Saul taborda dir (2 risultati)
Altre immaginiEditore: Unquillo (Córdoba), Argentina., 1935
- Rilegato
- Rivista/periodico
Da: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 1064,25
EUR 27,12 spedizioneSpedito da Uruguay a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloEncuadernación de tapa dura. Condizione: Muy bien. Folio. #1 May 1935 - #7 Dic 1939. (Complete set), Bound in half brown calf marbled boards. Collaborators: Carlos Arguello Lencinas, Santiago Montserrat, Tomas Fulgueira, Tomas Bordones, Among others. Facundo put the emphasis on the elucidation of essential aspects of our politic…al and university news that in the literary problems of the time. The "Cordovan group" integrated, among others, by Deodoro Roca, Raúl A. Orgaz, Adelmo R. Montenegro, Tomás Fulgueira, Santaigo Monserrat, Saúl Taborda, Carlos A. Fernández Ordóñez, Carlos Argüello Lencinas, Tomas Bordones, Humberto Castello and Francisco Deffis, has made contributions of singular importance for the history of Argentine culture. In 1935, Saúl Taborda began in Córdoba the publication of Facundo (Criticism and controversy), a kind of author's magazine in which he tried to display his view of the Argentine moment and specify the guidelines of a comprehensive social proposal. Shaped by the utopian tradition and fed by contemporary models, the facundic invocation of that proposal came to underline its inscription in a long dilemma and its character as a native solution for a crisis that Taborda understood to be prolonged and on a Western scale. If the problem was not new, the circumstances were, and these were what inclined us to look for the antidote in the nation and history. For the rest, the alternatives drew from distant sources, which Taborda explored with marked liberality, as he usually did with respect to a very broad system of intellectual and political references.Given the national visibility offered by the Córdoba University Reform, of which it was a central reference, Taborda shared in the 1930s the local withdrawal of most of his peers. Previously identified with forces between progressive and radicalized, his position is now less clear within that same space, in which accusations of fascism, somewhat bucolic revalidations and quite elusive audiences are crossed. This is the moment of Facundo, a magazine crossed by the complexities of an era and a character of great relative strangeness. Provenzano p155. Washington Pereyra T3,p218.
Altre immaginiEditore: Cordoba Establecimeinto grafico Pereyra Hnos., 1926
- Rivista/periodico
Da: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 7981,84
EUR 27,12 spedizioneSpedito da Uruguay a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSin Encuadernar. Condizione: Muy bien. Folio. #1 August 1926 - #13 June 1927. (Complete set). Wrappers in a blue cloth folder. Collaborators : A. Navarro, Brandan Carafa, Alberto Hidalgo, Norah Lange, Ramon Gomez de la Serna, Macedonio fernandez, Pettoruti, Juan Filloy, Gerardo Diego, Among Others. Illustred bay Pettoruti, Barra… , Lipchitz. It is so rare that Provenzano refers to this magazine saying ". in September 1926 the newspaper Clarín, a publication of" Literary Synthesis, "circulated in the city of Córdoba, some numbers appeared, we do not know how many, but in La Campana de Palo, May 1927, it is still mentioned and with these terms: "It is of a vanguardism too acute and crazy to be deeply sincere". Of brief but intense life, Clarín constitutes a privileged testimony of the modalities that assumed the aesthetic and literary avant-gardes in Córdoba in the decade of the '20. It expresses, in turn, a network of intellectual friendships fed by the reformist experience of '18 in opening, not necessarily peaceful, towards the territory of new art. Designed and directed by Carlos Astrada, with the accompaniment of Saúl Taborda and the usual collaboration of Emilio Petorutti -among several others- Clarín tried to connect the criticism and culture of the city with the deep, disordered and contradictory regeneration that affected the world of music. ideas and art in Europe. Forgetful, his initiative can be added to the chain of more or less failed attempts to remove the image of Cordoba from the one proposed by Sarmiento. Or it can illuminate with a different light a moment of local culture, marked by the tension assumed by the reformist legacy almost a decade after the event, and before the "call to order" of the 1930s. Washington Pereyra T2,p122.
