schroth sarah (52 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

Condizione: Very Good. PLEASE NOTE: FORMER LIBRARY BOOK. IT MAY HAVE IDENTIFYING STAMPS, MARKS, STICKERS, ETC. Former Library book. hardcover 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Condizione: good. dust jacket is torn.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1984 Edition. This is a fine, unmarked, hardcover copy in brown faux leather binding, in a mylar protected DJ, tan spine.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Near Fine. Crisp, bright, and clean; a few very short, light scratches on the front and a little mild wear at corners and spine ends, otherwise excellent, nearly as new. 91pp.; illustrations are primarily black and white reproductions with several color plates.; 4to.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: As New. 4to - over 9¾ - 12" tall. Paperback. 4to., 352 pp., 162 color illustrations. Fine, as new, still in its unbroken shrink wrap.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. To accompany exhibits at the Kimball and at the Toledo Museum of Art during May - August, and September - November, 1985. Numerous lenders to the shows.46 color plates and many additional smaller black & white figures. Attractive boards of textured silk-like fabric with bright gold lettering, handsome beige textured end papers. The book is tight, clean, undamaged. Glossy dust jacket is very mildly rubbed; a 2" edge closed tear on back with creases next to it. (We have secured the tear with transparent removable tape on the reverse.) 252 pages, 10 1/4" x 10 1/4". Added charge needed for international orders.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. To accompany exhibits at the Kimball and at the Toledo Museum of Art during May - August, and September - November, 1985. Numerous lenders to the shows.46 color plates and many additional smaller black & white figures. Attractive boards of textured silk-like fabric with bright gold lettering, handsome beige textured end papers. The book is tight, clean, undamaged. Dust jacket has very shallow small crease at upper corner, other wise fine. 252 pages, 10 1/4" x 10 1/4". Added charge needed for international orders.

Hardcover. Condizione: As New. 32 cm. Hardcover and dust jacket. Small tears to jacket. Good binding and cover. Clean, unmarked pages. 351 p. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condizione: VG+, like new. Luminous bronze cloth/color with gilt lettering, illustrated dj. 252 pp. 41 full-page color, numerous smaller bw plates. Text by William B. Jordan with assistance from and an essay by Sarah Schroth. This valuable catalogue of a touring exhibition focuses on 46 paintings by 15 artists. It casts fresh light on a period and an art form unfamiliar to most, even to fans of Dutch still life. The Spanish school had a wealth of styles; miles separate Francisco de Zurbaran's stark symmetries from Van der Hamen's lush cosmopolitan concoctions. Published to accompany an exhibition held in Fort Worth, TX: Kimbell Art Museum, May 11 to Aug. 4, 1985 and at the Toledo Museum of Art, Toledo, Ohio, September 8-November 3, 1985. Includes bibliographical references (pages 241-248) and index.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Stated first edition. Very clean unread copy. Heavy/oversize book may require additional postage. PayPal accepted.

Hardcover. Condizione: Very Good. text clean and unmarked. binding tight. cloth boards have very light wear. edges of pages have very light wear. dust jacket has light wear.

Hard cover. Condizione: Good. Condizione sovraccoperta: Good. Jacket spine is sunned. Jacket is worn and has Mylar covering. Spine is shaken but secure. Cover is lightly worn. Inside is tanned, but clean and unmarked.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover, 74 pages; very good condition; light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Trade Paperback. Condizione: Used - Very Good. The renowned artist Irwin Kremen's collages, paintings, and sculptures are composed from such diverse materials as scraps of weathered paper, wasp nests, saw blades, and steel. 'Irwin Kremen: Beyond Black Mountain (1966 to 2006) 'is the exhibition catalog accompanying a retrospective covering forty years of the artist's career. The work will be on display at Duke University's Nasher Museum of Art from March 22, 2007 through June 17, 2007. A longtime North Carolina resident and Professor Emeritus of Psychology at Duke University, Kremen studied literature and writing with M. C. Richards at the legendary Black Mountain College in the mid-1940s. There he met John Cage, David Tutor, and Merce Cunningham, all of whom became close friends, artistic inspirations, and ardent supporters. Kremen did not show his work publicly until a 1978 exhibition at the Southeastern Center for Contemporary Art featuring mostly small non-representational collages. In 1979 his works were exhibited at the Smithsonian Institution's National Collection of Fine Arts, where they were received enthusiastically; the 'Washington Star' heralded him as 'an American master of collage' on the level of 'Robert Motherwell, Anne Ryan, and Romare Bearden.' Since then, Kremen's work has been shown in nearly thirty shows in the United States and abroad; favorably reviewed in the 'New York Times,' 'Washington Post,' 'Artforum International,' the 'Chicago Tribune,' and 'Art News'; and acquired by museums and private collectors across the country. The catalog includes full color illustrations of more than 100 of Kremen's collages as well as twelve sculptures and three monumental pieces made over the past decade in collaboration with the Duke art professor William Noland. 'Published in conjunction with the exhibition 'Irwin Kremen: beyond Black Mountain (1966 to 2006), ' Nasher Museum of Art at Duke University, March 22-June 17, 2007'--T.p. verso.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Tight bright unmarked book in glossy dust jacket with half-inch tear to head of spine. ; 12.20 X 9.60 X 1.30 inche; 352 pages.

Softcover. Condizione: VG. First Edition. Black & color illustrated wraps with white and lime green lettering. 352 pp. Profusely illustrated in color. Issued in conjunction with several 2008 exhibitions. "Provides a glimpse into the little-known artistic world of Philip III's Spain (1598-1621). This was a time of cultural and poltiical vitality in the Spanish monarchy, as the king and his court 'issued in a new style of grandeur' (in the words of their contemporary Gil Gonzalez d'Avila) -- where gala celebrations, building campaigns, and picture collecting were the order of the day. The art of the period saw the birth of a naturalistic style, reflected in a new attention to detail and space in court protraiture, the flourishing of still life, the humanizing of saints, and the development of polychrome sculpture. The book explores the careers of the mature El Greco and the young Velazquez and examines the work of lesser-known and highly talented artists who exerted a critical influence on the development of Spanish painting." -- dj description from hardcover copy.

Cloth. Condizione: Near Fine. No Jacket. 252 pages. Hardcover. Text in English. Lacks the dustjacket. Minor discoloration and wear to the edge, consistent with age. 179 illustrations 46 in color. Foreword by Edmund P. Pillsbury, Director. Author's Preface by William B. Jordan. Published on the occasion of the exhibition from the Kimbell Art Museum, Fort Worth TX May 11-August 4, 1985. Bibliography. Exhibition List and Index.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Study of the careers and works of these two influential artists in 17th-century Spain. Green cloth with bright gilt spine title. Lightly edgeworn and rubbed color pictorial dust jacket. Contents clean and bright with numerous color photogaphs and illustrations, and black and white illustrations.

Hardcover. Condizione: As New. Dust Jacket Included. 1st Edition. Demy folio, [30.625cm/11inches], full gilt-embossed selvan-green cloth with mylar-protectected dust jacket, pp.351, indexed. Illustrated with b-w halftones, colour plates &tc. Please feel free to ask for particulars and/or additional photographs. The Museum's website noted: 'This groundbreaking exhibition examines a fascinating period (1598 1621) bracketed by the two giants of Spanish painting, El Greco and Velázquez. Discover the masterpieces of Philip III s court and the artists who flourished during his reign. To separate themselves from Philip II s approach to governing, Philip III and his court "issued in a new style of grandeur" (in the words of their contemporary Gil González d Avila), where gala celebrations, elaborate religious fiestas, building campaigns, and picture collecting were the order of the day. Much of the art produced at and for the court reflected this style, replacing the austere art created for Philip II with a more naturalistic and emotionally expressive art that became the hallmark of Philip III s reign. "El Greco to Velázquez: Art during the Reign of Philip III" features paintings, sculpture, and decorative arts including a partial recreation of the camarín of the Duke of Lerma, the most important non-royal collector in Europe at the time and the favorite of Philip III organized around themes such as portraiture, religion and the court, and the birth of still life. Learn more about the contemporary Spanish works in the complementary exhibition "Antonio López García," which was on view Apr 13 Jul 27, 2008". In exceptionally good condition.

Rústica (Tapa blanda). Condizione: Bien. Condizione sovraccoperta: Sin cubierta. Materia: Arte. Tipo de artículo: Libro. ISBN: 84-206-7046-4. Idioma: Español. Ciudad: Madrid. Características físicas: Libro en buen estado. Estado: Bien. Ubicación: R34B2-97. LIBRO.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 252 pages. Hardcover. Text in English. Minimal shelfwear to the edges and associated light rubbing to the covers of the jacket. Else, the binding is tight, the corners of the boards sharp, and interior clean and free of markings. Bound in rust colored cloth covered boards with gold stamping, wrapped in an illustrated paper dustjacket, and published on the occasion of the exhibition from the Kimbell Art Museum, Fort Worth TX May 11-August 4, 1985. 179 illustrations 46 in color. Foreword by Edmund P. Pillsbury, Director. Author's preface by William B. Jordan. Bibliography. Exhibition List and Index.

67 p 25,5 cm Encuadernación editorial en rústica. Estado de conservación: Muy bien.