Shane aslan selzer (17 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback (Saddle Stitched). Condizione: Very Good. Unmarked. Black and white images. Booklet by Shane Aslan Selzer for "Sight Lines Thesis Projects 2004, Graduate Studies in Visual Criticism, CCA. 24p.

Paperback or Softback. Condizione: New. What We Want Is Free: Critical Exchanges in Recent Art. Book.

Condizione: New. pp. 352 2nd Edition.

Hardcover. Condizione: Brand New. 2nd edition. 308 pages. 9.25x6.25x0.75 inches. In Stock.

Condizione: New. pp. 352 2nd Edition.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

Condizione: New. Print on Demand pp. 352.

Condizione: New. PRINT ON DEMAND pp. 352.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Explores how contemporary artists use gifts, barter, and other forms of nonmonetary exchange as a means and medium of artistic production.This revised edition of What We Want Is Free examines a twenty-year history of artistic productions that both model and occupy the various forms of exchange within contemporary society. From shops, gifts, and dinner parties to contract labor and petty theft, contemporary artists have used a variety of methods that both connect participants to tangible goods and services and, at the same time, offer critiques of and alternatives to global capitalism and other forms of social interaction. Examples of these various projects include the creation of free commuter bus lines and medicinal plant gardens, the distribution of such services as free housework or computer programming, and the production of community media projects such as free commuter newspapers and democratic low-wattage radio stations.Like the first edition, the second edition includes a detailed survey of artists' projects from around the globe, as well as critical essays and artists' texts that explore the underlying social history and contemporary issues that further inform our reading of these works. This new edition also features a new introduction and additional chapters on the relation of exchange practices to democracy, the commons, object-oriented philosophy, and an examination of the impact of ongoing globalization on the economics of artists' projects. It also features a significantly expanded scope for the project histories, including work from the past decade and a new section dedicated to artist-initiated organizations and innovative models for new institutions.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Klappentext.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Klappentext.

Condizione: New. Print on Demand pp. 352.

Condizione: New. PRINT ON DEMAND pp. 352.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Explores how contemporary artists use gifts, barter, and other forms of nonmonetary exchange as a means and medium of artistic production.This revised edition of What We Want Is Free examines a twenty-year history of artistic productions that both model and occupy the various forms of exchange within contemporary society. From shops, gifts, and dinner parties to contract labor and petty theft, contemporary artists have used a variety of methods that both connect participants to tangible goods and services and, at the same time, offer critiques of and alternatives to global capitalism and other forms of social interaction. Examples of these various projects include the creation of free commuter bus lines and medicinal plant gardens, the distribution of such services as free housework or computer programming, and the production of community media projects such as free commuter newspapers and democratic low-wattage radio stations.Like the first edition, the second edition includes a detailed survey of artists' projects from around the globe, as well as critical essays and artists' texts that explore the underlying social history and contemporary issues that further inform our reading of these works. This new edition also features a new introduction and additional chapters on the relation of exchange practices to democracy, the commons, object-oriented philosophy, and an examination of the impact of ongoing globalization on the economics of artists' projects. It also features a significantly expanded scope for the project histories, including work from the past decade and a new section dedicated to artist-initiated organizations and innovative models for new institutions.…