silverstein norman (30 risultati)

Paperback. Condizione: Very Good. Paperback. Previous owner's name inside front cover. Pages are clean and unmarked. Covers show very minor shelving wear. APPEARS UNREAD. ALMOST LIKE NEW.; 100% Satisfaction Guaranteed! Ships same or next business day!

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: New. PHOTO AND VIDEO OF PAGES TAKEN TO SHOW CONDITION PRIOR TO SHIPPING; STORED NEW PRISTINE CONDITION SANITIZED THEN WRAPPEDPHOTOS EMAILED FOR MORE SPECIFICS WHEN REQUESTED; Book. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition.

softcover. Condizione: Very good copy. Illus. with photos (illustratore). Later prt. 8vo, 172 pp.

Hardcover. Condizione: Good.

Paperback. Condizione: Good. A NICE edition, USEFUL! Slight yellow tone to the pages. Light scuff to the paperback cover and the page edge, this book is in PRESENTABLE condition.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Photographs and drawings (illustratore). This unique and liberally illustrated book by two experts on cinema art can broaden the moviegoer?s perception and increase his enjoyment of the films he sees. The authors draw upon films of all eras and most film-making countries to show how motion pictures can be much more than just another way of telling a story. With unusual clarity and the help of film stills, revealing diagrams, and a "story board" from a major studio film, the authors illustrate the rich and complex means by which good films are made into special experiences of sight and sound. The reader is shown how a director creates tone and point of view so as to develop themes, establish values, and draw the viewer into the film. The means by which rhythms, images, and visual accords and oppositions are used to create a kind of poetry particular to film are vividly described. Virtually every great director - Antonioni, Griffith, Lang, Kurosawa, Bunuel, Ford, von Sternberg, Godard, Resnais, Eisenstein, Hitchcock, and Fellini, among many-as well as the "underground" film makers are discussed. Technical aspects of film making, such as ways of moving from shot to shot, types of motion and angle used by the camera, and techniques of sound, are described clearly for the neophyte so as to make more comprehensible the aesthetic principles underlying the beauty of films. For moviegoers who want to sharpen their recognition and deepen their enjoyment of film. The Film Experience is excellent reading and an invaluable guide. ROY HUSS and NORMAN SILVERSTEIN are members of the English Department faculty at Queens College in New York City. They recently conducted a popular film course over radio station WNYC. Dr. Huss has directed film societies, taught several film courses, and published widely in journals such as Modern Drama, Theatre Notebook, The Seventh Art, and Dalhousie Review. Dr. Silverstein is film editor of Salmagundi, a quarterly, and is an expert on James Joyce. Recently he spent a year in Poland at the request of the State Department, lecturing on film and American life and letters. During that time he was associated with the Polish State Film School at Lodz. Ex-library book missing page 1 and a few marks on title pages, library name on last page. Otherwise in fine condition. Slight staining to half square inch of dust jacket on spine. All orders shipped protected in a box. Book.

Softcover. Illustrated by Black and White Photos (illustratore). Very Good with no dust jacket; Small crease in corner; Trade PB.

Trade Paperback. Condizione: Very Good. 8th Printing. 172 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Light foxing on page edges, not affecting text.

broché. Condizione: Assez bon.

Leinen. Condizione: Gut. 172 Seiten englisch, Bibliotheksexemplar mit den üblichen Stempeln und Signaturen. Fingerfleck auf Innentitel, papierbedingte Seitenbräunung /// Standort Wimregal . ISS-28315 Sprache: Englisch Gewicht in Gramm: 544.

Hardcover. First Edition; First Printing. Book condition is Very Good; with a Very Good dust jacket. Some rubbing and discoloration to jacket. Owner name to front end page. Text is clean and unmarked. ; 8vo 8" - 9" tall.

Softcover. Condizione: Very Good. First Edition. Complete issue, original wrapper.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages clean, slightly tanned. Wrappers have light overall shelf wear. Contents: Silverstein, The fourth international James Joyce symposium. Kain (ed.), An interview with Carola Giedion-Welcker and Maria Jolas. Fitzpattrick, The myth of creation: Joyce, Jung, and Ulysses. Evans, Stephen and the theory of literary kinds. Cohn, Supplemental JJ checklist, 1971. Notes, reviews, letter. ; 9.0" tall; 95 pages.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages clean, tanned. Wrappers have tanning, light overall shelf wear. ; Contents: Kain, James Joyce slept here: the opening of the Joyce Tower museum. Thornton, An allusion list for James Joyce's "Ulysses" - part 4, "Calypso." Wadsworth, visits with James Joyce. Silverstein, Magic on the notesheets of the Circe episode. Weathers, A portrait of the broken word. Ridgeway, Two authors in search of a reader. Dalton, Ulysses X 2. Feeney, Ulysses and the Phoenix Park murder. Staley, The search for Leopold Boom: James Joyce and Italo Svevo. ; 9.0" tall; 68 pages.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages clean, tanned. Wrappers have tanning, light overall shelf wear. ; Contents: Kenner, Homer's sticks and stones. Marcus, Three Irish allusions in Ulysses. Montgomery, The artist as silent Dubliner. Walsh, In the name of the father and of the son.Joyce's use of the mass in Ulysses. Silverstein, Toward a corrected text of Ulysses. Begnal, The fables of Finnegans Wake. Notes and reviews. 9.0" tall; 109 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First edition. Top edge on front board lightly water stained, else very good in a very good dust jacket with similar water stain.

Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, 98pp, printed wrappers. Issue leads with "The Case for George Lukacs" by Fredric Jameson (33pp). Also includes an essay on Film Semiology by Norman Silverstein and poetry by Joyce Carol Oates and others. Unmarked copy with light outer spots/toning. Not Signed.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. Tall octavo. 172pp. Page edges and rear endleaves trifle foxed, still easily fine in fine dust jacket.

1st Edition. xii, 172p., b/d illus., lightly chipped dj.

Softcover. Condizione: Near Fine. Magazine. Octavo. 17pp. Stapled wrappers. Fading along the spine with light rubbing and owner's mailing stamp on the rear panel, near fine. Subscription slip tipped in. Original printing from the University of South Carolina before reprints. Contributors include Norman Silverstein, Arthur L. Lewis, Anne McNamara, Muriel Davison, William Howard, Robert A. Pratt, Alexander S. Liddie, Robert J. Griffin, Gerald Smith, and Yeaton Wagener.

Paperback. Condizione: As New. First Paperback Edition. Publisher: Delta Books, New York, 1969. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing.

Encuadernación de tapa dura. Condizione: Excelente. Condizione sovraccoperta: Excelente. 1ª Edición. (Cine. Teoría. Crítica). Buenos Aires, Ediciones Marymar, 1973. Traducción directa del inglés por Flora Setaro. 200 p. 4 h. Fotogramas b/n. 4º. Tela editorial con sobrecubierta ilustrada por Horacio Cardo. Excelente ejemplar. Primera edición en castellano.

Pbk xii + 172pp illus.Clean & bright VG+.

Cloth DW (fyd) xii + 172pp illus.nr Fine.

Condizione: Bueno. primera. Sobrecubierta rasgada. castellano.

tapa dura. Condizione: 2ª Mano. Condizione sovraccoperta: 2ª Mano. Marymar Ediciones. 1973. Libro.

Buenos Aires, Ediciones Marymar, 1973, 199 pp. Primera edición española.Ilustrada con 39 figuras, fotografías y dibujos plena página y dentro del texto. Encuadernación plena tela original de editor, lomo y plato con títulos dorados y sobrecubierta ilustrada. Traducción directa de la versión inglesa por Flora Setaro. Diseño de cubierta. Horacio Cardo. La experiencia cinematográfica. La continuidad. El ritmo visual dentro de la toma. El ritmo estructural. Las imágenes. Toma y punto de vista. El tema. El arte cinematográfico. Apéndice. Limitaciones del cine como instrumento de registro de la realidad. Índice de ilustraciones. Índice. Estado muy bueno. 4to.

(XXL5) - Buenos aires - (Cine) - Contiene 199 páginas - Encuadernado en tela completa azul, mantiene sobrecubierta original - Sobrecubierta con bordes gastador, lomo roto reparado con merma - Interior en muy buen estado con fotografías en blanco y negro - Correcto estado. hardcover.