Solomon and morris (9 risultati)

Hardcover. Condizione: Fair. No Jacket. X-Library book. Standard wear to cover and typical library markings. 100% Money Back Guarantee!!! 0.

Hardcover. Condizione: Very Good + +. No Jacket. 55 pages. 198 x 133 mm. Black and white frontis photograph of Sulzberger facing title page. Contains addresses by Roland S. Morris, Louis Marshall and Solomon Solis-Cohen. Gilt lettering on binding and cover.

Hardcover. Condizione: UsedVeryGood. ASIN: B001LK45PY Hardcover; light fading, light shelf wear to exterior; bu mps to the spine ends; otherwise in very good condition with clean text and tight binding.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good - Very Good DJ. First Edition. 319 Pp. Blue Cloth, Hardcover.First Printing (1962 Date On Title Page And Copyright Page, No Additional Printings Noted.) Extensive Bibliography At End. Dj With Some Edgewear, Some Minor Chipping At Top And Bottom Of Spine And A 1/4" X 1/2" Chip At Top Of Spine. No Marks.…

Softcover. Condizione: Very Good. First Edition. First paperback printing. Solid VG, except previous owner's name written at top of front cover.

Soft Cover. Condizione: Good. No Jacket. First Edition. some wear covers and cover edges, minimal library marks, otherwise book clean and tight. Size: 12mo - over 6¾" - 7¾" Tall Oblong. Simmonds (illustratore). Ex Library.

Soft Cover. Condizione: Good. No Jacket. First Edition. some wear covers and cover edges, minimal library marks, otherwise book clean and tight. Size: 12mo - over 6¾" - 7¾" Tall Oblong. Simmonds (illustratore). Ex Library.

Soft Cover. Condizione: Good. No Jacket. First Edition. some wear covers and cover edges, minimal library marks, otherwise book clean and tight. Size: 12mo - over 6¾" - 7¾" Tall Oblong. Biro (illustratore). Ex Library.

Condizione: Sehr gut. Octavo / Quarto / Folio. Hardcover Folder with loosely inserted material like letters and photographs, envelopes, signed and inscribed books and rare pamphlets with designs etc. Very good condition with only minor signs of wear. Fantstic Archive and lots of unpublished material of one of the more eminent Cabinet, Furniture and Chair - Designers which resulted from inspiration by William Morris' Kelmscott - School. Percy A. Wells Chairs are still in regular demand today and sell for stunning prices (3000 £ etc.). Please see here a detailed description of the Archive, which we display with permission of the composer of the Bibliography, Dr.Christian White from Christian White Rare Books and which we have embellished only by listing everything in more detail: Percy A. Wells [with] May Morris; Ambrose Heal etc. The Batsford-published author and arts and crafts designer Percy Wells's retained collection of drawings, a notebook, letters, photographs, and articles. Wells (1867-1956), a cabinet maker and disciple of William Morris, lectured, taught and wrote extensively during the later phase of the Arts and Crafts movement in Britain. His typescript autobiography is included in the archive which follows him through an apprenticeship in London's City Road with early practice as a cabinet maker before working alongside William Lethaby at the Central School and subsequently leading the cabinet department at the Shoreditch Technical Institution in London. His two most significant works, both published by Batsford, were "Modern Cabinet Work" (1909) which brought him to a wider audience and "Furniture for Small Houses" (1924) but as revealed by this archive, his work went much wider. Included in the archive is the following material: I. PHOTOGRAPHS A fantastic collection of gelatin photographs of furniture, many used as illustrations in Wells' books and labelled as such to verso. Contained within an envelope labelled in a later hand: 'Furniture designed by Percy Wells. (Including Shoreditch).' Small sheaf of personal photographs including images of Wells in old age gardening in Dulwich. Two photographs of a house exterior project in New Barnet, with Wells' handwritten explanations overleaf of 'treatment of Wall with trellis and boxes' and additional larger furniture photographs. 60 (sixty) silver gelatine photographs of Furniture designed by Percy A. Wells, many with his signature or monogram and titled verso 1 (one) silver gelatine print of a Livingroom setting with Furniture by Percy A. Wells (Photograph by Monger and Marchant) 1 (one) silver gelatine print of a Bedroom setting with Furniture by Percy A. Wells (Photograph by Monger and Marchant) 2 (two vintage Albumen print photographs showing a courtyard - design by Percy A. Wells: a. Concrete Yard with border of flowers and Trellis of Flowers and Shelter designed by Percy A. Wells (Annotated and signed verso) b. Yard - with Treatment of Wall with trellis and Boxes and Outdoor Shelter designed by Percy A. Wells (Annotated and signed verso) 4 (four) wonderful silver gelatine portrait photographs of Percy A. Wells 3 (three) negatives of vintage photographs showing cupboards and one chair designed by Percy A. Wells 1 (one) fantastic Group Photo of British Furniture Makers, signed by most of those depicted, showing C.C.Beetles and others II. PERCY WELLS' TYPESCRIPT AUTOBIOGRAPHY: Containing 22-page (A4) Typescript Autobiography titled 'Fifty Years in the Furniture Trade' by Percy Wells, 1934 (according to a handwritten note by Wells, it was published on three instalments inside the publication: "The Cabinet Maker" (in the year 1934). The short autobiography describes Wells' poor background, his apprenticeship in the City Road as a cabinet maker; mentored by Stephen Webb and W. R. Lethaby and then teaching-work at Central School and Shoreditch Technical Institute. The Typescript - Autobiography is included in a Folder (Numbered "9") which also includes: a. Typescript Autobiography b. Page from "The Cabinet Maker", June 11th, 1933 in which it is announced that Percy Wells has retired from his position as head of the department of cabinet-making at L.C.C. Shoreditch Technical Institute. A photograph shows a Chair and writing - desk, made and presented to Percy Wells by night students of the Institute (Photo by Bloomsbury Trade School). "The Writing Desk is veneered with Walnut.the whole of the front pigeon-holes in fine Cuba Mahogany.Students responsible under their instructors for various features [of the desk]: Abbott, Beetles, Nash and Starling conytributed the carcase and veneered work; Elder the interior fitment; Hilliard and Wheeler the carving, Marritt the chair frame and Miller the Upholstery.". c. Account in local paper (Shoreditch) of Percy Wells' retirement in December 1932 d. Personal Note with photograph of Wells, mentioning his authorship for Pamphlets for the National Association of Boys Clubs. III. PERCY WELLS' SKETCHBOOK c1900-1920: Small quarto, c. 200 pages, bound in quarter-roan over textured black boards; back strip largely missing; binding remains intact. Inscribed in ink to first blank 'Percy A Wells' with pencil addition '31 Hindmans Rd East Dulwich SE'. Starting with the endpapers Wells has used almost every page for drawings, some vignette sized, many full page. There are for example variations on William Morris titled in handwriting: 'Border Designs - Corners from W. Morris's Books, a series of heraldic shield-fillings, credited to William Morris and a full page attempt at what seems to be a graphic tribute to Morris with the names of 'Dante Rossetti', 'Madox Brown', 'Burne Jones' contained within a column in the right margin and the slogan 'ARTS - CRAFTS - POETRY - BEAUTY - BROTHERHOOD' at the foot of the page. Much of the sketchbook is dedicated to drawings for furniture and other design such as tiles, architectural details, often connected to Wells' emergent book projects, thus 'Fences and Gates. Screens Chapt ?' There are s.…