Stack gael rubinstein raphael greene alison de lima (4 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Essays by Raphael Rubinstein and Alison de Lima Greene, foreword by Rackstraw Downes. xi, (3), 194 pages, 143 illustrations ( mostly color), biography, chronology, bibliography, quarto (4to).( 12 x 10 1/4"), hardcover, gray cloth, embossed text on cover, blue text on spine, dust jacket. Very good condition, unsold inventory of an old bookstore. Inventory #75223-1. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First Edition. Tall hardcover, illustrated endpapers, 193 pp., full-color plates throughout, unclipped illustrated jacket. A book in excellent condition with jacket showing slight wear on top edge of front panel.

Hardcover. Condizione: New. M. Georgia Hegarty Dunkerley Contemporary Art Series; An artist whose work evokes both memory and the "gaps, sinkholes, and other chasms" found in our experiences, Gael Stack is one of the most accomplished American painters working today. Her large canvases and smaller drawings use fragments of words and images, often layered over one another like a palimpsest, to create a visual language that explores the past's implacable hold on the present, with what is unknown and unspoken occasionally poking through. Serendipitous elements of graciousness and optimism also distinguish her recent work.Gael Stack is the first retrospective monograph on the artist's career, which has spanned four decades. It features a catalog of some one hundred works reproduced in full-color, full-page plates. Accompanying the images are essays by Raphael Rubinstein and Alison de Lima Greene, who discuss Stack's work in the context of world art. Rubinstein likens her paintings to Freud's "mystic writing-pad," a surface layer that can be endlessly written upon, erased, and refilled, while the underlying tablet retains traces of all that has been written--an apt metaphor for the workings of perception and memory. Greene also reflects on the theme of memory in Stack's art, particularly the ways in which memory can evolve into forgetfulness and cognizance can become ignorance. Lists of selected exhibitions and public collections in which her work has been featured and a bibliography complete this authoritative survey of Stack's career.…