simone beckett (4 risultati)

Condizione: OTTIMO USATO. I ED. Narratori stranieri ITALIANO Presente sovracoperta. Libro usato che è già stato letto, ma in condizioni ottime. Nessun danno evidente alle coperte, potrebbe presentare minimi segni di usura alle copertine e alle pagine. Nessuna pagina mancante o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. La foto corrisponde al libro in vendita. Altre foto su richiesta. Numero pagine 448.

Taschenbuch. Condizione: Neu. Neuware - New paradigms for climate-responsive architectureBiodesign is reshaping a millennia-old relationship between architecture and nature, shifting the field toward adaptive, collaborative modes of practice grounded in reciprocity and ecological responsibility. This issue of Architectural Design traces that shift from speculative metaphor to an operational design framework, arguing that architecture is undergoing a fundamental reorientation around living systems.Here, biology becomes collaborator, model and medium, rather than a passive resource to be extracted. Contributors propose an architecture that behaves metabolically--growing, digesting, adapting and decaying in concert with ecological cycles--positioning architects as cultivators of biological processes and regenerative material flows. Across living biocomposites, biodigital platforms and relational, biotic architectures, the issue advances an ethics, politics and aesthetics that decenter the human and conceive the built environment as continuous with, and accountable to, the ecologies it sustains.Contributors include: Rachel Armstrong, Phil Ayres, Richard Beckett, Beatriz Colomina, Marcos Cruz, Jonathan Dessi-Olive, Nancy Diniz, Joyce Hwang, Kyoung Hee Kim, Maria Kuptsova, Mae-ling Lokko, Frank Melendez, Paul Nicholas, Brenda Parker, Claudia Pasquero, Marco Poletto, Ronald Rael, Ehab Sayed, Milad Showkatbakhsh, Neil Spiller, Mette Ramsgaard Thomsen, Michael Weinstock, Mark Wigley.

Octavo. Original Softcover / Broche Originale. Some of the issues with condition-problems but in general in good to very good condition with some of the issues having frayed and detached wrappers. Only one frontwrapper with titles missing. A very rare run of 88 issues of this rare periodical. 88 Issues with interruptions in between. See here below an example of the structure of each Volume: 2e année - No.14 - Novembre 1946 (Novembre 1946) Reviews of works by: Simone de Beauvoir - "Pour une morale de l'ambiguite" / Carlo Levi - "Le Christ s'est arrete a Eboli" / Pham van Ky - "L'Ogre qui devore les villes" / Maurice Merleau-Ponty - Le Yogi et le Proletaire (suite) / Samuel Beckett - "Poemes 38-39" / Benjamin Goriely - Science des lettres sovietiques / Temoignages: T.F. - "Evasion de France (1943) Opinions: Karl Loewith - Les implications politiques de la philosophie de l'existence chez Heidegger Exposes: Albert Laffay - "Etiemble" History of the Review: Les Temps Modernes (lit. 'Modern Times') was a French journal, founded by Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty. Its first issue was published in October 1945. It was named after the 1936 film by Charlie Chaplin. Les Temps Modernes filled the void left by the disappearance of the most important pre-war literary magazine, La Nouvelle Revue Française (The New French Review), considered to be André Gide's magazine, which was shut down by the authorities after the liberation of France because of its collaboration with the occupation. Les Temps Modernes was first published by Gallimard and was last published by Gallimard. In between, the magazine changed hands three times: Julliard (January 1949 to September 1965), Presses d'aujourd'hui (October 1964 to March 1985), Gallimard (from April 1985). Les Temps Modernes ceased publication in 2019, after 74 years. The first editorial board consisted of Sartre (director), Raymond Aron, Simone de Beauvoir, Michel Leiris, Maurice Merleau-Ponty, Albert Ollivier, and Jean Paulhan. All published many articles for the magazine. Sartre's contributions included "La nationalisation de la littérature" ("The Nationalisation of Literature"), "Matérialisme et révolution" ("Materialism and Revolution"), and "Qu'est-ce-que la littérature?" ("What is Literature?"). Simone de Beauvoir first published Le Deuxième Sexe ("The Second Sex") in Les Temps Modernes. In the preface to the first edition, Sartre stated the review's purpose: to publish littérature engagée. This philosophy of literature expresses a basic creed of existentialismthat an individual is responsible for making conscious decisions to commit socially useful acts. Thus, literature in the magazine would have a utilitarian component; it would not be just culturally valuable ("art for art's sake"). Other intellectuals, such as André Gide, André Breton, and Louis Aragon, disapproved of this orientation. Sartre's response: "Le monde peut fort bien se passer de la littérature. Mais il peut se passer de l'homme encore mieux." ("The world can easily get along without literature. But it can get along even more easily without man.") The works of many writers appeared in Les Temps Modernes. They include Richard Wright, Jean Genet, Nathalie Sarraute, Boris Vian, and Samuel Beckett. Political divisions between board members soon surfaced. Raymond Aron quit in 1945 because of the magazine's Communist sympathies, becoming an editor at Le Figaro. At the time of the Korean War of 19501953, Merleau-Ponty resigned. Originally more supportive of Communism than Sartre, he moved progressively to the right as Sartre moved to the left. At the time, Sartre still endorsed Communism in his writings but in private expressed his reservations. Sartre disapproved of Camus for seeing both sides in the Algerians' rebellion against their French colonial masters (The Algerian War195462). In his bitterness against Camus, Sartre selected Francis Jeanson, who did not like the works of Camus, to review the.

Vintage borderless photograph of playwright Samuel Beckett with actors Annie Bertin, Simone Valere, and Madeleine Renaud during a rehearsal for the 1966 short play. Printed mimeo snipe in French affixed to the verso. Originally written in French and English, "Come and Go" was first staged in German at the Schillertheater in Berlin in January of 1966. The French version was staged the same year, at the Odeon in Paris. 9.25 x 7.25 inches. About Near Fine.