Sheridan jerry (11 risultati)

Hard Cover. Condizione: Good. No Jacket. Blue cloth boards are rubbed to threads on edges. Pages are clean and lightly tanning, no markings in text, binding is sound. Size: 8vo - 7¾" - 9¾" Tall.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Good. Reprint. Reprint, 280 pages. Humor for every occasion. Encyclopedic format. Index based on "occasion". Very good in chipped, soiled dust jacket. (015).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. 272 pp. Stated first printing of the first edition! A great copy! Solidly and tightly bound copy with moderate external wear, crisp pages and clean text. Dust jacket shows extensive wear and rips along the front and back. Alex Berlyne (Jacket Design & Design); Ronald Sheridan (Photos) (illustratore). …

"Action & Communication collection , 2004. 1 volume format DVD très bon Format : DVD.

Newspaper. 28p., folded tabloid underground newspaper, articles, reviews, news, opinion, events, ads, comix, lightly toned and edgeworn, address label on cover, else very good on newsprint, color cover & center-spread. Cover cartoon by Lundgren and Grimshaw of a campus confrontation with cops ("Disorientation Week"), straight-arrow Archie is intimidated. Banner line reads "Back to Chicago." Content starts with a letter from Jerry Rubin in Santa Rita, CA jail (45-day term for 1966 riot); three stories by the Tribe's Steve Haines in Chicago to cover the Chicago 8 trial and upcoming SDS Days of Rage; bits of secret US Army history; SDS picket in Pittsburgh; center spread is a melange of photos of Telegraph Avenue characters and Native American botanical savvy. Also find a review of Angelo d'Archangelo's "Homosexual Handbook".…

63 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Spaces;" "Stephen Seemayer: Profiled and interviewed by Linda Burnham;" "Jerry Dreva: An Introduction;" "Jerry Dreva: A Letter;" "Dreva Questions Dreva" "Artist's Chronicle," by Phil Berkman, Robin Yvonne King, John Sheridan, Julie Wallace Keller, Valerie Bechtol, Anne Mavor, Marianne Bonetti, John Duncan, Ross Muirhead, Darryl Sapien/Performance Foundation, Richard Alpert, Danny Devos, Bill Gordh, Barbara T. Smith, Rachel Rosenthal, Linda Nishio, Jerri Allyn, Diane Holland, John Ryskamp, Ruedi Schill, Sandra McKee, Bob & Bob, Planstudio Siepmann, Mark Smith, John Boone, Barbara Cavaliere, and Al Payne. Front cover: Stephen Seemayer. Back cover: Jerry Dreva. Good. 7 mm. tear with some loss to top of spine edge and 6 mm. tear with loss to bottom of spine edge. 16 ccm. area of yellowing and yellow soiling to recto. 6 cm., 2 mm., 1.1 cm. areas of yellow soiling to verso. Rubbing of covers and light edge wear. Contents clean and unmarked.…

69 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. Staff Brandl, Roar Schaad, Ramsey Najm, The Waitresses, Richard Turner, Denise Chanel Vallon, Paul Best, Jeffrey Mark Burdett, Nancy Evans, Pam Minor, Bob Davis, Renata Petroni, Jeanne Quinn, Daniel Lerner, Darryl Turner, Barbara Margolies, Claire Fergusson, Nancy Riegelman, Rod Force;" "Cafe E*pit'o*me: Director's Notes," by Jerry Benjamin and "Incomplete Requiem for W.C. Fields," by Al Hansen. Front Cover: Per/for/mance festival posters, Florence. Back Cover: Paul McCarthy. Very Good / Fine. Light rubbing of coves and creasing of verso. Covers and contents clean and unmarked.…

Draft script for the 1939 film, seen on the title page under the working title "The Professor Steps Out." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). During a business trip to New York, a sober, strict-minded university professor is drunkenly persuaded to market his orchestral masterpiece as a swing number, to the chagrin of his college dean. Bound in red cloth with dark red quarter leather binding, with five raised bands and gilt titles on the spine and front board. Title page present, dated 10/25/38, with credits for director Ray Enright, screenwriters Richard Macaulay and Jerry Wald, and songwriters Harry Warren and Johnny Mercer. 134 leaves, with last page of text numbered 132. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 10/28/38 and 11/2/38. Pages Near Fine, binding Near Fine.…

Draft script for the 1940 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board, and his name in manuscript pencil on the title page. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A fruit company executive hires his former enemy to stop the South American revolutionaries from vandalizing his company's banana plantation. Bound in red cloth with red quarter-leather binding and five raised bands and gilt titles on the spine. Title page present, dated February 1, 1940, with credits for director William Keighley, and screenwriters Jerry Wald and Richard Macaulay. 166 leaves, with last page of text numbered 159. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 2/10/40 and 2/28/40. Pages about Near Fine, with light offsetting on the page edges, binding lightly toned, else about Near Fine.…

Draft script for the 1941 film. Specially bound copy belonging to screenwriter and associate producer Jerry Wald, with his name in gilt on the spine. Eleven reference photographs from the film bound in variously among the script pages, with nine pages of song lyrics ribbon copy typescript pages, and manuscript pencil annotations on two pages, and copied annotations on five pages. Two Navy seamen borrow money to wager on their ship for the upcoming gunnery practice with the knowledge that the current gunnery champ has just transferred aboard their ship, unaware his enlistment is ending before the contest. Shot on location in Honolulu and San Diego. Bound in beige cloth with brown quarter leather binding. Title page present, with credits for screenwriters Jerry Wald and Richard Macaulay, music by Arthur Schwartz and lyrics by Al Dubin. 182 leaves, with last page of text numbered 138. Mimeograph duplication with the exception of ribbon copy typescript song lyric pages, rectos only, with blue revision pages throughout, dated variously between 4/12/41 and 6/13/41. Pages Near Fine, binding Very Good, with moderate rubbing to the spine and corners.…

Vintage studio still photograph of George Raft getting ready to throw a punch from the 1940 film. Based on the 1939 novel "Long Haul" by A.I. Bezzerides. Paul (Humphrey Bogart) and Joe Fabrini (Raft) run a trucking business, barely keeping ahead of creditors, when one night a fatigued Paul falls asleep at the wheel, crashing the truck and losing his arm. Joe is then offered a job by his friend Ed Carlsen (Alan Hale) whose wife, Lana (Ida Lupino) has taken a fancy for Joe. 8 x 10 inches. Near Fine, with very faint creasing. Selby US. Spicer US. Grant US.…