sparshott francis edward (41 risultati)

Trade Paperback. Condizione: Used - Good. Condizione sovraccoperta: Fair. Vintage hardcover with dust jacket, 1958, University of Chicago Press. VG book with FAIR dust jacket. DJ shows some rubbing, tears, and small areas of loss but is intact and serviceable. Book itself is tight and unmarked, showing only minor signs of handling and age. Will pack carefully.

Soft cover. Condizione: Good. 72 pages. Octavio Paz / Louis Zukofsky / Josephine Miles / Vernon Watkins / William Burford / Richmond Lattimore / John Wain / E L Mayo / Donald Hall / Charles Edward Eaton / David Ridgley Clark / Leonard Wolf / Ronald perry / Roger Hecht / Francis Sparshott / Hy Sobiloff. (SL#44).

Soft cover. Condizione: Near Fine. First Pbk.Ed. Essays from the Profe4sor of Philosophy at the University of Toronto . Includes : Introduction and Warning; Franciscus; Credo ut Intelligam; Is Reality Really Real? The Central Problem of Philosophy; Speculation and Reflection;Xanthippe. Sun tanned along spine, else near fine Book Details. Book.

Paperback. Condizione: Very Good. **PAPERBACK**.

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Hardcover. Condizione: Near Fine(+). Octavo in tan cloth, 726 pp; 25 cm. A comprehensive guide to Art: it's aesthetics and theory. Near Fine(+); lacks jacket; pages crisp and clean; binding tight First Edition (presumed; no prior editions or printings cited).

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 171 pages.

Condizione: New. Series: Princeton Legacy Library. Num Pages: 454 pages. BIC Classification: ASD. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 155. . . 2017. Paperback. . . . .

Condizione: New. Series: Princeton Legacy Library. Num Pages: 454 pages. BIC Classification: ASD. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 155. . . 2017. Paperback. . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

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Paperback. Condizione: Brand New. 430 pages. 9.00x6.00x1.00 inches. In Stock.

Condizione: New. pp. 742 66:B&W 7 x 10 in or 254 x 178 mm Perfect Bound on White w/Gloss Lam.

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Condizione: New. &Uumlber den AutorFrancis Edward SparshottKlappentextrnrnWhat is dance, as seen from a philosopher s point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosoph.

Hardcover. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: Brand New. 430 pages. 9.25x6.25x1.25 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Brand New. 742 pages. 10.00x7.00x1.89 inches. In Stock.

Condizione: Some minor rubbing. VG. orig. wrappers Some minor rubbing. VG. 22x15cm, viii, 171pp., PAPERBACK. Introduction and Warning; Franciscus; Credo ut Intelligam; Is Reality Really Real? The Central Problem of Philosophy; Speculation and Reflection;Xanthippe.

Paperback. Condizione: New. What is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dance, in art and in life, and brings them within the scope of a single discussion. By showing what is involved in deciding whether something is or is not dance, and by displaying the diversity of ways in which dance can be found meaningful, he provides a new sort of background for dance aesthetics and dance criticism. At the same time he makes a far-reaching contribution to the methodology of the philosophy of art and practice. In a witty and personal style that will be familiar to readers of his earlier books, Professor Sparshott makes a distinction between dance and its neighbors (such as work, sports, and games) and points out that it is more profoundly connected to questions of self-knowledge than the other arts.Dance differs from any of the fine arts in that it can be seen, not as the manipulation of a medium, but as self-transformation. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Paperback. Condizione: Brand New. 430 pages. 9.00x6.00x1.00 inches. In Stock. This item is printed on demand.

Paperback. Condizione: New. What is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dance, in art and in life, and brings them within the scope of a single discussion. By showing what is involved in deciding whether something is or is not dance, and by displaying the diversity of ways in which dance can be found meaningful, he provides a new sort of background for dance aesthetics and dance criticism. At the same time he makes a far-reaching contribution to the methodology of the philosophy of art and practice. In a witty and personal style that will be familiar to readers of his earlier books, Professor Sparshott makes a distinction between dance and its neighbors (such as work, sports, and games) and points out that it is more profoundly connected to questions of self-knowledge than the other arts.Dance differs from any of the fine arts in that it can be seen, not as the manipulation of a medium, but as self-transformation. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorFrancis Edward SparshottKlappentextrnrnWhat is dance, as seen from a philosopher s point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosoph.

Paperback. Condizione: new. Paperback. What is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dance, in art and in life, and brings them within the scope of a single discussion. By showing what is involved in deciding whether something is or is not dance, and by displaying the diversity of ways in which dance can be found meaningful, he provides a new sort of background for dance aesthetics and dance criticism. At the same time he makes a far-reaching contribution to the methodology of the philosophy of art and practice. In a witty and personal style that will be familiar to readers of his earlier books, Professor Sparshott makes a distinction between dance and its neighbors (such as work, sports, and games) and points out that it is more profoundly connected to questions of self-knowledge than the other arts.Dance differs from any of the fine arts in that it can be seen, not as the manipulation of a medium, but as self-transformation. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. What is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dan This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: New. In a systematic overview of classical and modern contributions to aesthetics, Professor Sparshott argues that all four lines of theory, and no others, are necessary to coherent thinking about art. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Taschenbuch. Condizione: Neu. Off the Ground | First Steps to a Philosophical Consideration of the Dance | Francis Edward Sparshott | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Princeton University Press | EAN 9780691606118 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - What is dance, as seen from a philosopher's point of view Why has dance played little part in traditional philosophies of the arts And why do these philosophies of the arts take the form they do The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dance, in art and in life, and brings them within the scope of a single discussion. By showing what is involved in deciding whether something is or is not dance, and by displaying the diversity of ways in which dance can be found meaningful, he provides a new sort of background for dance aesthetics and dance criticism. At the same time he makes a far-reaching contribution to the methodology of the philosophy of art and practice. In a witty and personal style that will be familiar to readers of his earlier books, Professor Sparshott makes a distinction between dance and its neighbors (such as work, sports, and games) and points out that it is more profoundly connected to questions of self-knowledge than the other arts. Dance differs from any of the fine arts in that it can be seen, not as the manipulation of a medium, but as self-transformation.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.