hoefener, Kristin (CON)
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Condizione: As New. Unread book in perfect condition.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Antiphonaria Catalogue of Notated Office Manuscripts Preserved in Flanders C.1100 - C. 1800 : Averbode, Dendermonde, Diest, Geel, Ghent, Tongeren
Long, Sarah Ann (EDT); Behrendt, Inga (EDT); Gabriels, Nele (CON); Helsen, Kate (CON); Hoefener, Kristin (CON)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Condizione: New. 2021. Hardcover. . . . . .
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In.
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condizione: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organi…zed around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.
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Condizione: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organi…zed around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Hardback. Condizione: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organi…zed around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organi…zed around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Hardcover. Condizione: Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock. This item is printed on demand.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 702.
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersÜber den AutorSarah Ann LongInhaltsverzeich…nis.
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Buch. Condizione: Neu. Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550 | Sarah Ann Long | Buch | Einband - fest (Hardcover) | Englisch | 2021 | University of Rochester Press | EAN 9781580469968 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | A…nbieter: preigu Print on Demand.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Starting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organized around trades and religious devotions dedicated to specific patron saints. The composition of new plainch…ant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region.Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.SARAH ANN LONG is Associate Professor of Musicology at Michigan State University.
