schwartz frederic (152 risultati)

Paperback. Condizione: Good.

Condizione: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: acceptable. STEHR, Frédéric (illustratore). Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Condizione: good. STEHR, Frédéric (illustratore). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. STEHR, Frédéric (illustratore). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: very good. STEHR, Frédéric (illustratore). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

hardcover. Condizione: New.

Condizione: very good. STEHR, Frédéric (illustratore). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. STEHR, Frédéric (illustratore). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condizione: Fine. 432 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. No remainder mark. Book is still in the original publisher shrink wrap.

Hardcover. Condizione: Très bon. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condizione: Très bon. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condizione: Fine. 1st. 520 pages, illustrations; 25 cm. Published in association with the Department of History of Art, University College London. Tight, clean copy. First paperback edition. *** "From the early decades of the 20th century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. This collection of essays a festschrift in honour of leading Marxist art historian Andrew Hemingway brings together thirty academics who are reshaping art history along Marxist lines." - Publisher. *** CONTENTS: Introduction. Towards a history of the Marxist history of art, by Warren Carter; MARXIST THEORY IN PRACTICE. Art history's furies, by John Roberts; The political logic of radical art history in California 1974-85: a memoir, by Stephen F. Eisenman; The dialectical legacies of radical art history: Meyer Shapiro and German aesthetic debates in the 1930s and 1940s, by Warren Carter; Approaching Marx's aesthetic: Or, what is sensuous practice?, by Stewart Martin; A communion of just men made perfect: Walter Pater, romantic anti-capitalism and the Paris Commune, by Matthew Beaumont; What remains of Adorno's critique of culture?, by Norbert Schneider; Aby Warburg and the spirit of capitalism, by Frederic J. Schwartz; LANDSCAPE, CLASS AND IDEOLOGY. A note on aestheticizing tendencies in American landscape painting 1840-80, by Alan Wallach; Meaning, change and ambiguity in Canadian landscape imagery: Homer Watson and The Pioneer mill, by Brian Foss; One spectator is a better witness than ten listeners: Roger North, making the past public, by Charles Ford; An ever-recurring controversy: John Thompson, William James Stillman and the Bootblacks, by Steve Edwards; Calaveras and commodity fetishism: the unhallowed supernatural in the work of Jose Guadalupe Posada, by Tom Gretton; Reading Ahab: Rockwell Kent, Herman Melville and C.L.R. James, by Angela Miller; William Morris, ornament and the coordinates of the body, by Caroline Arscott; MARXISM AND THE SHAPING OF MODERNISM. Red Hashar: Louis Lozowick's lithographs of Soviet Tajikstan, by Barnaby Haran; Lu Marten and the question of Marxist aesthetic in 1920s German, by Martin I. Gaughan; Experiment and propaganda: art in the monthly New masses, by Rachel Sanders; Stuart Davis and Left modernism on the New York waterfront in the 1920s, by Jody Patterson; Action, revolution and painting: resumed, by Fred Orton; Erasure and Jewishness in Otto Dix's Portraint of the lawyer Hugo Simons, by James A. van Dyke; The Nazi Party's strategic use of the Bauhaus: Marxist art history and the political conditions of artistic production, by Paul B. Jaskot; MARXISM IN A NEW WORLD ORDER. Realism and materialism in postwar European art, by Alex Potts; The situation of women, by Frances Tracey; Scars on the landscape: Doris Salcedo between two worlds, by Chin-tao Wu; Realism, totality and the militant Citoyen: or, What does Lukacs have to do with contemporary art?, by Gail Day; Deartification this side of art: ideology critique, autonomy and reproduction, by Kerstin Stakemeier. Size: 8vo. Collectible.

Softcover. Condizione: Near Fine. First Edition. Near Fine paperback magazine about 7½x10¼ inches lightly bumped at the lower corner and with a mailing label on the back cover. 63 pages, unmarked. Mark Anderson, Harrison S Fraker Jr, Randolph T Hester, Marc Hinshaw, Walter Hood, Donlyn Lyndon, Deborah McKoy, Frederic Schwartz [dp50 1117]. ; DPEC OV19; 63 pages.

Soft Cover. Condizione: Fine-. 224 pages, illustrated in b&w. "The house that Robert Venturi designed for his mother in Chestnut Hill, Philadelphia, and had built in 1964, is arguably the most architecturally influential building o the second half of the 20th century." FINE- SOFTCOVER Size: 8vo - over 7¾" - 9¾" tall, oblong.

Soft cover. Condizione: Very Good. 1st Edition. 481 pp., xiii. NAP. Following the Preface and Introduction: "Soviet Area Studies and the Social Sciences: Some Methodological Problems in Communist Studies", Contents divided into 20 Essays in three Sections: I. METHODOLOGICAL PROBLEMS IN COMMUNIST STUDIES: Introductory Note; (1) H. Gordon Skilling, "Soviet and Communist Politics: A Comparative Approach"; (2) Robert C. Tucker, "On the Comparative Study of Communism"; (3) Paul Shoup, "Comparing Communist Nations: Prospects for an Empirical Approach"; (4) D. Richard Little, "Communist Studies in a Comparative Framework: Some Unorthodox Proposals"; (5) T.H. Rigby, " Crypto-Politics"; (6) Erik P. Hoffman, "Methodological Problems of Kremlinology"; II. CONCEPTUALIZATION IN COMMUNIST STUDIES: Introductory Note, (7) Allen Kassof, "The Administered Society: Totalitarianism without Terror"; (8) T.H. Rigby, "Traditional, Market, and Organizational Societies and the U.S.S.R."; (9) "Symposium on Comparative Politics and Communist Systems" : [A] Alfred G. Meyer, "The Comparative Study of Communist Political Systems"; [B] John H. Kautsky, "Communism and the Comparative Study of Development"; [C] Dan N. Jacobs, "Area Studies and Communist Systems"; [D] Robert S. Sharlet, " Systematic Political Science and Communist Systems"; [E] John A. Armstrong, "Comparative Politics and Communist systems: Concluding Remarks"; (10) Paul Hollander, "Observations on Bureaucracy, Totalitarianism, and the Comparative Study of Communism"; (11) Frederic J. Fleron, Jr., "Toward a Reconceptualization of Political Change in the Soviet Union: The Political Leadership System"; (12) Robert S. Sharlet, "Concept Formation in Political Science and Communist Studies: Conceptualizing Political Participation"; (13) Milton Lodge, " 'Groupism' in the Post-Stalin Period'; III. SOCIAL SCIENCE THEORY AND COMMUNIST STUDIES, Introductory Note, (14) H. Gordon Skilling, "Interest Groups and Communist Politics"; (15) Joel J. Schwartz and William R. Keech, "Group Influence and the Policy Process in the Soviet Union"; (16) William A. Welsh, "Toward a Multiple-Strategy Approach to Research on Comparative Communist Political Elites: Empirical and Quantitative Problems"; (17) John A. Armstrong, "Sources of Administrative Behavior: Some Soviet and Western European Comparisons"; (18) Erik P. Hoffman, "Communication Theory and the Study of Soviet Politics"; (19) Roger W. Benjamin and John H. Kautsky, "Communism and Economic Development"; (20) William A. Welsh, "A Game-Theoretic Conceptualization of the Hungarian Revolt: Toward an Inductive Theory of Games"; Contributors, pp. 466-468; Author Index, pp. 469-473; Subject Index, pp. 474-481. Shiny brown wrappers with title lettering in red and white lettering in a column at right middle front cover, adjacent to illustration on left of a solid white abstract human profile, with a brown curvilinear outline of a basketball in the cranium of the profiled individual, with a superimposition of the traditional red hammer and cycle symbol of the Soviet Union upon that "basketball"; editor name lettering in small white letters over brown at top right front cover. 4 3/4" diagonal crease at lower right front cover (strips of clear mailing tape have been applied, leaving cover flat and as strong as if never creased: solid); rubbing wear across spine ends and thin intermittent lines down spine edges; spine slightly sunned with red lettering of editor's name slightly less intense than red applied to front cover (All lettering still sharp and distinct, eminently readable); sewn signatures glued to paper spine: binding overall tight, with a few pages of first signature slightly stretched (NOT cracked); soft creases echoing through top right of some pages (ostensibly, incurred at time of book manufacture); cover corners are nearly square (hint of outward curls; NO bumps); NO remainder marks; NO previous owner names. Clean text. Classic readings in remarkable condition for more than 50 years old.

Condizione: Très bon. STEHR, Frédéric (illustratore). Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.