Sean zwagerman (40 risultati)

Soft cover. Condizione: New. 1st Edition. New trade paperback in publisher's original shrink wrap.

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Paperback or Softback. Condizione: New. Wit's End: Women's Humor as Rhetorical and Performative Strategy. Book.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New. Offers an original perspective on women's use of humor as a performative strategy as seen in works of twentieth-century American literature. This book argues that women whose direct, explicit performative speech has been traditionally denied, or not taken seriously, have often turned to humor as a means of communicating with men. Series: Pittsburgh Series in Composition, Literacy and Culture. Num Pages: 241 pages. BIC Classification: 1KBB; 2AB; DSBH; JFSJ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 152 x 228 x 20. Weight in Grams: 386. . 2010. 1st Edition. Paperback. . . . .…

Condizione: New.

Condizione: New. pp. viii + 241.

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Condizione: New. In English.

Paperback. Condizione: New. Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of women's comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize women's contributions to-and political uses of-comedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies.Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.…

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. viii + 241.

Condizione: New. Offers an original perspective on women's use of humor as a performative strategy as seen in works of twentieth-century American literature. This book argues that women whose direct, explicit performative speech has been traditionally denied, or not taken seriously, have often turned to humor as a means of communicating with men. Series: Pittsburgh Series in Composition, Literacy and Culture. Num Pages: 241 pages. BIC Classification: 1KBB; 2AB; DSBH; JFSJ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 152 x 228 x 20. Weight in Grams: 386. . 2010. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. reprint edition. 250 pages. 8.75x6.00x0.75 inches. In Stock.

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: New. Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of women's comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize women's contributions to-and political uses of-comedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies.Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.…

Taschenbuch. Condizione: Neu. Neuware - In Wit's End, Sean Zwagerman offers an original perspective on women's use of humor as a performative strategy as seen in works of twentieth-century American literature. He argues that women whose direct, explicit performative speech has been traditionally denied, or not taken seriously, have often turned to humor as a means of communicating with men. The book examines both the potential and limits of women's humor as a rhetorical strategy in the writings of James Thurber, Zora Neale Hurston, Dorothy Parker, Edward Albee, Louise Erdrich, and others. For Zwagerman, these texts 'talk back' to important arguments in humor studies and speech-act theory. He deconstructs the use of humor in select passages by employing the theories of J. L. Austin, John Searle, Jacques Derrida, Shoshana Felman, J. Hillis Miller, and Eve Kosofsky Sedgwick. Zwagerman offers arguments both for and against these approaches while advancing new thinking on humor as the 'end'--both the goal and limit--of performative strategy, and as a means of expressing a full range of serious purposes. Zwagerman contends that women's humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women's humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an 'attitude' or slant on one's relation to society. Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change. >Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change.…

paperback. Condizione: New. New .Ships From Multiple Locations. book.

Hardcover. Condizione: Brand New. 250 pages. 9.00x6.25x1.00 inches. In Stock.

Condizione: New. Wit s End is an original perspective on women s use of humor as a performative strategy, seen in works of twentieth-century American literature. Zwagerman argues that women, whose direct, explicit performative speech has been traditionally denied, or not ta.