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  • EUR 39,81

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    8 pp.; 22.8 x 15.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Showbill for the 1962 season of plays staged at the Cherry Lane Theater in Greenwich Village. Introduction by Kermit Bloomgarden. Plays include: "Theater of the Absurd," by Samuel Beckett, directed by Alan Schneider: "Bertha," by Kenneth Koch, directed by Nicola Cernovich; "Gallows Humor," by Jack Richardson, directed by George L. Sherman; "The Sandbox," written and directed by Edward Albee; "Deathwatch," by Jean Genet, directed by Donald David; "Picnic on the Battlefield," by Fernando Arrabal, directed by Gene Feist; "The American Dream," by Edward Albee, directed by Alan Schneider; "The Zoo Story," by Edward Albee, directed by Richard Barr and "The killer," by Eugene Ionesco, directed by Richard Barr. Includes selected biographies. Very Good. 1.5 cm. mark on recto cover. Gently folded in half vertically. Contents clean and unmarked.

  • Five Vols. & 1 scale model. First four vols. are 4to. [82; 76; 64; 88 leaves (all unnumbered).], archival mylar sleeves holding 266 photographs, sized from 4 x 5 in. up to 8.5 x 11 in., with over 90% sized 8 x 10 in., most are black & white silver gelatin, nearly all w/ photographer's imprint either within the negative, or stamped on verso, many w/ pencil & ink, manuscript annotations on versos (most in the bold hand of Leigh Peffer, but also many w/ markings by Gene Sherman, and a couple possibly Briggs Cunningham), several colour negatives, many colour photographs, some studio, others snapshot, a couple 1944 Kodacolor shops of young Peffer in US Army uniform during World War II, together with over 100 pieces of ephemera including racing forms, postcards, art brochures, promotional materials, Midget Car racing rules, Auto and racing promotional packets, ALS & TLS, many on letterhead, and more. Three of these 4 vols. with archival mylar sleeves held in 3-ring binders in gray and black cloth, 4th vol. a flexible plastic portfolio, archival mylar sleeves, printed label at spine; Together with: Peffer's "A Scrap Book of Motor Sports History. . . Peffer Collection" a Oblong folio. 13.5 x 10.5 scrapbook/photo album. [80 pp (unpaginated).] on thick tan paper, with 150 original photographs tipped-in with corners, and mounted, including 12 original colour negatives, many identfied, additional ephemera either mounted, or laid-in, two colour slides, several clippings laid-in at rear, and mimeographed sales list. Contemporary blue board post-binder, nickel-plated screw posts at gutter margin, printed metallic gold label mounted front cover, neat manuscript hand of Peffer on label front cover (occasional edgewear, toning to clippings), still VG exemplar; Scale model 12 x 4 x 2.5 in. of the So-Cal Streamline racer by Gene Sherman, rubber tires, leather fittings for cock-pit, painted as the original, preserved in chamois bag, NF exemplar, all from the libraries of Leigh Peffer, and Gene Sherman. This noteworthy and expansive archive captures the glories of automobile sporting culture in California during the first several decades of the 20th-Century, assembled through the effort and passion by several significant figures in the auto-racing, and sports car scene of Southern California. These include Gene Sherman (1944-2007) famed auto designer and builder, Leigh Peffer (1918-2000) auto racing enthusiast, sports car racer and collector, and photographer, Briggs Cunningham (1907-2003) famed American sportsman whose Cunningham Motors fielded race teams and built race cars for the 24 Hours of Le Mans, and later the Briggs Cunningham Automotive Museum in Coasta Mesa, CA which operated from 1966-1987, and finally the racing photographs of Ted Wilson famed photographer of California auto racing and race tracks during the 1920's and 1930's. Amidst the hundreds of photographs, many pieces of ephemera, race programs, original letters and postcards, the joy and energy of the West Coast automobile culture trace the development of automobile manufacturing and racing from the Hodge Brothers electric car manufacturing in Pasadena, CA in 1900-1902 through the design and model building, and car museums in the 1980's. Peffer & Sherman sorted the photo collection into race car drivers, action shots, and miscellaneous which includes photographs from Ted Wilson, Doinseau-Rapho, Briggs Cunningham Museum, Strother MacMinn, Thomas Milana, Studebaker, Ford, D.M. Woodhouse of San Diego, as well as Peffer, and Sherman themselves. The photographs include those of Carroll Shelby driving one of his early Cobra prototypes, Rex Mays, Dan DePaolao, Stubby Stubelfield, Bill Schuffler, Johnny Parsons, Bill Stepp, Earl Mansell, and Louis Meyer, Jr. "Sonny" one of the most successful and accomplished engine builders in Indianapolis 500 history. Still others include veterans of the vaunted Legion Ascot race track in Los Angeles, known as the "Killer Track" with such drivers as H.