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Condizione: New.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Fin Serck-Hanssen (illustratore). Hardcover, in obi strip. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Gebunden. Condizione: Neu. Neu -The term 'concrete art' was coined by the Dutch artistTheo van Doesburg in 1930, referring to works of art thatare exclusively based on purely 'plastic' elements, suchas color, line and plane, thereby forming an independent'concrete' reality. Accompanied by a new interest in howwe perceive and process visual impressions, insights fromperception psychology have been artistically explored tocreate dynamic and 'living' images.Over the past 50 years, the Norwegian art collector ErlingNeby has built an extraordinary collection of geometricand concrete art. Encompassing European, American andNordic art, the main focus is on works from the post-waryears, including leading figures such as Victor Vasarely,Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Ryghand Olle Bærtling, as well as new generations of artistswho, in different ways, use a geometric-abstract form ofexpression. This catalogue documents a major exhibitionat the Kode Art Museum in Bergen featuring more than100 works from the collection, which-through its truly personalselection-offers a complex picture of artistic positions,and the impact of geometric and concrete art. 300 pp. Englisch.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art.

Hardcover. Condizione: new. Hardcover. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2024. 1st Edition. hardcover. . . . . .

Paperback. Condizione: Brand New. 96 pages. 11.00x11.00x0.47 inches. In Stock.

Buch. Condizione: Neu. Neuware -The term 'concrete art' was coined by the Dutch artistTheo van Doesburg in 1930, referring to works of art thatare exclusively based on purely 'plastic' elements, suchas color, line and plane, thereby forming an independent'concrete' reality. Accompanied by a new interest in howwe perceive and process visual impressions, insights fromperception psychology have been artistically explored tocreate dynamic and 'living' images.Over the past 50 years, the Norwegian art collector ErlingNeby has built an extraordinary collection of geometricand concrete art. Encompassing European, American andNordic art, the main focus is on works from the post-waryears, including leading figures such as Victor Vasarely,Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Ryghand Olle Bærtling, as well as new generations of artistswho, in different ways, use a geometric-abstract form ofexpression. This catalogue documents a major exhibitionat the Kode Art Museum in Bergen featuring more than100 works from the collection, which-through its truly personalselection-offers a complex picture of artistic positions,and the impact of geometric and concrete art. 300 pp. Englisch.

Buch. Condizione: Neu. Neuware -The term 'concrete art' was coined by the Dutch artistTheo van Doesburg in 1930, referring to works of art thatare exclusively based on purely 'plastic' elements, suchas color, line and plane, thereby forming an independent'concrete' reality. Accompanied by a new interest in howwe perceive and process visual impressions, insights fromperception psychology have been artistically explored tocreate dynamic and 'living' images.Over the past 50 years, the Norwegian art collector ErlingNeby has built an extraordinary collection of geometricand concrete art. Encompassing European, American andNordic art, the main focus is on works from the post-waryears, including leading figures such as Victor Vasarely,Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Ryghand Olle Bærtling, as well as new generations of artistswho, in different ways, use a geometric-abstract form ofexpression. This catalogue documents a major exhibitionat the Kode Art Museum in Bergen featuring more than100 works from the collection, which-through its truly personalselection-offers a complex picture of artistic positions,and the impact of geometric and concrete art. 300 pp. Englisch.

Condizione: New.

Condizione: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Fin Serck-Hanssen (illustratore). 253 pages, 4to. Minor shelfwear. Tight binding, no marks. Volume is in Very Good condition.

Hardcover. Condizione: Brand New. 300 pages. 11.00x11.25x10.70 inches. In Stock.

Condizione: New. The term concrete art was coined by the Dutch artistTheo van Doesburg in 1930, referring to works of art thatare exclusively based on purely plastic elements, suchas color, line and plane, thereby forming an independent concrete reality. Accompanied.

Hardcover. Condizione: new. Hardcover. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. Fin Serck-Hanssen (illustratore). Unread book in excellent condition. Lettering on the front cover slightly faded, due to storage and transportation. Otherwise the book is as good as new. Privately owned. Language: English.

Buch. Condizione: Neu. The Square's Heart | Works from The Erling Neby Collection | Line Daatland (u. a.) | Buch | 300 S. | Englisch | 2024 | Hatje Cantz Verlag | EAN 9783775756884 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu.

Buch. Condizione: Neu. Neuware - The term 'concrete art' was coined by the Dutch artistTheo van Doesburg in 1930, referring to works of art thatare exclusively based on purely 'plastic' elements, suchas color, line and plane, thereby forming an independent'concrete' reality. Accompanied by a new interest in howwe perceive and process visual impressions, insights fromperception psychology have been artistically explored tocreate dynamic and 'living' images.Over the past 50 years, the Norwegian art collector ErlingNeby has built an extraordinary collection of geometricand concrete art. Encompassing European, American andNordic art, the main focus is on works from the post-waryears, including leading figures such as Victor Vasarely,Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Ryghand Olle Bærtling, as well as new generations of artistswho, in different ways, use a geometric-abstract form ofexpression. This catalogue documents a major exhibitionat the Kode Art Museum in Bergen featuring more than100 works from the collection, which-through its truly personalselection-offers a complex picture of artistic positions,and the impact of geometric and concrete art.

Hardcover. Condizione: New. [99] pages : illustrations ; 24 x 33 cm. English & Norwegian. Normalizing Judgment more problematic det norske fengsel- and avstraffningssystemet gjennom en kunstnerisk dokumentasjon fra åtte norske fengsler. Gjennom portretter and stedsbeskrivelser beacons boken on the side of the fencesystemet so overvåkning, dehumanisering and external medgjøring. He realigned in norske fenglser i samsvar med det norske selvformet som forestryfullt, including and redeeming? I interior photography and tilsynelatende quickly registered portraits of trekker artists seg out of fortolkningen of the inside and silent contracters to ask with the fact that the samfunnet has been covered up å deskytte seg mot offers, or else overgriperen for that place. Boken has initial pictures and an essay by Michael Petry.