Scriabin aleksandr (151 risultati)

Condizione: Good. Alexander Nikolayevitch Scriabin (1872-1915), Russian composer and pianist, is best known for his perfectly spun miniatures where his novel harmonic and pianistic ideas were most brilliantly worked out. This volume in Dover's continuing series of musical scores presents the best of Scriabin's works, his complete etudes and preludes for the solo piano. There are the Chopinesque works from his early period, including the 12 etudes from Op. 8 and the 24 Preludes, Op. 11. The works of the middle period, when he began working out his new harmonies based on a series of fourths, include the outstanding sets of Preludes, Opp. 33 and 48, and the Etudes, Op. 42. The 5 Preludes, Op. 74, and the Etudes, Op. 65, from the final period reveal perhaps most about his joyous ecstasy and languid contemplation, moods which no other composer could express to such a degree. There are also the preludes and etudes from Opp. 2, 9, 13, 15, 16, 17, 22, 27, 31, 35, 37, 39, 45, 49, 51, 59, and 67, each containing miniatures working out some subtle harmonic, rhythmic, or melodic idea with a perfect pianistic sense of writing. This book has been especially designed as a playing edition―the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis, or simply for following along with the actual music. A Dover original (1973) edition, reproducing the entire musical contents of Prelyudii dlya fortepiano (two volumes, 1966 and 1967) and Etyudy dlya fortepiano (1967), edited by K. N. Igumnov and Y. I. Mil'shteyn.…

Condizione: Good. Alexander Nikolayevitch Scriabin (1872-1915), Russian composer and pianist, is best known for his perfectly spun miniatures where his novel harmonic and pianistic ideas were most brilliantly worked out. This volume in Dover's continuing series of musical scores presents the best of Scriabin's works, his complete etudes and preludes for the solo piano. There are the Chopinesque works from his early period, including the 12 etudes from Op. 8 and the 24 Preludes, Op. 11. The works of the middle period, when he began working out his new harmonies based on a series of fourths, include the outstanding sets of Preludes, Opp. 33 and 48, and the Etudes, Op. 42. The 5 Preludes, Op. 74, and the Etudes, Op. 65, from the final period reveal perhaps most about his joyous ecstasy and languid contemplation, moods which no other composer could express to such a degree. There are also the preludes and etudes from Opp. 2, 9, 13, 15, 16, 17, 22, 27, 31, 35, 37, 39, 45, 49, 51, 59, and 67, each containing miniatures working out some subtle harmonic, rhythmic, or melodic idea with a perfect pianistic sense of writing. This book has been especially designed as a playing edition―the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis, or simply for following along with the actual music. A Dover original (1973) edition, reproducing the entire musical contents of Prelyudii dlya fortepiano (two volumes, 1966 and 1967) and Etyudy dlya fortepiano (1967), edited by K. N. Igumnov and Y. I. Mil'shteyn.…

Condizione: Fair. In the early years of the twentieth century, when vital new forces were revolutionizing the arts, Russian-born Alexander Scriabin (1872-1915) was among the visionary pioneers who sought a new musical language. Scriabin began the process of a complete break with all musical conventions at least a decade before the advances of Stravinsky and Schoenberg. By 1905 he was immersed in a search for a way to express, in sound, his obsession with mystical and theosophical ideals.Scriabin's last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his collection of verses called Poem of Ecstasy and the related symphony, Scriabin never forgot the rapture of composing this work about creation and self-fulfillment: I gasp for breath, but oh, what bliss The very meter kindles the meaning.Prometheus: Poem of Fire, Scriabin's last and most revolutionary symphony, portrays humanity's epic journey from the beginning of time to the wondrous self-realization that followed the gift of fire and light, which made creative vision possible. Massively scored, Prometheus incorporates a color organ to bathe the performance space in a vast interplay of colored lights.For the music professional and every student of composition, orchestration, and conducting, both scores are strikingly original and instructive. Equally fascinating are Scriabin's approach to composition, the extraordinary sonorities of his orchestra, and his fanciful, often supercharged performance instructions that replace conventional words for tempo, mood, and expression.…

Condizione: Fair. In the early years of the twentieth century, when vital new forces were revolutionizing the arts, Russian-born Alexander Scriabin (1872-1915) was among the visionary pioneers who sought a new musical language. Scriabin began the process of a complete break with all musical conventions at least a decade before the advances of Stravinsky and Schoenberg. By 1905 he was immersed in a search for a way to express, in sound, his obsession with mystical and theosophical ideals.Scriabin's last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his collection of verses called Poem of Ecstasy and the related symphony, Scriabin never forgot the rapture of composing this work about creation and self-fulfillment: I gasp for breath, but oh, what bliss The very meter kindles the meaning.Prometheus: Poem of Fire, Scriabin's last and most revolutionary symphony, portrays humanity's epic journey from the beginning of time to the wondrous self-realization that followed the gift of fire and light, which made creative vision possible. Massively scored, Prometheus incorporates a color organ to bathe the performance space in a vast interplay of colored lights.For the music professional and every student of composition, orchestration, and conducting, both scores are strikingly original and instructive. Equally fascinating are Scriabin's approach to composition, the extraordinary sonorities of his orchestra, and his fanciful, often supercharged performance instructions that replace conventional words for tempo, mood, and expression.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

Condizione: New.

paperback. Condizione: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condizione: New.

Paperback. Condizione: new. Paperback. Outstanding works comprised mainly of short pieces reflecting the highly atmospheric and exotic style of the composer's maturity, among them Poeme tragique, Poeme satanique, Fragilite, Poeme aile, Danse languide, Enigme, Ironies, Desir, Caresse dansee, Masque, and Guirlandes. Also includes three of Scriabin's most popular works: the poetic Etude in C Minor, the brilliant and virtuosic Etude in D-sharp Minor, and the world-famous Vers la flamme. Outstanding works reflecting the composer's highly atmospheric and exotic style: Po me tragique, Po me satanique, Fragilit , Po me ail , Danse languide, Enigme, Ironies, D sir, Caresse dans e, Masque, Guirlandes, and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New. In English.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Hardback or Cased Book. Condizione: New. Le Po�me De L'extase Pour Grand Orchestre [par] A. Scri� bine. Op. 54. Book.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Condizione: New. In English.

Paperback. Condizione: Very Good. First Edition. Impromptu à la mazur [op. 2, no. 3] -- Mazurka in F# minor [op. 3, no. 2] -- Etude in C# minor [op. 2, no. 1] -- Prelude [op. 2, no. 2] -- Mazurka in E minor [op. 3, no. 7] -- Nocturne in A major [op. 5, no. 2] -- Valse in F minor [op. 1] -- Mazurka in G# minor [op. 3, no. 9]. Book.…