sheeler charles (126 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Profusely Illustrated (illustratore). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Near Fine. Charles Sheeler, Cover Photo (illustratore). 1st Edition. First New Directions Edition. Very Good Binding. Text Clean And Bright. No Tears, No Inscriptions. Edited With An Introduction By M. L. Rosenthal. An Anthology Of Selections Drawn From Williams's Whole Range Of Work. He Has Been Acknowledged As One Of The Great Poets Of The 20Th Century.

paperback. Condizione: Good. 1968; Washington DC; illustrated, glossy paper covers; edge wear and rubbing; interior is clean and unmarked; 8vo, 7 3/4" to 9 3/4" tall; 155 pages.

Soft cover. Condizione: Very Good. Paperback. Exhibition catalog.

paperback. Condizione: Fair.

Paperback. Condizione: Very Good. First Edition. 24 pp.; 4 BW plates, pictorial stapled wraps, 8vo.: Bumping/creasing to head of spine. Well packaged in a box, ships with tracking.

Softcover staple bound exhibition catalog, 32 pages, very good condition, no internal marks, clean and crisp with essays and b/w reproductions.

Oversized Hardcover. Condizione: Good.

No Binding. Condizione: Good. Postcard in Good condition, lightly soiled on reverse, age toning. unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condizione: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condizione: Very Good. Postcard in Very Good condition, lightly soiled on reverse, age toning. unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condizione: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

Paper wrappers. 75 pp. Illus. with color & b/w photos. Trade format. Essay by Susan Fillin-Yeh. Exhibition catalogue. A very good copy with nick to front wrapper.

Paperback. Condizione: Very Good. Stuart Davis, Charles Sheeler, Niles Spencer, Arthur Dove (illustratore). First Edition. Storrs: The William Benton Museum of Art / The University of Connecticut [1975]. Very Good. 1975. First Edition. Softcover. First edition [no statement of printing]. Green pictorial wrappers [about 7" x 9.75"], saddle-stapled, 32 pages, illustrated, general bibliography, catalogue and bibliography. Errata leaf laid in. Very good copy with some stress creasing to the spine area with some irregular toning to pages 14-19 possibly from something at one time being laid in. bx298.

paperback. Condizione: Good. Hardcover, Very good condition.

Paperback. Condizione: Very Good. Profusely Illustrated (illustratore). 162 pages.

Soft cover. Condizione: Very Good. Paperback. Wrappers show wear. Pages show minor toning and foxing, otherwise in very good condition. Several tipped-in plates.

Paperback. Condizione: Good. Paperback; binding is tight and pages crisp. Good with no marks and minor shelfwear.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Like New. Dust jacket condition: Like New. Appears as new and unread. When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art. 172 pages. Stieglitz, Alfred, 1864-1946--Exhibitions, Duchamp, Marcel, 1887-1968--Exhibitions, Modernism (Art)--United States--Exhibitions, Stieglitz Circle (Group of artists)--Exhibitions.

Paperback. Condizione: Very Good. 1st. xii, 225 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Museum of Fine Arts, Boston, October 13, 1987 to January 3, 1988, and other venues. Firm binding, clean inside copy. Light edgewear to wraps, age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Charles Sheeler (1883-1965) was one of the pioneer modern artists in America, and the only one whose achievements were equally significant in painting and photography. His best-known subjects celebrate twentieth-century America; at the same time, his work has important links to nineteenth-century American landscape and folk art" Size: 4to.

Paperback. Condizione: Near Fine. First Editiion. Laid in is the invitation to attend , a post card of one of Charles Sheeler works. Book.

paperback. Condizione: Very Good. First Edition. Unread. No markings in book. Binding is fine. 120pp.

Softcover staple bound, 36 pages, very good condition;light rubbing to covers; no internal marks.

Profusely Illustrated (illustratore). First Edition. First edition. Softcover. 162 pages. Simultaneous wrappers issue of this exhibition catalog published for a show that ran October 13, 1987 through January 3, 1988 in Boston and then traveled to New York and Dallas for additional dates. Includes 90 black and white plates along with78 figures. A near fine copy in wrappers with some light wear.

paperback. Condizione: very good(+). Sheeler, Charles (illustratore). Profusely illustrated with black & white photographs. 162 pages. Square 4to, pictorial wrappers, spine very lightly creased. Boston; New York Graphic Society. A very good(+) copy.

Paperback. Condizione: Very Good. Light shelfwear to the cover, otherwise a clean, tight copy.

Trade Paperback. Condizione: Good. First Edition. Oblong Small 4to. 156 pages. Catalogue of the exhibition at the National Collection of Fine Arts, and 2 other US institutions, October 1968 - April 1969. Foreword by David W. Scott; introduction by Harry Lowe; catalogue by Abigail Booth. Includes bibliographical references and index. Freitag #8950. A Good copy with mild scuffing and rubbing to wrappers (chiefly to spine edges); previous owner's pencil signature on half-title page; slight internal browning to edges.over 125 color & b/w Illustrations.

First Edition. Paperbound, 9Ó x 10 1/4Ó. 51 pages. An illustrated catalogue issued to accompany an exhibition of paintings by Marsden Hartley, Gaston Lachaise, Elie Nadelman, Georgia OÕKeeffe, Chalres Sheeler, and John Storrs. With a preface by Susan E. Menconi and James L. Reinish. Fine in printed wrappers.

Stiff Wraps. Condizione: Very Good +. 120pgs, ill, slight signs of shelfwear, very nice copy.