Selfridge field eleanor editor (5 risultati)

Paperback. Condizione: Like New. First Paperback Edition. Publisher: The MIT Press, Cambridge, MA, 2001. First Softcover Edition, First Printing. FINE in illustrated wraps, as issued. Not remainder marked. Not book club edition. Not ex-library.

Hardcover. Condizione: Near Fine. Near Fine. First Edition; First Printing. This book is in Near Fine condition and has a Near Fine dust jacket. The book and its contents are in clean, bright condition. The text pages are clean and bright. The dust jacket is clean and bright. There is a tiny spot of glue residue on the top spine end from a former owner's sticker. "Musical Instrument Digital Interface is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation for editing or playback." (from Wikipedia); B&W Illustrations; 630p. pages; Pictured 7/30/26.…

Paperback. Condizione: Brand New. illustrated edition. 200 pages. 11.25x8.50x0.50 inches. In Stock.

Paperback. Condizione: Brand New. 256 pages. 11.25x8.75x0.75 inches. In Stock.

Soft cover. Condizione: Very Good. 144 pages. Illustrated. When Is an Orchestra Not an Orchestra? (pp. 483-495) Neal Zaslaw The Instrumentation of Handel's Early Italian Works (pp. 496-505) Hans Joachim Marx Italian Oratorio and the Baroque Orchestra (pp. 506-513) Eleanor Selfridge-Field Improvized Ornamentation in a Handel Aria with Obbligato Wind Accompaniment (pp. 514-522) John Spitzer Newly Found Works of C. P. E. Bach (pp. 523-532) Rachel W. Wade C. P. E. Bach and the Tradition of Passion Music in Hamburg (pp. 533-541) Stephen L. Clark Performing C. P. E. Bach: Some Open Questions (pp. 542-551) David Schulenberg.…