Sherer daniel (41 risultati)

Soft cover. Condizione: New. Log 26 draws together an array of writers who offer ideas for understanding, judging, inspiring, and making architecture. Exhibiting the countless roles and meanings conferred upon architecture concurrent with contemporary prognoses for design and theory, the Fall 2012 issue presents a discursively rich picture of the present, with critical looks at recent projects around the world, cautious and hopeful approaches to digital and open-source design, as well as abstractions, aphorisms, and literary treatments of architecture.…

Condizione: New. NEW, shipped from the UK.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: New.

Softcover. Condizione: Very Good. Two booklets and 27 loose individual plates. In cardboard sleeve (sleeve is a bit worn).

Condizione: New.

Condizione: NEW.

Condizione: new.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. rub, abrasion to rear panel.

Paperback. Condizione: Brand New. 248 pages. 8.00x5.37x8.00 inches. In Stock.

Paperback. Condizione: Brand New. 248 pages. 8.00x5.37x8.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Fine. This is an eight pp foldout related to a Gio Ponti: A Metaphysical World, exhibition at the Queens Museum of Art, NY Feb.15-May 20, 2001. Lengthy text written by Daniel Sherer and an exhibition checklist with 44 eclectic items with photos and credits by the curator, Brian Kish. and end notes from Gio Ponti publications. Ponti, the ultimate Italian architect/designer did it all, buildings furniture, paintings sculpture, ceramics and MORE. It is in fine condition. …

Paperback. Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Hardcover. Condizione: New.

Condizione: NEW.

Soft cover. Condizione: Fair.

Hardcover. Condizione: Very Good. Bilingual. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Nice copy. Near fine in a near fine dust wrapper light overall shelf wear. Contents fine.

paperback. Condizione: Good. Ex-Library softcover with some wear to book edges and cover. Library stamps and stickers are present.

Hardcover. Condizione: VG+/VG++. Octavo. 10.25" x 7.25" 408pp. This is a gorgeous book with a lot of un-numbered pages with the illustrations. Book is in Very Good+ condition with a dent on the upper left back corner. Dust Jacket is also Very Good+, withminor rubbing on the back cover.Overall, a beautiful copy that is almost Near Fine, but not quite.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2006 first edition Yale University Press (New Haven, Connecticut), 7 1/2 x 10 3/8 inches tall hardcover in publisher's unclipped dust jacket, beige paper-covered boards over blue cloth gilt-lettered spine, pale blue endpapers, copiously illustrated with black-and-white photographs and drawings, xxxi, 408 pp. plus 128 un-numbered pages of plates. Very slight edgewear to covers, with minor bumping to the lower tips of both front and rear cover. On the top margin of the blank front free-endpaper, a two-inch spot with slight paper residue where a label was removed. Otherwise, a very good copy - clean, bright and unmarked - in a very good dust jacket which is nicely preserved and displayed in a clear archival Brodart sleeve. Note that this is a heavy and oversized book, so additional postage will be required for international or priority orders. ~KK~ [4.0P] Manfredo Tafuri (1935-1994) is acknowledged as one of Italy?s most influential architectural historians. In his final work, Interpreting the Renaissance, published here in English (the Italian edition, Ricerca del Rinascimento, appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives, exploring questions that occupied him for over thirty years. What theoretical terms were used to describe the humanist analogy between architecture and language? Is it possible to identify the political motivations behind the period?s new urban strategies? And how does humanism embody both an attachment to tradition and an urge to experiment? Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual and cultural contexts, while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de? Medici, Raphael, Baldassare Castiglione, and Giulio Romano. A magnum opus by one of Europe?s finest scholars, Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy. …

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Neuware -Der erste Eindruck zählt - vor allem in Mailand. Karl Kolbitz hat 144 der schönsten Mailänder Eingangshallen von 1920 bis 1970 dokumentiert. Passagen zwischen Drinnen und Draußen, die viel zu schön sind, um einfach hindurchzueilen - gestaltet von einigen der berühmtesten Architekten Mailands, darunter Giovanni Muzio, Gio Ponti und Piero Portaluppi.; Der erste Eindruck zählt - vor allem in Mailand. Karl Kolbitz hat 144 der eindrucksvollsten Mailänder Eingangshallen dokumentiert und zeigt, welche architektonischen Überraschungen hinter oft unscheinbaren Fassaden warten können. In diesem Zwischenreich zwischen dem öffentlichen und dem privaten Raum, zwischen Drinnen und Draußen haben sich einige der eindrucksvollsten und elegantesten Beispiele des italienischen Modernismus erhalten. Auf dem durchaus wohldokumentierten Terrain des italienischen Designs im 20. Jahrhundert und des Mailänder Modernismus stößt Kolbitz mit diesem Band die Tür zu einem ganz neuen Forschungsgebiet auf. Die Sammlung umfasst Gebäude aus den Jahren 1920 bis 1970 und enthält Arbeiten berühmter Architekten der Stadt, wie Giovanni Muzio, Gio Ponti, Piero Portaluppi und Luigi Caccia Dominioni, aber auch Werke weniger bekannter Baukünstler, die ebenso formvollendet sind. Detailaufnahmen von Fliesen, Mosaiken, Handläufen und Türgriffen wechseln sich ab mit Gesamtansichten, die das besondere Flair und den individuellen Charakter jedes Foyers perfekt einfangen. In ihren begleitenden Texten erläutern Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brain Kish und Grazia Signori die kunsthistorischen und architektonischen Details dieser Ingressi, benennen Materialien und Einrichtung und zeigen die sozialgeschichtlichen Hintergründe auf. Das Buch, das gleichermaßen als architektonischer Stadtführer wie als architekturhistorische Studie gelesen werden kann, enthält einen Stadtplan von Mailand, in dem alle dargestellten Objekte eingetragen sind sowie alle Adressen, Architektennamen und die jeweiligen Baujahre. Dieses erquickliche Nachschlagewerk, das den Mailänder Modernismus in seiner gesamten Bandbreite durchdringt, bietet erhellende neue Einblicke in das gestalterische Erbgut der Stadt.; Zweisprachige Ausgabe 384 pp. Englisch, Italienisch.…