Semmes beverly (14 risultati)

Softcover staple-bound, 12 pages; very good condition; clean and crisp; no internal marks.

First Edition. First edition. Softcover. Features a text contribution by Alan Lightman. Includes images by Mitch Epstein, David Hilliard, Matthias Hoch, Peter Hutchinson, Gabriel Orozco, Sam Samoire, Beverly Semmes, and Karin Apollonia Muller. A fine copy in wrappers.

First Edition. First edition. Softcover. 12 pages. Exhibition catalog for a show that ran October 7 through December 3, 1995. Acknowledgements by Amada Cruz. Foreword by Kevin E. Consey. Includes with the covers 3 color and 2 black and white illustrations, checklist, biography, list of previous exhibitions, and selected bibliography. A fine copy in stapled wrappers.…

Soft cover. Condizione: Very Good. Nice clean copy.A touch of shelfwear to lower right corner. 12 pages. Color repros.

Hardcover without dustjacket as issued, 76 pages; in English and Danish; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Good. 1st Edition. First edition. Card covers. 28 × 21cm, unpaginated. A slim book to accompany an exhibition of textile artist Beverly Semmes' work, held at Southampton, the Camden Arts Centre, and James Hockey Gallery in Farnham. Illustrated in colour. Condition: A good copy, with a little marking to the edges.…

Hardcover. Condizione: fine. 16mo. 7" x7". Square. 77pp. Orange glossy covers. Signed by Beverly Semmes on front endpaper.

Softcover staple-bound, 20 pages; very good condition; light rubbing to covers; no internal marks.

No Binding. Condizione: Fine. Exhibition Invitation Card, 1 fold, in fine condition. Cards are sent in stiff mailers. Photo.

112 pp.; 24.5 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at ICA Institute of Contemporary Art, University of Pennsylvania, January 16 - June 21, 2009. Traveled to Walker Art Center, Minneapolis, July 11 - November 29, 2009. Organized and with an introduction by Ingrid Schaffner and Jenelle Porter. Texts by Ingrid Schaffner, Jenelle Porter, and Glenn Adamson. Artists include Robert Arneson, Lucio Fontana, Beverly Semmes, Paul Swenbeck, Eugene Von Bruenchenhein, Peter Voulkos, Ann Agee, Nicole Cherubini, Viola Frey, Jessica Jackson Hutchins, Ken Price, Sterling Ruby, Arlene Shechet, Betty Woodman, Jane Irish, Jeffrey Mitchell, Ron Nagle, Adrian Saxe, Glenn Adamson, Kathy Butterly, George Ohr, Rudolf Staffel, and Beatrice Wood. Includes exhibition checklist. Good / Very Good. Significant creasing across verso cover. Light rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

SOFTCOVER. Condizione: Fine. 1st Edition. Large 4to. in colour printed stiff card covers, unpaginated, approx. 40pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW copy (hint of tanning to leaves) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condizione: As New. 1st Edition. Large 4to. in colour printed stiff card covers, unpaginated, approx. 40pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy (hint of tanning to leaves) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condizione: New.

Condizione: Very Good +. First Edition. New York: Blum Helman, 1991. First Edition. Octavo (23cm); 48pp. Publisher?s stiff spiral-bound wrappers; shimmery cellophane endsheet. Black-and-white photographs throughout. Wraps lightly bumped. Binding sound. Textblock, endsheets, and interior pages clean. Very Good or better. Scarce in retail. Exhibition catalog for a show composed entirely of rising female artists of the early 90s. Catherine Liu?s curatorial project attempted to dispel the myth of the male genius, macho artist, or ?Master.? Drawing upon history and pop culture alike, her introduction asserts ?The woman artist has had to not only negotiate with hysteria as a functional position, she has had to deal with the moralizing ethic that would have her be the perfect exemplar, a careful technical, or a political pedagogue.? Striking design. …