Scherzinger (489 risultati)

Condizione: Good. Paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Soft cover. Condizione: Good. 1st Edition. Spine is a bit cocked; binding has minor wear; stamped on bottom edge is "Examination copy, not for resale"; pages at front have small top-corner crease; tight, text clean. viii, 335 p., illustrated. [b 215].

Paperback or Softback. Condizione: New. The Henna Witch. Book.

Condizione: As New. Unread book in perfect condition.

Paperback or Softback. Condizione: New. The House on Chambers Court. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: New.

Condizione: New.

Condizione: New. In English.

Condizione: New.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Broschiert. Condizione: Gut. 128 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 185.…

Paperback. 120 Seiten 330 gr. sehr guter Zustand, Schutzumschlag berieben und angestoßen, sonst sehr gut.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condizione: New.

Soft cover. Condizione: Good. 5th or later Edition. wraps are shelf rubbed and edge worn. tanning. light marks. well bound. fairly good copy.[S.N]. Our orders are shipped using tracked courier delivery services.

Condizione: New.

Condizione: New.

Condizione: New. Arts, BlueBird (illustratore).

paperback. Condizione: Very Good. Used - very good - a nice sound copy - cover shows slight use wear - no internal markings or names.

Condizione: New. In English.

Stuttgarter Beiträge zur Naturkunde, B 354: 45 S., 10 Abb., 7 Tab., 2 Taf. 8vo, geheftet.

Condizione: New. In English.

Mitt. Bayer. Staatsslg. Paläont. hist. Geol. 39: 3-12, 1 Abb., 1 Taf. 8vo, Sonderdruck.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Good. The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bart k, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of educated listening to modernist works: the notion that a person can appreciate difficult music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is associate professor of music at the Ohio State University.…