siedentopf max (9 risultati)

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Gr.-8°, gebundene Ausgabe. nicht paginiert, Das Buch ist in einem sehr guten Zustand. 9783775751063 Sprache: Englisch Gewicht in Gramm: 550.

Taschenbuch. Condizione: Neu. Neuware -Paintings Leaguetries to answer the age-old question:'How do you make art for people who usually don't like art ' After much investigation, the artist Max Siedentopf concluded that people who avoid museums and galleries are often the same people who would rather spend their time watching football. If it is safe to say that there are more football fans than there are art fans, why not cater to this newfound audience Here, Siedentopf tried to find the solution by creating a series of paintings that would please both the most critical art enthusiast and the most serious football fanatic. Paintings Leaguepays homage to iconic football teams like FC Bayern München, Inter Milan, Chelsea FC, Manchester United, and FC Barcelona by turning the teams' iconic shirts into acrylic-on-canvas paintings. Art enthusiasts will appreciate the minimalist, abstract approach and brushstrokes of the paintings, while football fans can enjoy looking at their favorite team colors. Just like in football, the paintings act like a league. Each painting represents a diverse group of people through their interests, passions, and backgrounds and ultimately tries to be the champion of thePaintings League.MAX SIEDENTOPF (\*1991) is a London-based artist, photographer, video director and freelance art director. He is the founder of the art magazine Ordinary. 96 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Paintings Leaguetries to answer the age-old question:'How do you make art for people who usually don't like art ' After much investigation, the artist Max Siedentopf concluded that people who avoid museums and galleries are often the same people who would rather spend their time watching football. If it is safe to say that there are more football fans than there are art fans, why not cater to this newfound audience Here, Siedentopf tried to find the solution by creating a series of paintings that would please both the most critical art enthusiast and the most serious football fanatic. Paintings Leaguepays homage to iconic football teams like FC Bayern München, Inter Milan, Chelsea FC, Manchester United, and FC Barcelona by turning the teams' iconic shirts into acrylic-on-canvas paintings. Art enthusiasts will appreciate the minimalist, abstract approach and brushstrokes of the paintings, while football fans can enjoy looking at their favorite team colors. Just like in football, the paintings act like a league. Each painting represents a diverse group of people through their interests, passions, and backgrounds and ultimately tries to be the champion of thePaintings League.MAX SIEDENTOPF (\*1991) is a London-based artist, photographer, video director and freelance art director. He is the founder of the art magazine Ordinary. 96 pp. Englisch.

1st edition. Fine copy in the colour-printed boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains quite well-preserved overall. Physical Description; 36 pages : illustrations ; 13 cm. Subjects; Illustrated works. Money in art. Namibia. Namibia Pictorial works. Photobooks. Portrait photography. Portrait photography Namibia. Street photography. Street photography Namibia. photobooks. Notes; A lot of westerners and white Africans want to photograph the locals in Africa. Unfortunately, the truth is that they rarely want to document the reality of the person in front of them, rather they want a photo that reinforces their 'idea' of a stereotypical 'African'. It is common place for photographers to pay these people for a photo, this gives them the power to instruct their subject on how they want to portray them; simultaneously turning the photo into a lie that exploits the individual, their culture, their tribal history and perpetuates derogatory stereotypes. The temptation of easy money (in countries where poverty is rife) is why these people usually agree to pose for the photos as dictated by wealthy westerners. They rarely get the opportunity to pose for a photo as 'themselves', the way they would choose to be seen if they were asked. Max Siedentopf is a white Namibian who now lives in the Netherlands. On his last visit home he took 100 Euros and exchanged it for 1700 Namibian dollars. He asked locals if he could take their photo, if they wanted money in return Max let them name their price without any bargaining. They were free to pose any way they liked. His only request was that the money had to be part of the photo so that the ambitions and transactions that inspired the image were clear. How they were portrayed was completely up to them and he didn't direct the photo in any way. The series was finished when Max ran out of money. This book shows how much fun and photos 100 Euros will get you in Namibia. 1 Kg.

1st edition. Fine copy in the colour-printed boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains quite well-preserved overall. Physical Description; 36 pages : illustrations ; 13 cm. Subjects; Illustrated works. Money in art. Namibia. Namibia Pictorial works. Photobooks. Portrait photography. Portrait photography Namibia. Street photography. Street photography Namibia. photobooks. Notes; A lot of westerners and white Africans want to photograph the locals in Africa. Unfortunately, the truth is that they rarely want to document the reality of the person in front of them, rather they want a photo that reinforces their 'idea' of a stereotypical 'African'. It is common place for photographers to pay these people for a photo, this gives them the power to instruct their subject on how they want to portray them; simultaneously turning the photo into a lie that exploits the individual, their culture, their tribal history and perpetuates derogatory stereotypes. The temptation of easy money (in countries where poverty is rife) is why these people usually agree to pose for the photos as dictated by wealthy westerners. They rarely get the opportunity to pose for a photo as 'themselves', the way they would choose to be seen if they were asked. Max Siedentopf is a white Namibian who now lives in the Netherlands. On his last visit home he took 100 Euros and exchanged it for 1700 Namibian dollars. He asked locals if he could take their photo, if they wanted money in return Max let them name their price without any bargaining. They were free to pose any way they liked. His only request was that the money had to be part of the photo so that the ambitions and transactions that inspired the image were clear. How they were portrayed was completely up to them and he didn't direct the photo in any way. The series was finished when Max ran out of money. This book shows how much fun and photos 100 Euros will get you in Namibia. 1 Kg.

paperback. Condizione: As New. Prima edizione (First Edition). Fotografie in bianco e nero (a pieno pagina) e stickers colorati di Rogen Ballen, Yumiki Utso, Pieter Hugo, Chris Mago, Andy Kania, Beni Bischof, Jesus Monterde, Jaap Scheeren et al.  . 8vo (cm 24x21). pp. . . Perfetto (Mint). . Prima edizione (First Edition). . Aversive Adhesive è una zine di sticker realizzata da Max Siedentopf. E' un progetto editoriale tanto semplice quanto drammaticamente intenso, profondo ed in grado di rimanere letteralmente incollato ai ricordi di chi lo sfoglia. Il concetto è semplice: siamo bombardati ogni giorni da immagini di bellezza estetica in ogni dove, ma spesso non riusciamo a tenerle a mente. Nella bulimia di bellezza, quello che ci rimane stampato nella mente sono le immagini più repellenti, le più orribili. Max Siedentopf, eclettico artista trentenne fa proprio questo: realizza tantissimi sticker con foto e immagini da lui assemblate che hanno in comune la repellenza in senso lato. Immagini orripilanti, orride, storpiate, che però rimangono impresse nei nostri ricordi, oltre a creare un po' di disgusto. Aversive Adhesive è un progetto di sovversione dei canoni di bellezza, oltre che una bellissima raccolta di sticker. Book.

Taschenbuch. Condizione: Neu. Neuware - Paintings Leaguetries to answer the age-old question:'How do you make art for people who usually don't like art ' After much investigation, the artist Max Siedentopf concluded that people who avoid museums and galleries are often the same people who would rather spend their time watching football. If it is safe to say that there are more football fans than there are art fans, why not cater to this newfound audience Here, Siedentopf tried to find the solution by creating a series of paintings that would please both the most critical art enthusiast and the most serious football fanatic. Paintings Leaguepays homage to iconic football teams like FC Bayern München, Inter Milan, Chelsea FC, Manchester United, and FC Barcelona by turning the teams' iconic shirts into acrylic-on-canvas paintings. Art enthusiasts will appreciate the minimalist, abstract approach and brushstrokes of the paintings, while football fans can enjoy looking at their favorite team colors. Just like in football, the paintings act like a league. Each painting represents a diverse group of people through their interests, passions, and backgrounds and ultimately tries to be the champion of thePaintings League.MAX SIEDENTOPF (\*1991) is a London-based artist, photographer, video director and freelance art director. He is the founder of the art magazine Ordinary.

Hardcover. Condizione: Brand New. Hardcover.Width: 13 cm. Height: 7cm. 34 pages. English text.