Simbao ruth (26 risultati)

Condizione: very_good.

Softcover. Condizione: Very Good. First Edition. Publication of 65 pages. The wraps are a little shelf rubbed. Internally the pages are clean and complete. Spiral binding. GK. Our orders are shipped using tracked courier delivery services.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. 0620506644. 2011 Stevenson, bright clean copy, Professional bookseller since 1981.

Soft cover. Condizione: Excellent. Large square 8vo, 148pp. Fully illustrated in color. Softcover, bound in original thick white wrappers with French flaps. Gilt titles to spine and cover; all page edges gilt. In excellent condition. Firm binding and crisp, clean, interior. No markings or signs of prior ownership. A great copy. Almost like new.…

Condizione: new.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Softcover, 120p, colour illustrations, 25x26cm. Very good, clean and unmarked. Scarce.

First Edition. Near fine. Africana. Paperback. No dj.

Condizione: New.

Condizione: New. 2023. paperback. . . . . .

Condizione: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Visualising China in Southern Africa | Biography, Circulation, Transgression | Juliette Leeb-Du Toit (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2023 | Wits University Press | EAN 9781776147670 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Paperback. Condizione: Brand New. 364 pages. 9.75x7.75x1.25 inches. In Stock.

Condizione: New. &Uumlber den AutorEdited by Juliette Leeb-du Toit, Ruth Simbao, Ross Anthony.

First Edition. New fine condition. Africana. Paperback. No dj.

Hardcover. Condizione: New. 1st Edition. 158 pages : illustrations (chiefly black and white) ; 28 cm. Includes a short biography and a list of exhibitions. Catalogue of an exhibition entitled Lefa La Ntate, held in conjunction with the Standard Bank Young Artist Award 2016, at National Arts Festival, Grahamstown, June 30, 2016; Nelson Mandela Metropolitan Art Museum, Port Elizabeth, July 27-September 2, 2016; IZIKO South African National Gallery, Cape Town, October 20, 2016-January 29, 2017; Johannes Stegmann Art Gallery, Bloemfontein, February 22-March 31, 2017; Tatham Art Gallery, Pietermaritzburg, April-May 2017; and Standard Bank Gallery, Johannesburg, May 26-July 8, 2017. In Modisakeng's work the personal is political. Informed by his experience as a young boy in Soweto at the cross roads of a violent political transition, Modisakeng uses memory as a portal between past and present to explore themes of history, body and place within the post-apartheid context. His photography, films, performance and installation grapple with the conflicting politics of leadership and nationhood, whilst also attempting to unpack the legacy of inequality, capital, labour and extraction of mineral wealth in contemporary South Africa.…

Paperback. Condizione: Brand New. 364 pages. 9.75x7.75x1.25 inches. In Stock. This item is printed on demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China's rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists' personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu. 344 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China's rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists' personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.…