soca susana (17 risultati)

Encuadernación de tapa blanda. Condizione: Bien. Montevideo, Uruguay. 2da. época, Año VI, Nro. 12. Ver imagen con sumario. Dirigida por SUSANA SOCA. Libro en buen estado general, con signos de haber estado húmedo en los bordes de algunas páginas. 139 pp.

Condizione: Very Good. ~ Encarte en cuché con retrato fotográfico de María Eugenia Vaz Ferreira ~ Rústica original ~ 84p+2f ~ 27x21x1cm. ~ Lomo insolado y con pequeño faltante, leves manchas en la tapa, interior en Muy Buen estado ~ LANGUAGE: Español // We accept PayPal & EU bank transfer in EUROS //.

Condizione: Very Good. ~ Rústica original ~ 195p+2f ~ 27x21x1cm. ~ Muy Buen estado ~ LANGUAGE: Español // We accept PayPal & EU bank transfer in EUROS //.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Good. First Thus. With lingering love she gazed at the dispersed Colors of dusk. It pleased her utterly to lose herself in the complex melody or in the curious life to be found in verse. lt was not the primal red but rather grays that spun the fine thread of her destiny, for the nicest distinctions and all spent in waverings, ambiguities, delays. Lacking the nerve to tread this treacherous Labyrinth, she looked in on, whom without, the shapes, the turbulence, the striving rout, (Like the other lady of the looking glass.) The gods that dwell too far away for prayer abandoned her to the final tiger, Fire. --Poem about Susana Soca by Jorge Luis Borges. This beautiful book, one of 500 copies, is in fine condition. "Esta colección pretenede desarrollar un colleccíon que reedite algunos libros y autores de poesía uruguaya de comprobada importancia para la literatura nacional y que hoy no están a desposicíon del público. The importance of this major Uruguayan poet who died tragically in a plane crash in 1959 is not to be underestimated. She was the editor of the literary journal, La Licorne. Inventory #000514. Size: 8vo - over 7¾" - 9¾" tall.

195 págs. 8vo., rústica Colaboraciones: Adolfo Bioy Casares, José Bergamín, Enrique Casaravilla Lemos, Herbert Steiner, y otros. Tapa delantera con faltante superior, priemras hojas con leves deterioros. Intonso.

121 p 24 cm Primera edición. Tirada de mil ejemplares, doscientos en papel tipo Johannot, y ochocientos en papel pluma martillado, numerados de 1 a 800. Ejemplar 202. Incluye facsímil del último e inacabado poema. Encuadernación editorial en rústica con leves huellas de uso. Pequeño taladro de polilla en la parte superior de las 20 primeras páginas. No afecta texto.

84 págs. 8vo., rústica Colaboraciones: Sarah Bollo, Ángel Rama, Alberto Zum Felde, M. Mendilaharsu, Esther de Cáceres.

Rústica. Condizione: Buen estado. Textos de: Pierre Jean Jouve, Jose Bergamín, Henri Gouhier, Enrique Casaravilla Lemos, Adolfo Bioy Casares, Clara Silva, Herbert Steiner, Hugo Von Hofmannsthal, Xavier Abril, Carlos Gurmendez (h), Ricardo Paseryro, Jacques Madaule, Guido Castillo, Annie Barbaro de Teixeira, Susana Soca, M. A. Couturier, Esther de Cáceres, Sherban Sidery, Hans Sidery, Hans Platschek, Lorenzo Varela, José Bergamin. [Libro en Español / Book in Spanish].

97 págs. Con ilustraciones 8vo., rústica Número homenaje a Susana Soca. Colaboraciones: Jorge Luis Borges, Juana de Ibarbourou, E. Cioran, Jorge Guillén, Carlos Sabat Ercasty, Emilio Oribe, Lanza del Vasto, José Bergamín y otros. Borde inferior de la tapa delantera con deterioros. Intonso.

187 págs. 8vo., rústica Colaboraciones: Jorge Luis Borges, Francisco Romero, Rafael Alberti, Felisberto Hernández, Silvina Ocampo, Julián Marías, Jacobo Langsner y otros. Intonso.

126 p 24 cm Primera edición, Tirada numerada a máquina de 999 ejemplares en rustica. Tres sellos de anterior poseedor en la portada y páginas interiores: Tomás Lozano Escribano. Encuadernación editorial en rústica con numero topográfico en el lomo y buen estado. Estado de conservación: Bien.

121 p 24 cm Primera edición. Tirada de mil ejemplares, doscientos en papel tipo Johannot con numeración romana de I a CC y ochocientos en papel pluma martillado, numerados de 1 a 800. Ejemplar 436. Tres sellos del anterior poseedor en Portada y páginas interiores: Biblioteca de D. Tomás Lozano Escribano. Incluye facsímil del último e inacabado poema Encuadernación editorial en rústica con leves huellas de uso y número topográfico en el lomo.

Rústica. Condizione: Buen estado. Colaboradores: Jean Cocteau, Rene Micha, Jose Bergamin, Rene Char, Susana Soca, Paul Eluard, Francisco Romero, Jorge L. Borges, Rafael Alberti, Jose Bergamin, Fernando Pereda, Felisberto Hernandez, Carlos Rodriguez Pintos, Carlos Real de Azua, Silvina Ocampo, Julian Marias, Orfila Bardesio, Carlos Gurmendez (h.), Eduardo Dieste, Ema Risso Platero, Ricardo Paseyro, Angel Rama, Guido Castillo, J. Hellmut Freund, Jacobo Langsner, Sherban Sidery, Antonio Larreta, Ilustrado con láminas en b/n. Nombre antiguo dueño en hoja en blanco. Bordes de cubiertas con roturitas. [Libro en Español / Book in Spanish].

26x20. Ilustraciones de Valentine Hugo .Colaboraciones de Borges ,Bergamin , Michaux , Gillen , Zambrano , Pasolini , Supervielle , Felisberto Hernanandez, Onetti .9 volumenes , la mayoria intonso. Rústica.

Encuadernación de tapa blanda. Condizione: Muy bien. In-4. #1 Autumn 1947 - #3 Autumn 1948. (Complete set of first stage). Wrappers with glossy paper . VG+ copy. The first period was published in Paris as "La Licorne: Cahiers trimestriels de litterature", in French. Collaborators : Jules Supervielle, Felisberto Hernandez, Jorge Luis Borges, Maurice Blanchot, Didier Desroches, Georges Shehad, Pablo Neruda, Octave Nadal, T. S. Eliot, Rend Daumal, Charles-Albert Cingria, Georges Garampon, Juana de Ibarbourou, Jules Supervielle, Alvaro Vasseur, Carlos Sabat Ercasty, Esther de Caceres, Emilio Oribe, Ricardo Paseyro, Enrique Lentini, Guido Castillo, José Bergamin, Jorge Guillen, Giuseppe Ungaretti, Lanza del Vasto, Maria Zambrano, Henri Michaux, Sherban Sidery, Marcel Jouhandeau, Jean Cocteau, Rafael Alberti, Silvina Ocampo, Julian Marias, Orfila Bardesio, Adolfo Bioy Casares, Clara Silva, Herbert Steiner, Hugo von Hofmannsthal, Xavier Abril, Karl Jaspers, Karl L. Mayer, Thomas Mann, Dylan Thomas, Juan Carlos Onetti, Roberto Ibaiez, Juan Garcia Bacca, Ricardo Paseyro, John Wain, Magdalena Harriague, Alberto Moravia, Enrique Lentini, Hans Busch, Julio FernAndez , Juan Carlos Paz, among others. La Licorne, published in two periods (Paris 1947 Montevideo 1953), and which represents without a doubt a model of transatlantic literary relations of the mid 20th Century. Susana Soca was relegated to minor status in the literary scene, it is, in part, due to the foreign tendencies and anachronistic elements that she incarnated in a moment of acute Latin-American consciousness. But Susana Soca s place in between two worlds is not limited to her activity as an editor between France and Uruguay. In the spring of 1947 the first number of La Licorne appeared in Paris, under his direction. Fulfilling the inverse destination, it will no longer be the old French culture giving its avant-garde gifts to Uruguay, but it will be a Uruguayan that in situ -in the navel then of knowledge- will spread figures of the two worlds. A woman divided in pretension of union of her cultural heritages. Three other magazines were founded by Uruguayans in Europe; Alfar (1923) by Julio Casal in La Coruña, Cercle et Carre (1930) by Joaquin Torre-Garcia and Michel Suephor in Paris and Mundo Nuevo (1965) by Emir Rodriguez Monegal, also in Paris. Susana Soca collaborated in the Montevidean period of Alfar on several occasions. The first in 1932, with a study by Rainer Maria Rilke and the Cuadernosde Malte Laurid Brigge. In #1 says in his first page: "Cahiers trimestriels de litterature publies sous the direction of Susana Soca and adds: "Textes reunis par Roger Caillois et Pierre David". The circulation was 2,200 copies. The design of the cover corresponds to Valentine Hugo, who will follow doing them in the successive editions, including the Montevideo ones. Rare to find complete with the first french period. Barite/Ceretta p35&77. CobPa.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. In-4. #1 Autumn 1947 - #3 Autumn 1948. Second stage #1/2 Nov 1953 - #16 Sept 1961.(Complete set). Wrappers. The first period was published in Paris as "La Licorne: Cahiers trimestriels de litterature", in French. The second period was published in Montevideo in French and Spanish. The #13 to #15 were never published, so the number 16 should have been numbered 13, since it was published after the death of Susana Soca as a special tribute, under the direction of Guido Castillo. Collaborators : Jules Supervielle, Felisberto Hernandez, Jorge Luis Borges, Maurice Blanchot, Didier Desroches, Georges Shehad, Pablo Neruda, Octave Nadal, T. S. Eliot, Rend Daumal, Charles-Albert Cingria, Georges Garampon, Juana de Ibarbourou, Jules Supervielle, Alvaro Vasseur, Carlos Sabat Ercasty, Esther de Caceres, Emilio Oribe, Ricardo Paseyro, Enrique Lentini, Guido Castillo, José Bergamin, Jorge Guillen, Giuseppe Ungaretti, Lanza del Vasto, Maria Zambrano, Henri Michaux, Sherban Sidery, Marcel Jouhandeau, Jean Cocteau, Rafael Alberti, Silvina Ocampo, Julian Marias, Orfila Bardesio, Adolfo Bioy Casares, Clara Silva, Herbert Steiner, Hugo von Hofmannsthal, Xavier Abril, Karl Jaspers, Karl L. Mayer, Thomas Mann, Dylan Thomas, Juan Carlos Onetti, Roberto Ibaiez, Juan Garcia Bacca, Ricardo Paseyro, John Wain, Magdalena Harriague, Alberto Moravia, Enrique Lentini, Hans Busch, Julio FernAndez , Juan Carlos Paz, among others. La Licorne, published in two periods (Paris 1947 Montevideo 1953), and which represents without a doubt a model of transatlantic literary relations of the mid 20th Century. Susana Soca was relegated to minor status in the literary scene, it is, in part, due to the foreign tendencies and anachronistic elements that she incarnated in a moment of acute Latin-American consciousness. But Susana Soca s place in between two worlds is not limited to her activity as an editor between France and Uruguay. In the spring of 1947 the first number of La Licorne appeared in Paris, under his direction. Fulfilling the inverse destination, it will no longer be the old French culture giving its avant-garde gifts to Uruguay, but it will be a Uruguayan that in situ -in the navel then of knowledge- will spread figures of the two worlds. A woman divided in pretension of union of her cultural heritages. Three other magazines were founded by Uruguayans in Europe; Alfar (1923) by Julio Casal in La Coruña, Cercle et Carre (1930) by Joaquin Torre-Garcia and Michel Suephor in Paris and Mundo Nuevo (1965) by Emir Rodriguez Monegal, also in Paris. Susana Soca collaborated in the Montevidean period of Alfar on several occasions. The first in 1932, with a study by Rainer Maria Rilke and the Cuadernosde Malte Laurid Brigge. In #1 says in his first page: "Cahiers trimestriels de litterature publies sous the direction of Susana Soca and adds: "Textes reunis par Roger Caillois et Pierre David". The circulation was 2,200 copies. The design of the cover corresponds to Valentine Hugo, who will follow doing them in the successive editions, including the Montevideo ones. Rare to find complete with the first french period. Barite/Ceretta p35&77. CobPa.

In-4, 27 cm, 145pp., illustr., texte espagnol - francais,