Sarah kennel (152 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Used - Very Good.

Condizione: good. All pages and cover are intact with minor wear to the pages, binding, and possible minor marks within. 100% Satisfaction Guarantee!! **Ships SWIFTLY!** Some writing on the first few pages only.

Paperback. Condizione: Good. A compilation of information about the predominant negative, positive and photomechanical processes in use since 1839. It includes concise technical descriptions of the processes and their common uses, museum-quality illustrations, and diagrams indicating the basic structure of the print or negative.…

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good. WE SHIP DAILY! Book has very minor wear. ***PROMPT, PROFESSIONAL SERVICE!***.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Very Good. minor staining to page edge - slight wear to cover - otherwise binding strong contents clean - enjoy.

Paperback. Condizione: New. First Edition. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. Minor shelf wear to binding. Light wear & soiling on edges of text block. Text and images unmarked. Dj shelf worn with scuffs, scratches & small tears in a mylar cover. **Please note: book is oversized and heavy, and will require substantial additional shipping fees to international or expedited addresses.**.…

hardcover. Condizione: Good. Hardcover and dust jacket. Good binding and cover. Library stamps and markings.

Softbound. Condizione: VG+, as new. Color illustrated stiff wraps. ix, 207 pp., profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington, DC. The Forest of Fontainebleau, located about 50 miles southeast of Paris, held a singular place in 19th-century art. Variously called "savage," "wild," "romantic," and "beautiful" by visitors, Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot, The;odore Rousseau, Jean-François Millet, and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau, including Eugène Cuvelier and Gustave Le Gray, and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes, Legends, Souvenirs, Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch. …

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: NF. Hardback in Near Fine condition with Near Fine dust jacket . 9.5 X 0.75 X 11.25 inches. 220 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Soft cover. Condizione: Very Good. 1st Edition. VG large illustrated wraps softcover. French fold 4to. 207p. Index. Illustrated. 1st US edition. Art.

paperback. Condizione: Very Good. First Edition. Used - Very Good.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 220 pages.

Soft cover. Condizione: Fine. First Edition. Fine in wrappers.

paperback. Condizione: near fine. First. 179 color illustrations. ix + 206 pages. 4to, pictorial wrappers. Washington: National Gallery of Art, (2008). First edition. A near fine copy.

Soft cover. Condizione: Near Fine. 1st Edition. Over-sized soft cover book (207 pages) with 179 color illustrations. International shipping will require additional charge. Bookseller since 1995 (ULBDRM#3-R) rareviewbooks.

Stiff Wrappers. Condizione: Fine Condition. 210 pages 179 illustrations in color. Stiff Illustrated wraps. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC March 2-June 8, 2008. Chronology. Bibliography. Notes. Book.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardbound. Condizione: VG/VG as new. Grey cloth boards with gray lettering on spine, color illustrated dust jacket, ix, 207 pp., profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington, DC. The Forest of Fontainebleau, located about 50 miles southeast of Paris, held a singular place in 19th-century art. Variously called "savage," "wild," "romantic," and "beautiful" by visitors, Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot, The;odore Rousseau, Jean-François Millet, and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau, including Eugène Cuvelier and Gustave Le Gray, and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes, Legends, Souvenirs, Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch.…