Simmons nancy (290 risultati)

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Fourteen Artists (illustratore).

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: good. A good reading copy. May contain markings or be a withdrawn library copy.

Condizione: good. This book is in good condition with very minimal damage. Pages may have minimal notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer. Debbie Reisbeck (illustratore).

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Debbie Reisbeck (illustratore).

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Debbie Reisbeck (illustratore).

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Plastic Comb. Condizione: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Debbie Reisbeck (illustratore).

Hardback. Condizione: Good. Laurie Simmons is one of the first contemporary American photographers to have created elaborately-staged narrative photographs. Using dolls to act out piquant scenarios within specially constructed environments, she has slyly commented on contemporary culture while re-creating "a sense of the 50s that I knew was both beautiful and lethal." Prodigiously creative - she has produced some thirteen or fourteen fully developed series since the 1970s - Simmons uses highly saturated color and large formats, ranging from 20 by 24 inches to more recent work as large as 84 by 48 inches. Housewives, ballerinas, cowboys, tourists, and ventriloquists' dummies populate her diverse tableaux, which are often infused with a bittersweet sense of nostalgia yet charged with a disquieting sense of dislocation. In Laurie Simmons: Walking, Talking, Lying, Kate Linker concentrates on selected series - from "Ventriloquism," "Walking Objects," and "Lying Objects" to the 1997 Self-Portraits and the "Cafe of the Inner Mind" - to illuminate ideas that cut through the artist's entire body of work. Of particular interest are the willfully ambiguous interplay between objects, figures, and backgrounds, and the way specific things (toys, cakes, guns) and settings (suburban interiors, theatrical stages) take on strange powers in Simmons's photographs. As Linker makes clear, the artist's use of narrative links her to a number of contemporary fiction writers, while her fondness for artifice, advertising, childhood memory, and unabashed eclecticism relates to - and has helped shape - the heated debates of the past thirty-some years about the nature of photography.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Left Cost Design; Wayne Francis (illustratore).

Condizione: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.…

Softcover. Condizione: Near Fine. 1st Edition. Tanning inside covers.

Softcover. Condizione: Near Fine. First Edition. KU.

Hardcover. Condizione: Used - Good. Condizione sovraccoperta: Good. First Edition. First edition by number code.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. First edition copy. . Very Good dust jacket. With remainder mark. In protective mylar cover. (Science Fiction).

plastic_comb. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Debbie Reisbeck (illustratore).

Hardback. Condizione: Good. Laurie Simmons is one of the first contemporary American photographers to have created elaborately-staged narrative photographs. Using dolls to act out piquant scenarios within specially constructed environments, she has slyly commented on contemporary culture while re-creating "a sense of the 50s that I knew was both beautiful and lethal." Prodigiously creative - she has produced some thirteen or fourteen fully developed series since the 1970s - Simmons uses highly saturated color and large formats, ranging from 20 by 24 inches to more recent work as large as 84 by 48 inches. Housewives, ballerinas, cowboys, tourists, and ventriloquists' dummies populate her diverse tableaux, which are often infused with a bittersweet sense of nostalgia yet charged with a disquieting sense of dislocation. In Laurie Simmons: Walking, Talking, Lying, Kate Linker concentrates on selected series - from "Ventriloquism," "Walking Objects," and "Lying Objects" to the 1997 Self-Portraits and the "Cafe of the Inner Mind" - to illuminate ideas that cut through the artist's entire body of work. Of particular interest are the willfully ambiguous interplay between objects, figures, and backgrounds, and the way specific things (toys, cakes, guns) and settings (suburban interiors, theatrical stages) take on strange powers in Simmons's photographs. As Linker makes clear, the artist's use of narrative links her to a number of contemporary fiction writers, while her fondness for artifice, advertising, childhood memory, and unabashed eclecticism relates to - and has helped shape - the heated debates of the past thirty-some years about the nature of photography.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.