Lingua: Inglese
Editore: Wexner Center for the Arts, 2007
ISBN 10: 1881390411 ISBN 13: 9781881390411
Da: Housing Works Online Bookstore, New York, NY, U.S.A.
Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.
Lingua: Inglese
Editore: Wexner Center for the Arts, 2007
ISBN 10: 1881390411 ISBN 13: 9781881390411
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Condizione: New.
Lingua: Inglese
Editore: Wexner Center for the Arts, Ohio State University, Columbus, OH, 2007
ISBN 10: 1881390411 ISBN 13: 9781881390411
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Hardcover. Published in conjunction an exhibition that ran January 26 through April 15, 2007. Features a foreword by Shem Geldin, an introduction by Jennifer Large essays by Eileen Myles, Helen Molesworth, and Aleksandar Hemon along with the text of a conversation between Amy Sillman and Benning. Includes numerous illustrations, a checklist, and biographical information. A near fine copy in illustrated boards with some slight bumping to the corners. No dust jacket as issued. Internally a clean copy.
Lingua: Inglese
Editore: Wexner Center for the Arts, 2007
ISBN 10: 1881390411 ISBN 13: 9781881390411
Da: BookHolders, Towson, MD, U.S.A.
Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: 1 ] Publisher: Wexner Center for the Arts Pub Date: 3/1/2007 Binding: Hardcover Pages: 84 1 edition.
Condizione: As New. Unread book in perfect condition.
Soft cover. Condizione: Very Good. No Jacket. Photographs (illustratore). Large Format. Art**: Photographs of abstract collages by the American artist in an excellent large format paperback.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
EUR 26,28
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. expanded edition. 297 pages. 7.25x4.75x0.75 inches. In Stock.
EUR 38,78
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.
Hardback. Condizione: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.
Da: Russell Books, Victoria, BC, Canada
EUR 22,47
Quantità: 8 disponibili
Aggiungi al carrellopaperback. Condizione: New. Special order direct from the distributor.
Lingua: Inglese
Editore: Bard College Publications Office, 2010
ISBN 10: 1936192039 ISBN 13: 9781936192038
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. n. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
EUR 34,94
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Editore: ICA University of Pennsylvania, 2004
Da: ANARTIST, New York, NY, U.S.A.
Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.
EUR 27,62
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: As New. Unread book in perfect condition.
EUR 31,35
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 31,76
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Softcover. Condizione: Very good. Very good condition. Binding is tight. Pages are clean and unmarked.
EUR 35,42
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 144 pages. 10.25x7.75x10.24 inches. In Stock.
Condizione: New.
Lingua: Inglese
Editore: Thomas Dane Gallery, London, 2023
ISBN 10: 1739894324 ISBN 13: 9781739894320
Da: Rot Books, BROOKLYN, NY, U.S.A.
Soft cover. Condizione: Fine. Sillman, Amy (illustratore). Illustrated Edition. Exhibition Catalogue. Thomas Dane Gallery, 2023, London. Tall red wrappered 12mo with wire binding and french flaps. Fine: A fresh and clean copy. Published on the occasion of the eponymous show, which was displayed in London. Includes numerous pieces of installation documentation. Seemingly hard to find(?).
Editore: Parkett, 1998
Da: ANARTIST, New York, NY, U.S.A.
Softcover art journal with articles on: Olafur Eliasson, Tom Friedman, Rodney Graham; insert by Amy Sillman; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Editore: Lennon Weinberg Inc, 2008
ISBN 10: 1607252120 ISBN 13: 9781607252122
Da: PONCE A TIME BOOKS, SANTA BARBARA, CA, U.S.A.
Condizione: Fine. 0 Includes illustrations. October 30 December 20, 2008.
EUR 43,07
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 37,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.