solkin david h (137 risultati)

Condizione: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Acceptable. Profusely Illustrated (illustratore). PLEASE NOTE: FORMER LIBRARY BOOK. IT MAY HAVE IDENTIFYING STAMPS, MARKS, STICKERS, ETC. COVER SHOWS GENERAL WEAR, SUCH AS SCRATCHES, RUBBING, STICKER RESIDUE, DINGED CORNERS AND CREASES. Former Library book. paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.

Paperback. Condizione: Fair. No Jacket. Profusely Illustrated (illustratore). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Profusely Illustrated (illustratore). 1ST. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good. Profusely Illustrated (illustratore). 1st Edition. 4to, card covers, 249pp., ills. VG+: clean, bright and sound. Extra postage may be asked (4).

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1992; black cloth covered boards with gold titles; glossy illustrated paper jacket; wear around edges; corners are bumped; 4to,9 3/4" to 12" tall; ink marks on pages 249, 274, 276, and 277; 312 pages. Additional shipping charges may need to be requested due to size or weight of book.

paperback. Condizione: Very Good. Profusely Illustrated (illustratore). First Edition. Unread. No markings in book. Binding is fine. 251pp.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Paperback. Condizione: VG- light wear to extremities. Profusely Illustrated (illustratore). Color illustrated wraps with brown lettering. 251 pp. Numerous color and BW illustrations. Between an introduction and catalogue of 147 annotated and illustrated works, this volume offers the following chapters: The Happy Rural Life, Italy and the Lessons of History, Moral Landscape Art, Historic Britain, and The Rule of Nature.

Profusely Illustrated (illustratore). First Edition. Fine paperback copy; edges very slightly dulled with age. Remains well-preserved overall. Physical description: 251 pages : illustrations (some color) ; 30 cm. Notes: Exhibition catalog. Catalogue of an exhibition at the Tate Gallery, Nov. 1982-Jan. 1983. Subjects; Wilson, Richard 1713-1782 ; Exhibitions. Artists Wales 18th century ; Exhibitions. Tate Gallery (London, England) ; Exhibitions. Landscape painting Great Britain 18th century ; Exhibitions. 3 Kg.

Profusely Illustrated (illustratore). First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 251 pages : illustrations (some color) ; 30 cm. Notes; Catalogue of an exhibition at the Tate Gallery, Nov. 1982-Jan. 1983. Includes bibliographical references. Subjects; Wilson, Richard 1713-1782 ; Exhibitions. Wilson, Richard 1713-1782 Criticism and interpretation. Painting, Welsh. Artists Wales 18th century ; Exhibitions. Landscape painting Great Britain 18th century ; Exhibitions. 3 Kg.

Profusely Illustrated (illustratore). 1st Edition. Very good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description: 251 pages: ill.(some color), ill.; 30 cm. Subjects: Wilson, Richard 1713-1782 ; Exhibitions. Wilson, Richard 1713-1782 Criticism and interpretation. Painting, Welsh. Wilson, Richard (Welsh painter, born 1713 or 1714, died 1782); Exhibitions. Tate Gallery (London, England); Exhibitions. Artists Wales 18th century; Exhibitions. Landscape painting Great Britain 18th century; Exhibitions. Landscape painting. Artists. Painters, British 18th century. Artists, Welsh; Exhibitions. Landscape painting 18th century. Genre: Bibliography. Catalogue. Illustrated. Tate Gallery. 4 Kg.

Hardcover. Condizione: Good. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

Softcover. Sound binding. Pages clean and bright. Wrappers have light handling wear. Contents: Stein, Amédée Van Loo's Costume turc: the French sultana. McClellan, Watteau's dealer: Gersaint and the marketing of art in eighteenth-century Paris. Coheen, Body as "character" in early eighteenth-century French art and performance. Solkin, Samaritan or Scrooge? The contested image of Thomas Guy in eighteenth-century England. Courtright, Origins and meanings of Rembrandt's late drawing style. Honig, Country folk and city business: a print series by Jan van de Velde. Koch, The early Christian revival at S. Miniato al Monte: the Cardinal of Portugal Chapel. Reviews. ; 11.5" tall; 183 pages. Very Good in No Dust Jacket dust jacket.

Paperback. Condizione: Fine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. Profusely Illustrated (illustratore). heavy, may require extra postage outside South Africa. minor shelf wear on wraps. light foxing. a rather clean and presentable copy in very good condition. binding is intact. [SK]. Our orders are shipped using tracked courier delivery services.

hardcover. Condizione: Used-Very Good. Cloth, no dj. Slight shelf-wear, else very sound, with clean internals.

hardcover. Condizione: Used-Very Good. Cloth, no dj. Minor shelf wear. Several scratches and scrapes on rear board, affecting cover image. Else fine. A sound copy with clean internals.

Profusely Illustrated (illustratore). First Edition. Fine paperback copy; edges very slightly dulled with age. Remains well-preserved overall. Physical description: 251 pages : illustrations (some color) ; 30 cm. Notes: Exhibition catalog. Catalogue of an exhibition at the Tate Gallery, Nov. 1982-Jan. 1983. Subjects; Wilson, Richard 1713-1782 ; Exhibitions. Artists Wales 18th century ; Exhibitions. Tate Gallery (London, England) ; Exhibitions. Landscape painting Great Britain 18th century ; Exhibitions. 1 Kg.

Profusely Illustrated (illustratore). First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 251 pages : illustrations (some color) ; 30 cm. Notes; Catalogue of an exhibition at the Tate Gallery, Nov. 1982-Jan. 1983. Includes bibliographical references. Subjects; Wilson, Richard 1713-1782 ; Exhibitions. Wilson, Richard 1713-1782 Criticism and interpretation. Painting, Welsh. Artists Wales 18th century ; Exhibitions. Landscape painting Great Britain 18th century ; Exhibitions. 1 Kg.

Profusely Illustrated (illustratore). 1st Edition. Very good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description: 251 pages: ill.(some color), ill.; 30 cm. Subjects: Wilson, Richard 1713-1782 ; Exhibitions. Wilson, Richard 1713-1782 Criticism and interpretation. Painting, Welsh. Wilson, Richard (Welsh painter, born 1713 or 1714, died 1782); Exhibitions. Tate Gallery (London, England); Exhibitions. Artists Wales 18th century; Exhibitions. Landscape painting Great Britain 18th century; Exhibitions. Landscape painting. Artists. Painters, British 18th century. Artists, Welsh; Exhibitions. Landscape painting 18th century. Genre: Bibliography. Catalogue. Illustrated. Tate Gallery. 2 Kg.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Original decorated boards. Condizione: Fine. First Edition. With coloured plates & illustrations. Slight wear to spine, covers & corners. ; 29 X 25 X 3 cms; 190 pages.

Condizione: New.

Paperback. Condizione: new. Paperback. A catalog accompanying the first exhibition devoted to a fascinating group of drawings by one of eighteenth-century Europe's most idiosyncratic, original, and controversial artists. Best known for his notoriously provocative painting The Nightmare, Anglo-Swiss painter Henry Fuseli (1741-1825) cultivated a reputation for eccentricity, with vividly stylized images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad. By bringing together more than fifty of his works, this volume offers unprecedented access to see one of the finest draftsmen of the Romantic period at his most innovative and exciting. Visitors to the show and readers of the lavishly illustrated catalog will further be invited to consider how Fuseli's drawings of women, as products of the turbulent aftermath of the American and French Revolutions, speak to concerns about gender and sexuality that have never been more relevant than they are today. The exhibition showcases drawings brought together from international collections, including the Kunsthaus Zurich, the Auckland Art Gallery in New Zealand, and other European and North American institutions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: New. This catalogue accompanies the first exhibition devoted to a fascinating group of drawings by the Anglo-Swiss Henry Fuseli (1741-1825), one of eighteenth-century Europe's most idiosyncratic, original and controversial artists. Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad. Fuseli's contemporaries might have thought him even crazier had they been aware that in private he harboured an obsessive preoccupation with the figure of the modern woman, which he pursued almost exclusively in his drawings. Where one might have expected idealised bodies with the grace and proportions of classical statues, here instead we encounter figures whose anatomies have been shaped by stiff bodices, waistbands, puff ed sleeves, and pointed shoes, and whose heads are crowned by coiffures of the mostbizarre and complicated sort. Often based on the artist's wife Sophia Rawlins, the women who populate Fuseli's graphic work tend to adopt brazenly aggressive attitudes, either fixing their gaze directly on the viewer or ignoring our presence altogether. Usually theyappear on their own, in isolation on the page; sometimes they are grouped together to form disturbing narratives, erotic fantasies that may be mysterious, vaguely menacing, or overtly transgressive, but where women always play a dominant role. Among the many intriguing questions raised by these works is the extent to which his wife Sophia was actively involved in fashioning her appearance for her own pleasure, as well as for the benefit of her husband. By bringing together more than fi fty of these studies (roughly a third of the known total), The Courtauld Gallery will give audiences an unprecedented opportunity to see one of the finest Romantic-period draughtsmen at his most innovative and exciting. Visitors to the show and readers of the lavishly illustrated catalogue will further be invited to consider how Fuseli's drawings of women, as products of the turbulent aftermath of the American and French Revolutions, speak to concerns about gender and sexuality that have never been more relevant than they are today. The exhibition showcases drawings brought together from international collections, including the Kunsthaus in Zurich, the Auckland Art Gallery in New Zealand, and from other European and North American institutions.