soderlund gustave fredric (45 risultati)

hardcover. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Hardcover. Condizione: Very Good. No Jacket. 3rd Edition. Appleton-Century-Crofts, Inc., New York. 1946. Hardcover. 3rd Edition. Book is tight, square, and unmarked but for former owner name on the FFFP. Book Condition: Very Good; light wear to tips, head, and tail from shelving; small dent on rear board. No DJ. Green cloth boards and spine with bright gilt lettering on the spine and front board. 244 pp 4to. It has become increasingly apparent in the last few years that th study of counterpoint should begin with the technique of the later sixteenth century, as exemplified in the style of Palestrina. Since the secular compositions of this composer involve a great deal of melodic and harmonic freedom, for the sake of greater pedagogic discipline, limited the choice of compositions in the compilation to the liturgical church music of Palestrina but have attempted to make the selection comprehensive enough for serious study. A clean very presentable copy.

Hardcover. Condizione: Good. Hardcover, 10 1/4 by 7 1/4 inches, 133 pages. Binding has some wear to corners and spine ends. Hinges tight and pages clean.

Hard Cover. Condizione: Fair. No Jacket. Cover is slightly worn with edgewear at head and foot of spine and some cornerbumping, spine is discolored. Minor pencil underlining throughout text. Previous owner's name inked on front endpage. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn, some pencil marginalia.; 7 x 10 ".

Condizione: New.

Condizione: New.

Hardcover. Condizione: Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn.; 7 x 10 ".

Condizione: As New. Unread book in perfect condition.

Cloth. Condizione: Good. No Jacket. x, 133 pp. Spine faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Very light scuffing to corners and to head and foot of spine.

Hard Cover. Condizione: Fair. No Jacket. Third Edition. Green cloth boards are tanning, rubbed to board on edges, spinecover taped in place (very old tape.) Text pages have a tiny amount of pencil markings. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: Good. Good hardcover copy, from a personal collection. Binding is tight, sturdy, and square; boards also very good. Markings. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Hardcover. Condizione: Very Good. name stamp on front endpaper and title page, lacking dust jacket. From the foreword: Direct Approach to Counterpoint in Sixteenth-Century Style by Gustave Fredric Soderlund is an important, authoritative, and illuminating addition to the list of textbooks on contrapuntal style. In accord with the best traditions of pedagogy the technical problems of sixteenth-century contrapuntal style are approached through a careful and exhaustive analysis of the music of the period, with special emphasis upon the works of Palestrina. By adopting this highly desirable approach the author avoids the sterility of academic strict counterpoint and initiates the student directly into the living art of the greatest of all contrapuntal periods. The material presented in this text represents not only Mr. Soderlund's thorough and painstaking scholarship over many years of investigation but also embodies the practical results of his long career as a distinguished teacher of counterpoint. Thoroughly tested in the classrooms of the Eastman School of Music for the past twelve years, this text has proved to be highly valuable both to the composer and to the general student seeking an intimate knowledge of the fundamentals of sixteenth-century vocal polyphony. 133pp 1.09lb 10.2x7.3x0.7in.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Third Edition. Not marked, owner's name; 4to - over 9¾" - 12" tall.

Cloth. Condizione: Very Good. No Jacket. x, 133 pp. Spine slightly faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Previous owner name stamped on front pastedown and front free endpaper. Very light scuffing to corners and to head and foot of spine.

Soft cover. Condizione: Very Good. A large trade paperback with a display quality spine. Pages are clean, bright and tight. Generously illustrated throughout.

Hardcover. Condizione: Good. 7 x 10 inches. x, 133 pages. Condition is Good, some underlining and marginal notes in the first 26 pages. STK.

Hardcover. Condizione: Good. Condizione sovraccoperta: No. Third American Edition. New York: Appleton Century Croft, 1946. Book. Good. Hardcover. Third American Edition. 4to - over 9¾" - 12" tall. Hardcover Collection and Examples of Gregorian chant. A Good- Working collection. One inch chip of covering paper toward top of spine. Some fades. Internally clean tight. Lyrics and music notation Good, clean. NO writing or underlines.

Condizione: New.

Condizione: New.

Condizione: Fair. Acceptable condition. No Dust Jacket (counterpoint, music theory, history, 16th century) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Condizione: Fair. Acceptable condition. Book Good. No dust jacket. (History, Theory, Music) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Fair. Third Edition. 244p. Ex-library book. Old library markings on spine and inside. A Few stains and scuffing to front cover. Sunfading and wear to cover edges. Spine taped and ends slightly worn. Otherwise text clean and book tight. Palestrina is perhaps the most famous of these three composers. This does not diminish the musically historical importance of the others though. Orlande de Lassus was a Netherlander who settled first in Sicily and then finally in Munich. He is considered one of the most influential composers of the 16th century and was skilled at many different compositional styles. He is best known for his mature polyphonic style.nMarc Antonio Ingegneri was an Italian composer of the same era. He was known as a string player but wrote a decent amount of masses and madrigals. His music is compared in style to that of Palestrina.nGiovanni Pierluigi Palestrina is most well-known of the three and was considerably famous in his own day and age. Much of his compositions have survived the test of time and he is credited with a massive influence on the development of church music. Not only that but he influenced many other famous composers we know today such as Guillaume Dufay and Josquin des Prez.

Hardcover. Condizione: Good. pp.133 tight copy with some sporactic pencil underlining and notes in margins, tanning to text pages and edges, green cloth covers with gold gilt shows some soiling, bumping to corners, and crimping and small tears to top/bottom spines Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: Good. Later Edition. ISBN Hardback. No dustjacket. Good condition, due to uncut pages improperly separated, leaving jagged edges on pages 19-22 and 113-118 (tears do not extend past margins into musical text), some browning to edges of interior pages. Otherwise, tight sound copy with some margin notes to text in pencil, notes and previous owner's name written in inside covers and endpapers. Third edition.

Leineneinband. Condizione: Guter Allgemeinzustand. 133 Seiten - Seiten altersbedingt nachgedunkelt - Ecken bestoßen - Einband mit Lagerspuren - Vorsatzblätter mit abgeschnittenen Streifen (Namenseintrag) - mit Anstreichungen im Text - in englischer Sprache Size: 18,5 x 26 Cm. Hardcover.

x, 133p., music, original green cloth (Eastman School of Music series).

Condizione: FAIR. 1946 SOFTCOVER, 3rd ed. "For use in Classes of Counterpoint" Dingy paper wraps are encased in vinyl bookcover. Some marginalia.