smith charles allan (32 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Illustrated by Pierre Charles Duvivier cover art (illustratore). 1st Edition?. VERY GOOD Condition PAPERBACK; Sheet Music; Musical Scores; 64pg thin pages; Piano & VOCALS. TALL White CHURCH ON KNOLL cover COLOR PHOTO. .41 WELL KNOWN SACRED SONGS, CAREFULLY COORDINATED LESSON BOOK.

Paperback. Condizione: New. Step right up to see the enchanted Ferris wheel whose magical gifts are to die for! Marvel at the man-eating menagerie and dreadful secrets of 'Satan's Circus'! Behold the nightmare waxworks of Mrs. Groby's Chamber of Horrors!Carnivals and sideshows are settings closely entwined with the history of horror cinema, but in the realms of literature, there is a strain of uncanny fairground fiction with even deeper roots. Home to a sinister troupe of conjurers, puppeteers, beast tamers and crowds baying for blood beneath the Big Top, the performance spaces of these classic weird tales are borderlands where the unearthly meets the darker cravings of the human heart.Presenting sixteen sensational short stories, hailing from Edgar Allan Poe's 1840s through to Robert Aickman's 1960s, Edward Parnell invites you to enjoy a cavalcade of uneasy thrills courtesy of Gerald Kersh, Ray Bradbury, Margery Lawrence and many more.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condizione: Very Good. Illustrated. Used - Very Good.

Paperback. Condizione: New. Step right up to see the enchanted Ferris wheel whose magical gifts are to die for! Marvel at the man-eating menagerie and dreadful secrets of 'Satan's Circus'! Behold the nightmare waxworks of Mrs. Groby's Chamber of Horrors!Carnivals and sideshows are settings closely entwined with the history of horror cinema, but in the realms of literature, there is a strain of uncanny fairground fiction with even deeper roots. Home to a sinister troupe of conjurers, puppeteers, beast tamers and crowds baying for blood beneath the Big Top, the performance spaces of these classic weird tales are borderlands where the unearthly meets the darker cravings of the human heart.Presenting sixteen sensational short stories, hailing from Edgar Allan Poe's 1840s through to Robert Aickman's 1960s, Edward Parnell invites you to enjoy a cavalcade of uneasy thrills courtesy of Gerald Kersh, Ray Bradbury, Margery Lawrence and many more.

Wraps. Condizione: Good-. Vol. 17, No. 3. Pulp magazine. Edited by Robert W. Lowndes. Cover art is uncredited. Includes "Hell-Roarin' Range" (novel) by Murray Leinster; "Lawman, Keep Out!" (novel) by E. Hoffman Price; "Flint and the Pound of Flesh" by Allan K. Echols; "Meeting at Matamoras" (novelet) by Ben Smith; "Boom-Town Tamer" (true story) by Cliff Campbell; "He Bet on Wild Bill's Gun" (true story) by Wayne D. Mote; "The James Boys Go Calling" (true story) by James A. Hines; "Stranger on a Stagecoach" by Rex Whitecurch; "The Spin" (true fact feature) by The Lawdog; "Cadavers in teh Kitchen" (true story) by John T. Lynch; "Day of teh Lonmghorn" (true fact feature) by Mat Rand; "The Saving of Century John" by Ward Raymond; "The Restless Dust" by Charles Ackeley; "Man in Golden Armor" (true story) by James E. Hungerford; "Trail-Blazer" (quiz feature) by John Winters Fleming. Illustrations are uncredited. Hinge tears; cover glued on at hinge; edge and corner tears and losses; tanning. Magazine.

Condizione: Muy bueno. Cox, Steve (illustratore). : Sumérgete en un mundo de cuentos cortos con 'The Puffin Book of Five-Minute Stories'. Esta colección reúne una variedad de relatos, desde cuentos clásicos hasta historias modernas, perfectas para leer en cualquier momento. Ideal para niños a partir de 5 años, este libro ofrece una experiencia de lectura entretenida y rápida, fomentando la imaginación y el amor por la lectura. EAN: 9780141308791 Tipo: Libros Categoría: Infantil y Juvenil Título: The Puffin Book of Five-Minute Stories Autor: Charles Perrault| Margaret Mahy| Allan Ahlberg| Dick King-Smith| Adele Geras| Vivian French Editorial: Puffin Idioma: en Páginas: 128 Formato: tapa blanda.

Soft cover. Condizione: VG+. A VGF or better 5" X 8" four-page local theater herald. Also includes ads for "Sutter's Gold", "Times Square Playboy" and "The Case Against Mrs. Ames". Scarce. Book.

15 pp.; 20.8 x 14.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition brochure published in conjunction with show held July 6 - September 24, 2000. Curated and with an introduction by Virginia Button and Charles Esche. Artists include Oladélé Ajiboyé Bamgboyé, Michael Craig-Martin, Martin Creed, Tacita Dean, Jeremy Deller & Allan Kane, William Furlong, Liam Gillick, Douglas Gordon, Graham Gussin, Susan Hiller, Jaki Irvine, Alan Johnston, Mark Lewis, Hilary Lloyd, Brighid Lowe, Sarah Lucas, Julian Opie, Yinka Shonibare, Bob and Roberta Smith, Gillian Wearing, and Richard Wright. Very Good / Fine. Light yellowing of cover edges with additional light rubbing. Contents clean and unmarked.

Softcover. Condizione: Good. First Edition. New York: The Frank A. Munsey Company Publisher. 1932. First edition. Pulp magazine. Pictorial wrappers [about 6.75" x 9.75"], 144 pages, illustrated. Includes the first of five parts of "The Radio War" by Ralph Milne Farley, the second of two parts of "Corporal Cole's Conscience" by J. Allan Dunn, "Earthquake Catchers" by Foster-Harris, "The Tiger of Yezo" by L. G. Blochman, etc. Good copy [spine toned and cracked with some chipping to the ends, cover creased with the usual edgewear, upper left corner tear to the front cover, paper tanned as usual. bx419E.

Soft cover. Condizione: New. 1st Edition.

Soft cover. Condizione: Very Good. Rudolph Belarski, cover illustration (illustratore). First Edition. Very good in original wrappers with light edgewear and a small rubberstamp.

Soft cover. Condizione: Very Good+. Stephen Fabian;Charles McGill;James B. Wandesford;Virgil Finlay;Clark Ashton Smith (illustratore). Limited/Numbered First Edition. #258 of 450 copies. Dust soiling to white covers and small top corner crease to front cover. Otherwise very good+.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. xiv, 233 p. : ill., ports. ; 26 cm. ISBN 9780520029996, 9780520037199, 0520029992, 0520037197 OCLC 3289253 LCCN 75007193 LC ML3561.J3 S39 Dewey 785.420973 ; gray cloth in pictorial dust jacket ; Contents: Preface / Chadwick Hansen -- Introductions -- Introducing the Jazz Record 1943 / Art Hodes -- Jazz Record: the first year, 1944 / Art Hodes and Dale Curran -- Jazz Record remembered, 1973 / Art Hodes -- Part 1: Facts Of Life / Art Hodes -- Rainbow cafe -- Everybody's in the union -- Playing for kicks -- Wingy, Louis and me -- Liberty Inn drag -- Jam session -- Cops -- Taxi dance hall -- Big bands: 1 -- Big bands: 2 -- Making a record -- Enlightenment-through radio -- Blues for Bennie -- Blues for the dago -- Blues for Nick and tricky Sam -- Blues for 52nd street -- Part 2: Beginnings-Blues, Boogie-Woogie And Ragtime -- Cow cow and the boogie-woogie / Cow Cow Davenport -- Mama don't low no music / Cow Cow Davenport -- Blues in his heart / Jasper Wood -- Rag alley story / Rudi Blesh -- Little brother / Eurreal Montgomery -- Preserve genuine early ragtime / S Brunson Campbell -- They all had it / S Brunson Campbell -- Scott Joplin / R J Carew -- Baby, I done got wise / William "Big Bill" Broonzy -- Memories of Bessie Smith / Carl Van Vechten -- Bessie Smith / Art Hodes -- Really the blues / Milton (Mezz) Mezzrow -- I remember the queen /Zutty Singleton -- Part 3: New Orleans And All That Jazz -- New Orleans trumpeters / Cy Shain -- Jazz music of the gay '90s / John A Provenzano -- Mardi Gras, chic la pai / John A Provenzano -- Mr Armstrong and Mr Robbins / transcribed by Lorraine Lion -- When Armstrong came to New York / Kaiser Marshall -- King Oliver's last tour / Fred Moore -- King's nephew / Dave Nelson, as related to Danny Barker -- Mostly about Morton / Omer Simeon -- Oh, Mr Jelly / Charles Edward Smith -- Oh, play that thing / Warren "Baby" Dodds -- Forty-eight years on the string bass / Pops Foster -- Blues for Jimmy / Vincent McHugh -- Tribute to Joe Darensbourg / John Wittwer -- Once upon a time / Eddie Edwards -- Kid Ory / Alma Hubner -- Letter from Bunk / Bunk Johnson -- Jam session with Bunk / Lewis Eaton -- Play number nine / George Lewis -- New Orleans trombone / Jim Robinson -- Big eye Louis Nelson / Robert Goffin -- Part 4: Second Line -- Baby Dodds knew how / George Wettling -- Drummer from Chicago / Earl Wiley -- Drummer Danny / Bob Aurthur -- Kazoo come on / Jack Bland -- As I knew Eddie Lang / Jack Bland -- Idyll of the kings / Amy Lee -- Riverboat Jess / Mary Peart -- Barrelhouse Frank Melrose / Pete Daily -- Davenport piano / Floyd Bean -- Portrait of George Bruni(e)s / Amy Lee -- Modest George / Harvey Lebow -- Bud Freeman said it / Jasper L Wood -- Pee Wee's soul is music / Alma Hubner -- Rod Cless as I knew him / Ray Cless -- Muggsy Spanier / Alma Hubner -- Hear that ragtime band / Dale Curran -- Wild William / Bob Aurthur -- Talking about boze / Mary Peart -- Dixieland, twin city style / Paul (Doc) Evans -- Gentleman of jazz / Fats Baker -- Music is a business / Fats Baker -- Village tavern league / George Avakian -- Musicians are independent / G F Quittner -- Part 5: Lest We Forget -- Gram-o-phone days / Dale Curran -- Recording with Panassie / Mezz Mezzrow -- I'm a sweet Papa Pigment / Alsion Blair -- St Louis Jazzman / Ed Crowder and A F Niemoeller -- Drums on the Mississippi / Harry Dial -- Everybody loves Cecil / H B M -- Music is my business / Henry Goodwin -- Fats Waller and James P / James McGraw -- Trouping with Fats Waller / Gene Sedric -- You got to be original, man / Allan Morrison -- Sidney Bechet, musical father to Bob Wilber / Al Avakian -- Selections from the gutter / Art Hodes ; FINE/FINE. Book.

Condizione: New. Satisfaction Guaranteed or your money back.

Paperback. Condizione: New. Step right up to see the enchanted Ferris wheel whose magical gifts are to die for! Marvel at the man-eating menagerie and dreadful secrets of 'Satan's Circus'! Behold the nightmare waxworks of Mrs. Groby's Chamber of Horrors!Carnivals and sideshows are settings closely entwined with the history of horror cinema, but in the realms of literature, there is a strain of uncanny fairground fiction with even deeper roots. Home to a sinister troupe of conjurers, puppeteers, beast tamers and crowds baying for blood beneath the Big Top, the performance spaces of these classic weird tales are borderlands where the unearthly meets the darker cravings of the human heart.Presenting sixteen sensational short stories, hailing from Edgar Allan Poe's 1840s through to Robert Aickman's 1960s, Edward Parnell invites you to enjoy a cavalcade of uneasy thrills courtesy of Gerald Kersh, Ray Bradbury, Margery Lawrence and many more.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Oversized Hardcover. Condizione: Very Good. No Jacket. Very Good Plus; Gently worn from handling w/ mild scuffing at rear; Housed in original box; An excellent copy.

Paperback. Condizione: New. Step right up to see the enchanted Ferris wheel whose magical gifts are to die for! Marvel at the man-eating menagerie and dreadful secrets of 'Satan's Circus'! Behold the nightmare waxworks of Mrs. Groby's Chamber of Horrors!Carnivals and sideshows are settings closely entwined with the history of horror cinema, but in the realms of literature, there is a strain of uncanny fairground fiction with even deeper roots. Home to a sinister troupe of conjurers, puppeteers, beast tamers and crowds baying for blood beneath the Big Top, the performance spaces of these classic weird tales are borderlands where the unearthly meets the darker cravings of the human heart.Presenting sixteen sensational short stories, hailing from Edgar Allan Poe's 1840s through to Robert Aickman's 1960s, Edward Parnell invites you to enjoy a cavalcade of uneasy thrills courtesy of Gerald Kersh, Ray Bradbury, Margery Lawrence and many more.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st ed., 1st printing ; xix, 127 pages : illustrations ; 26 cm ISBN 9780252015533, 0252015533 OCLC 17676686 LCCN 88004825 LC KF5692 .C67 1989 Dewey 346.73045 and 347.30645 ; grey cloth in pictorial dustjacket ; Contents : Aesthetics in the Museum and in the Courthouse -- East side, west side all around the town (and nation) -- The case for coherence -- Aesthetics at any price opr no aesthetics at all -- The case for legal aesthetics -- Aesthetics and the Legal System -- The swinging pendulum -- A blessed union? -- A return to first principles -- Legal Aesthetics and legal institutions -- Icons and Aliens -- A format for aesthetics controversies -- The aesthetics impulse: Beauty as a nonstarter -- Aesthetics and Process Values -- Legal language and lay language -- Process and end-state values: Pathways to accommodation -- Epilogue -- Notes -- Index ; Discusses issues surrounding the daily war being fought in cities across the country--developmental change and business growth versus historic preservation. Can there be a meeting of the minds beween those who strive to preserve our environment and historical landmarks and those who continue to try to meet the needs of a changing society? publisher's promotional materials laid in, associated with a Kiwanis Club presentation to Memphis area Law alumni ; SIGNED letter to attorney Richard W. Foster from the author with comments upon the city of Memphis, laid-in with envelope ; John Costinis was dean of the Vanderbilt Law School who previously taught in the urban design, historic preservation and property fields on the law faculties of New York University and Illinois. A frequent contributor of essays on design and land use topics to legal and lay publications, Costonis was also the author of Space Adrift, Landmark Preservation and the Marketplace, a seminal study of the use of incentive zoning to finance the preservation of endangered urban landmarks. ; Allan Jacobs was was a professor of environmental design, University of California at Berkeley and the former director of planning, Department of City Planning, San Francisco ; includes discussions about the Zucchini on Park Avenue, East Side buildings on Manhattan's West Side, Billboards along a scenic Arizona highway, Sodium vapor lamps in downtown Bronxville, An international style tower atop the Beaux Arts Grand Central Terminal, a Con Ed pumping station on Storm King Mountain, the Transamerica Building in San Francisco, McDonald's Speedee Service Drive-in, Goodyear Airdock, Isaac I Rice Mansion, Upper East Side Historic District, ; inlcudes numerous New Yorker cartoons and black and white photographs ; FINE/FINE. Signed by Author(s). Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: New. 1st Edition. pictorial paper, vi, 138 pages : illustrations (some color), map. Includes bibliographical references (p. 115). Size: 4to - over 9¾ - 12" tall. Book.

Cloth. Condizione: Very Good. No Jacket. Charles Dudley Warner, West, Travel, Americana, Frank T. Merrill, E.H. Garrett, C.D. Weldon, Frederick Dielman, Dan C. Beard, Alice Barber Stephens, B. William Clinedinst, Peter Newell, Seymour M. Stone, P. Allan Gilbert, W. Granville Smith, Louise Roger (illustratore). Limited, Numbered and Signed Edition. 15 volumes, #408 limited to 612 copies signed by many of the artists, the editor and the publisher. Cloth is mildly rubbed, stained, backstrip sunned, The pages were apparently unopened, but were badly opened as there are many pages with tears. The books have the previous owner's signature, Edwin Reynolds, 1905 in every volume; the ink bleeds through to the back page. Bindings are solid. By Artists, Editor and Publish.

Hard Cover. Condizione: Fine. Fabian, Stephen; McGill, Charles; Wandesford, James; Finlay, Virgil; Smith, Clark Ashton (illustratore). First Limited Edition. Stated at copyright: "This first edition limited to 450. This is No. '18 of 50 Bound, For Floyd Peill'" Essentially, one of fifty limited hardcover first editions. Large 9" x 11" oversize design. Jet black full cloth boards, crisp gilt impressed cover and spine titles, fine; protected in clear acetate sleeve. Pages near fine; few with slight discoloration; no writing. Bind fine, square; hinges intact. Beautifully and uniquely illlustrated by several talented artists with macabre and humored imagery throughout. Nine full-page designs with vignettes and decoration throughout. Near fine unique and limited rarity. The introduction or prefatory section written by Gerry de la Ree, the author and publisher, explains how Charles Desmarais Gardette's poem, "The Fire-Fiend," was published a decade following Poe's death, and was initially promoted as an unpublished poem of Poe, and not Gardette's work himself. It was explained that this poem was pivotal in the development of Poe's most famed lyrical poem, "The Raven." But, even though questioned at initial publication with the accompanying Gardette letter of explanation by the New York Saturday Press editors (with a simple by-line: "We don't see it"), the Gardette piece was then reprinted as a work of Poe in several publications through the mid nineteenth century. Following this is Charles Gardette's actual poem, "The Fire-Fiend - A Nightmare," dynamically illustrated by Stephen Fabian. A unique stand alone piece of horror fantasy in its own right. Then to enhance the story and lore, a reprinting of the 1865 volume written by Gardette to explain the events of this hoaxed poem not of E. A. Poe. It is presented here in fine facsimile form of the original leaves. And finally, the masterpiece by Edgar himself, The Raven, also intriguingly illustrated with a variety of contributing artists. Apprx. 100 pages. Insured post. Edgar Allan Poe's hazy narrative begins on a night in December when "The Raven" haunts the unnamed narrator who sits reading "forgotten lore" to sublimate the loss of his love, Lenore. A "rapping at his chamber door" reveals nothing, yet excites his soul to "burning". A similar rapping, slightly louder, is heard at his window. When he investigates, a raven enters his chamber. Paying no attention, the raven perches atop a bust of Pallas high above the door. Amused by the raven's comically serious disposition, the man asks that the bird tell him its name. The raven's only answer is "Nevermore". The narrator is surprised that the raven can talk, though at this point it has said nothing further. The narrator remarks to himself that his "friend" will soon fly out of his life, just as "other friends have flown before". The raven responds again with "Nevermore". The narrator reasons that the bird learned the word "Nevermore" from some "unhappy master" and that it is the only word it knows. Regardless, the narrator pulls his chair directly in front of the raven, determined to learn more. He thinks for a moment, and his mind wanders to his lost Lenore. He thinks the air grows denser and feels the presence of angels, and wonders if God is sending him a sign that he is to forget Lenore. The bird again replies in the negative, suggesting that he can never be free of his memories. The narrator becomes angry, calling the raven a "thing of evil". Finally, he asks whether he will be reunited with Lenore in Heaven. When the raven responds with its typical "Nevermore", he is enraged, and, calling it a liar, commands the bird to return to the "Plutonian shore", - but it does not move. The narrator's final admission is that his soul is trapped beneath the raven's shadow and shall be lifted "Nevermore". Size: 4to - over 9¾" - 12" tall.

Condizione: Very Good. Allan D'Arcangelo, Dean Fleming, Charles Hinman, Sol Lewitt, Robert Morris, Robert Murray, Jules Olitski, Dalila Puzzovio, Bridget Riley, Susana Salgado, Carlos Silva, Leon Polk Smith and John Wesley, Premio Internacional 1976 Instituto Torcuato di Tella, 1968. 204 x 227mm. Softcover catalogue of the event printed black on glossy white and yellow stock. Includes images of each artist with bios and a list of works at the end of publication. Text in Spanish with introduction by the director of Museo de Bellas Artes de Caracas, Miguel G. Arroyo C and further texts including by Lucy Lippard. Artists included are Allan D'Arcangelo, Dean Fleming, Charles Hinman, Sol Lewitt, Robert Morris, Robert Murray, Jules Olitski, Dalila Puzzovio, Bridget Riley, Susana Salgado, Carlos Silva, Leon Polk Smith and John Wesley. In collaboration with Leo Castelli Gallery, Chalette Gallery, Dwan Gallery, Robert Elkon Gallery, Andre Emmerich Gallery, Richard Feigen Gallery, Fischbach Gallery, Betty Parsons Gallery and Park Place Gallery, all New York. Robert Morris received a prize at the Premio Internacional Di Tella in 1967, at which Jorge Glusberg curated Estructuras primarias II at Sociedad Hebraica Argentina, referenced in Daniel Quiles 2014 paper 'Between Organism and Sky'. 2 copies on Worldcat. Condition: Minor toning and minor soiling to outer covers, some wear to inside cover and first page, otherwise internally near fine. Overall Very Good.