Sims mary s (6 risultati)

Hardcover. Condizione: Very Good. Hardcover, no dust jacket. Light shelfwear to covers. Owner's name inside. Contents clean and tight. 157 pages, index.

Condizione: Good. 1938. Hardcover. Clean copy with some shelf wear. . . . . Books ship from the US and Ireland.

Soft cover. Condizione: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …

Condizione: Good. 1938. Hardcover. Clean copy with some shelf wear. . . . .

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st ed. [1st printing] ; 191 pages : illustrations, portraits ; 24 cm ; ISBN 9780932298508, 0932298508 ; OCLC 17567376 ; grey and red cloth in photographic dustjacket ; features recollections of Lethea Turman Lochridge, Helen Turman Markey, Laura Rose Gause, Elizabeth Little Meriweather, Margaret Rosser Aichel, Virginia Maude Eastman, Daisy Arnold Maude, Mrs, Sidney Owen, Mrs. S. R. Dull, Sarah Orme Huger, Harold Latham, Mariana Goldsmith Knox, Bitsy Sims Alison, Alice Hamilton, Minnie Hite Moody, Frances Austin Catts, Mary Virginia McConnell Adair, Georgia Hoyle Adams Manry, Julia Brantley Willet, Eugenia Snow Van Kuller, Elizabeth Scott Thomas, Elizabeth Shuemake McCleskey, Eleanor Roosevelt, Franklin M. Garrett, Elizabeth Whitman Hunt, Richard Harwell, Mary Upshaw Pike, Jerry Rivers Mangham, Lamar Slaton Hitt, Margaret Peavy Hitt, Celestine Sibley, Doris Lockerman, Louise Hastings, Cary Wilmer Jr, Harold Martin, Sims Maddox, Dan Abrams, Medora Field Perkerson, Ellen Newell Bryan, Callie Orme Healey, Marguerite Sharp Reynolds Scott, Mynita Swan Gerakitis, and photos by Franklin Nix ; Yolanda Gwin started as a young lady with the Atlanta Journal-Constitution and for many, many years was a society writer and editor for the Journal-Constitution. Yolanda wrote t he first review of Gone With The Wind in February of 1936 and has since written many articles about the book and the movie. Her book, Yolanda's Atlanta, was published in 1983 by Peachtree Publishers. ; SIGNED by author Yolanda Gwin on the front endpaper ; FINE/FINE. Signed by Author(s). Book.…

Wrappers. Condizione: Fine. First Edition. A fine copy of the apparent first edition (no explicit edition statement). Bindings is wrappers. The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance. A lovely copy.