Slavs and tatars (65 risultati)

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Condizione: New.

Condizione: new.

Paperback. Condizione: new. Paperback. A satirical poem about the rivalry of various fruits becomes a point of departure for investigations of tolerance and identity in a pluralistic world.A satirical poem about the rivalry of various fruits becomes a point of departure for investigations of tolerance and identity in a pluralistic world.The Contest of the Fruits takes a nineteenth-century Uyghur satirical poem as a departure point for investigations of language, politics, religion, humor, resilience, and resistance in a pluralistic world. Composed at the crossroads of multiple civilizations and empires and born of the Uyghurs' liminal position at the edges of Islam and the frontiers of China, "The Contest of the Fruits" captures a world in which borders are gateways rather than dividing lines. The poem, highly performative, embellished with verbal flourishes, and featuring the ribald rivalry of such fruits as mulberry, pomegranate, quince, and pear, may be the first Turkic rap battle.The book, which accompanies a project by the art collective Slavs and Tatars, brings together artists, academics, poets, and performers to create a visually compelling volume that deploys different registers (high and low) to examine subjects often considered mutually exclusive (for example, religion and hip-hop). It offers essays by leading scholars and journalists that cover topics ranging from language politics to the prominence of Uyghur rappers in China. Shorter "pop-out" texts take a more tentacular approach to Uyghur culture, sampling poetry by diaspora Uyghur poets and discussing such subjects as calligraphy, Uyghur pop music, m shr p, and the Sufi practice of Samac.Copublished with Haverford College Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, 158 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: New.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Boulkroun, Amine (illustratore).

Softcover. Condizione: New. In shrinkwrap. Quarto. Softcover. Cartoon cover. 157 pages : illustrations (some color) ; 26 cm. The Contest of the Fruits takes a nineteenth-century Uyghur satirical poem as a departure point for investigations of language, politics, religion, humor, resilience, and resistance in a pluralistic world. Composed at the crossroads of multiple civilizations and empires and born of the Uyghurs' liminal position at the edges of Islam and the frontiers of China, "The Contest of the Fruits" captures a world in which borders are gateways rather than dividing lines. The poem, highly performative, embellished with verbal flourishes, and featuring the ribald rivalry of such fruits as mulberry, pomegranate, quince, and pear, may be the first Turkic rap battle. The book, which accompanies a project by the art collective Slavs and Tatars, brings together artists, academics, poets, and performers to create a visually compelling volume that deploys different registers (high and low) to examine subjects often considered mutually exclusive (for example, religion and hip-hop). It offers essays by leading scholars and journalists that cover topics ranging from language politics to the prominence of Uyghur rappers in China. Shorter "pop-out" texts take a more tentacular approach to Uyghur culture, sampling poetry by diaspora Uyghur poets and discussing such subjects as calligraphy, Uyghur pop music, mäshräp, and the Sufi practice of Sam c.…

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Boulkroun, Amine (illustratore).

Taschenbuch. Condizione: Neu. Neu -Das international anerkannte Künstlerkollektiv Slavs and Tatars widmet sich dem als Eurasien bekannten Gebiet von der ehemaligen Berliner Mauer bis zur Chinesischen Mauer. Als »Archäologen des Alltäglichen«, wie sie sich nennen, beschäftigt sie das Zusammenspiel von Religion, Macht, Sprache und Identität. In Büchern, Ausstellungen und Performances untersuchen sie Mentalitäten, Mythen, Traditionen und Übergänge und kombinieren wissenschaftliche Forschung mit Polemik und schlichtem Humor. Wripped Scripped führt die Untersuchung des Kollektivs von Alphabeten als politische und affektbetonte Plattform fort. Während die Einführung neuer Alphabete oftmals mit dem Aufstieg und Fall von Imperien einherging, sind die Künstler weniger mit der Befreiung von Völkern und Nationen als der von Klängen und Buchstaben befasst. Das Buch befasst sich unter anderem mit dem Phonem [kh] als heiligem Laut im hebräischen, arabischen und kyrillischen Alphabet, der Beziehung Deutschlands zum Orientalismus mittels des Tetragraphen [dsch] und dem Zusammenhang von nasalen Phonemen und der Konstruktion polnischer und türkischer Identitäten. (Text dt., engl.) 152 pp. Deutsch, Englisch.…

Paperback. Condizione: New.

Condizione: New. Bilingual edition NO-PA16APR2015-KAP.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Softcover. Condizione: VG+. A matte orange softcover book with black text down the spine. Pages: (4), 4-157. Illustrated with a majority color images. "'The Contest of the Fruits' takes a nineteenth-century Uyghur satirical poem as a departure point for investigations of language, politics, religion, humor, resilience, and resistance in a pluralistic world. Composed at the crossroads of multiple civilizations and empires and born of the Uyghurs' liminal position at the edges of Islam and the frontiers of China, 'The Contest of the Fruits' captures a world in which borders are gateways rather than dividing lines. The poem, highly performative, embellished with verbal flourishes, and featuring the ribald rivalry of such fruits as mulberry, pomegranate, quince, and pear, may be the first Turkic rap battle. The book, which accompanies a project by the art collective Slavs and Tatars, brings together artists, academics, poets, and performers to create a visually compelling volume that deploys different registers (high and low) to examine subjects often considered mutually exclusive (for example, religion and hip-hop). It offers essays by leading scholars and journalists that cover topics ranging from language politics to the prominence of Uyghur rappers in China. Shorter "pop-out" texts take a more tentacular approach to Uyghur culture, sampling poetry by diaspora Uyghur poets and discussing such subjects as calligraphy, Uyghur pop music, mäshräp, and the Sufi practice of Sam c.". …

Condizione: New. 2021. Paperback. . . . . .

paperback. Published to accompany the exhibition of work by art collective Slavs and Tatars, NYU Abu Dhabi Art Gallery 2015, and touring venues in Europe, Australia and the US; curated by Maya Allison, edited by Anthony Downey; illustrated throughout. Dustwrapper. 189pp. 4to. Very Good tight and clean in like dustwrapper Very Good tight and clean in like dustwrapper. profusely illustrated (illustratore).…

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: NEW.

Condizione: New.

Paperback. Condizione: Brand New. 192 pages. 10.02x7.73x0.23 inches. In Stock.

Rilegato. Condizione: new. A cura di Slavs and Tartars e Constantine M.Milano, 2019; ril., pp. 122, ill., cm 23,5x29,5. Libro.

Softcover. orange color illustrated wraps w/ black printing. 157 pgs w/ bw & color illustrations. The Contest of the Fruits takes a nineteenth-century Uyghur satirical poem as a departure point for investigations of language, politics, religion, humor, resilience, and resistance in a pluralistic world. Composed at the crossroads of multiple civilizations and empires and born of the Uyghurs' liminal position at the edges of Islam and the frontiers of China, "The Contest of the Fruits" captures a world in which borders are gateways rather than dividing lines. The poem, highly performative, embellished with verbal flourishes, and featuring the ribald rivalry of such fruits as mulberry, pomegranate, quince, and pear, may be the first Turkic rap battle. The book, which accompanies a project by the art collective Slavs and Tatars, brings together artists, academics, poets, and performers to create a visually compelling volume that deploys different registers (high and low) to examine subjects often considered mutually exclusive (for example, religion and hip-hop). It offers essays by leading scholars and journalists that cover topics ranging from language politics to the prominence of Uyghur rappers in China. Shorter "pop-out" texts take a more tentacular approach to Uyghur culture, sampling poetry by diaspora Uyghur poets and discussing such subjects as calligraphy, Uyghur pop music, mäshräp, and the Sufi practice of Samac.--WorldCAt. New/Sealed (remains in publisher's wrap; may have bumping, rubbing to corners, edges etc).…

Condizione: new.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 192 pages, 160 color illustrations - This publication brings together the writing of preeminent scholars and commentators using the genre of medieval advice literature as a starting point to discuss fate and fortune versus governance, advice for female nobility, and an Indian television drama as a form of translation of statecraft. The illustrated essays are accompanied by an interview with Slavs and Tatars.…

Paperback. Condizione: Brand New. bilingual edition. 157 pages. 10.25x7.50x0.50 inches. In Stock.

Paperback. Condizione: new. Paperback. A satirical poem about the rivalry of various fruits becomes a point of departure for investigations of tolerance and identity in a pluralistic world.A satirical poem about the rivalry of various fruits becomes a point of departure for investigations of tolerance and identity in a pluralistic world.The Contest of the Fruits takes a nineteenth-century Uyghur satirical poem as a departure point for investigations of language, politics, religion, humor, resilience, and resistance in a pluralistic world. Composed at the crossroads of multiple civilizations and empires and born of the Uyghurs' liminal position at the edges of Islam and the frontiers of China, "The Contest of the Fruits" captures a world in which borders are gateways rather than dividing lines. The poem, highly performative, embellished with verbal flourishes, and featuring the ribald rivalry of such fruits as mulberry, pomegranate, quince, and pear, may be the first Turkic rap battle.The book, which accompanies a project by the art collective Slavs and Tatars, brings together artists, academics, poets, and performers to create a visually compelling volume that deploys different registers (high and low) to examine subjects often considered mutually exclusive (for example, religion and hip-hop). It offers essays by leading scholars and journalists that cover topics ranging from language politics to the prominence of Uyghur rappers in China. Shorter "pop-out" texts take a more tentacular approach to Uyghur culture, sampling poetry by diaspora Uyghur poets and discussing such subjects as calligraphy, Uyghur pop music, m shr p, and the Sufi practice of Samac.Copublished with Haverford College Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. Neuware -'Es ist nicht immer Affinität, die uns zusammenbringt. Es kann auch Antipathie, Antithese, Fremdheit oder Anderssein sein.'Slavs and Tatars ist ein international renommiertes, in Berlin ansässiges Kunstkollektiv, das sich seit seiner Gründung 2006 der Forschung und einer ganz eigenen Form der Wissensproduktion und -vermittlung widmet. Ursprünglich als Lesegruppe gegründet kuratierten Slavs and Tatars die 33. Internationale Biennale für Grafik in Ljubljana, nahmen an der 58. Biennale di Venezia teil und stellten in internationalen Häusern wie der Pinakothek der Moderne, dem Albertinum, dem Palais de Tokyo, dem Museum of Modern Art und weiteren aus. Die Praxis des Kollektivs basiert auf verschiedenen Medien, von Installationen über Lecture Performances und Vorträgen bis hin zum gedruckten Wort. Im Hinblick auf Religionen und Mythen und Verschiebungen innerhalb dieser verhandeln viele ihrer Werke das Thema Kulturtransfer zwischen dem globalen Westen und Eurasien. In ihrer mitunter humorvollen Arbeit vermengen sie Pop-Visuals mit esoterischen Traditionen und mündliche Rituale mit wissenschaftlicher Analyse auf eine profunde Weise, die den oft eindimensionalen Blick auf die Beziehungen zwischen Wissenschaft, Religion, Macht und Identität hinterfragt.The Collective Eye sprach mit Slavs and Tatars über ihr kollektives Selbstverständnis, Irritationen und Hindernisse im Übersetzen von Wissen, Orientalismus und die Hegemonie des Englischen und kollektives Kuratieren.ÜBER THE COLLECTIVE EYEThe Collective Eye (TCE) ist ein Projektkollektiv mit wechselnden Mitgliedern. In Interviews, Symposien, Ausstellungen und Gesprächsbänden geht es um die Stärkung eines multinationalen Dialogs zwischen Kollektiven und Theoretiker\*innen in der Auseinandersetzung mit kollektiver Kreativität und Praxis in den Künsten. Dabei blickt TCE transdisziplinär auf Formen der Zusammenarbeit in bildender und darstellender Kunst, in Theatern, Museen sowie Zwischenräumen kultureller Produktion.'It's not always affinity that brings us together. It may also be antipathy, antithesis, a lack of familiarity, or otherness.'Slavs and Tatars is an internationally renowned Berlin-based art collective established in 2006 that dedicates itself to research and a unique form of knowledge production and dissemination. Originally founded as a reading group, Slavs and Tatars curated the 33rd International Biennial of Graphic Arts in Ljubljana and participated in the 58th Venice Biennale; they have also exhibited internationally, including at the Pinakothek der Moderne, the Albertinum, the Palais de Tokyo, and the Museum of Modern Art. The collective's practice is based on a range of media, from installations to lecture performances, presentations, and the printed word. Many of their works engage with religion and myths and their shifting phenomenology, examining instances of cultural transfer between the Global West and Eurasia. Sometimes leavened with humor, their art mixes pop visuals with esoteric traditions and oral rituals with scientific analysis, achieving a depth of insight that challenges widely held simplistic conceptions of the interrelations between science, religion, power, and identity.The Collective Eye spoke to Slavs and Tatars about their collective self-conception, irritations and obstacles in the translation of knowledge, Orientalism and the hegemony of the English language, and collective curating.ABOUT THE COLLECTIVE EYEThe Collective Eye (TCE) is a project collective whose membership fluctuates. In interviews, symposia, exhibitions, and books for which TCE engages selected partners in dialogue, it seeks to strengthen a multinational dialogue between collectives and theorists grappling with collective creativity and practices in the arts. Its scope transcends boundaries of discipline, encompassing forms of collaboration in the visual and performing 128 pp. Deutsch.…