Sarah b kianovsky (17 risultati)

Hardcover with dustjacket, 388 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condizione: Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Hardcover. Condizione: Used-Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Soft cover. Condizione: Very Good. text clean and unmarked. binding tight. covers have very light wear. edges of pages have very light wear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. hardcover in dustjacket. large format.

Condizione: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Condizione: NF/VG. Pale grey cloth/boards; silver lettering. Grey dj with sculpture illus. and bw/red lettering. Image of Lois Orswell's personal bookplate on FEP. 387 pp. with 85 color and 117 bw illustrations. Lois Orswell was a pioneering collector of abstract expressionist art and modern sculpture in a time when men dominated the art world. Her collection focused on sculpture and drawings, especially those of Franz Kline, Willem de Kooning, Auguste Rodin, Alexander Calder, Henry Moore, Louise Nevelson, and many others, but most importantly, David Smith. The book highlights the close connection between Orswell and Smith and publishes, for the first time, their correspondence, which sheds important new light on the sculptor's personality and professional practice. Also included is the history of Orswell's collection, which numbers over 340 objects and is housed at the Harvard University Art Museums. - paraphrased from the book's description. Contents as follows: L.O. -- Prelude -- Novitiate -- Collecting -- Vibrations -- Floating -- Goddess -- Margaret -- New York -- David -- Chronology of ownership -- Exhibitions from the collection.…

Softcover exhibition catalog, 388 pages, as new condition, no internal marks, clean and crisp. Priority and foreign shipping may be extra for this book.

Hardcover. dj. First Edition Thus. Book condition is Very Good; with a Very Good dust jacket. Minor edgewear to bookplate to front pastedown. Text is clean and unmarked. ; 11.44 X 8.74 X 1.41 inches; 320 pages.

Wrappers. Condizione: Near Fine. 64 pages 38 illustrations, with 33 in color. Softcover monograph, seemingly rarely opened, with tight binding and uncreased spine. Shelfwear to bottom edge causing a slight delamination of the stiff paper covers. Clean interior, free of markings. Published on the occasion of the exhibition November 14, 2003-January 24, 2004. Book.…

Paperback. Condizione: Like New.

Hardcover. Condizione: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 387 pp., 202 illustrations 85 in color. Hardcover, bound in gray cloth colored cloth covered boards and wrapped in an illustrated paper dustjacket. Tight binding, sharp edges and corners on the boards, bright jacket, now encased in a Mylar cover, and a clean, unmarked interior. Published on the occasion of the exhibition from the Harvard University Art Museums, at the Fogg Art Museum, Cambridge MA 21 September 2002-16 February 2003.…

Cohn, Marjorie B. Lois Orswell, DAVID SMITH and Modern Art. With the Lois Orswell/David Smith Correspondance edited by Sarah B. Kianovsky; 388 pp., 85 color and 117 b&w illustrations. 4to, cloth. Cambridge, Harvard University Art Museums, and New Haven and London, Yale University Press, 2002.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. 4to (28 cm), 320 pp. Publisher's cloth and dust jacket. From the blurb: "Lois Orswell (1904-1998) was a pioneering collector of abstract expressionist art and modern sculpture. She was notable not only for the quality of her acquisitions but also for her exceptional position as a woman collector at a time when men dominated the art world. Orswell focused her attention on sculpture and drawings, rather than paintings, and her collection features the work of such canonical artists as Kline, de Kooning, Rodin, Calder, Moore, Nevelson, and many others. Of all these artists, none was more important than David Smith, arguably the greatest American sculptor of the 20th century, and this volume highlights the close connection between collector and artist. This work publishes the correspondence between Orswell and Smith, shedding light on the sculptor's personality and professional practice. It also tells the history of the Orswell Collection, which numbers over 340 objects and is housed at the Harvard University Art Museums.".…