Stalley roger a (26 risultati)
TREASURES OF IRISH ART,1500 BC-1500 AD: From the Collections of the National Museum of Ireland; Rooyal Irish Academy, Trinity College, Dublin.
MITCHELL, Frank G.; HARBISON, Peter; De PAOR, Liam ;De PAOR AND STALLEY, Roger A.
Lingua: Inglese
Editore: Metropolitan Museum of Art & Alfred A. Knopf, New York , New York 1977
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Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Brown cloth binding with blind-stamped title on front cover. Gold colored [print on spine. Tan endpapers. Tight, sound and unmarked. 221 pages including detailed addendum of information on Treasures illustrated in the book. Dust jacket in mylar and is price-clippe…d. BOLTIN, Lee and Others (Photography). (illustratore).
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hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Treasures of Irish Art 1500 B.C.-1500 A.D.
G. Frank Mitchell, Peter Harbison, Liam de Paor, Maire de Poar, Roger A. Stalley
Lingua: Inglese
Editore: The Metropolitan Musuem of Art & Alfred A. Knopf 1977
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Da: Best Books, St. Leonards on sea, Regno UnitoBest Books
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2020. Hardback. . . . . .
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 39,75
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Condizione: New. 2020. Hardback. . . . . . Books ship from the US and Ireland.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
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Da: Temple Bar Bookshop, Dublin, DUB, IrlandaTemple Bar Bookshop
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A clean unmarked copy.
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Da: Parrott Books, Nr Faringdon, Regno UnitoParrott Books
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EUR 29,86
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Hardcover. Condizione: Fine. 1st Edition. 237pp. Very well illustrated throughout - full page plates. Interesting art architecture reference literature. The book is in excellent condition - very clean and bright. It presents very nicely on the shelf. PARROTT BOOKS - established for over 20 years offering a prompt friendly and ef…ficient service.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condizione: new. Hardcover. An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the Muiredach Master, whose monumentscompleted in the early years of the 10th centurydeserve a place alongside the Book of Kells as great works of their time…. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.Distributed for the Paul Mellon Centre for Studies in British Art An exciting new account of Irish high crosses Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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Spedizione gratuitaSpedito in U.S.A.Quantità: 15 disponibili
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art, GB 2020
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments-completed in the early years of the 10th century-deserve a place alongside the Book of Kells as great works of their time. Draw…ing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad. Distributed for the Paul Mellon Centre for Studies in British Art.
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Hardcover. Condizione: New.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2000. hardcover. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Hardcover. Condizione: Brand New. 248 pages. 10.75x8.75x1.00 inches. In Stock.
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Condizione: New.
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Hardcover. Condizione: Brand New. 237 pages. 9.00x6.25x0.75 inches. In Stock.
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Condizione: New.
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Condizione: As New. Unread book in perfect condition.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2000. hardcover. . . . . .
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art 2020
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Hardcover. Condizione: new. Hardcover. An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the Muiredach Master, whose monumentscompleted in the early years of the 10th centurydeserve a place alongside the Book of Kells as great works of their time…. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.Distributed for the Paul Mellon Centre for Studies in British Art An exciting new account of Irish high crosses Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Altre immagini- Rilegato
Da: Lacey Books Ltd, Cirencester, Regno UnitoLacey Books Ltd
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Hardcover. Condizione: Good. 2007 Four Courts Press large format hardcover edition. Light reading wear else very good condition. Chapters: 1 Weaving garnets: thoughts about two 'excessively rare' belt mounts from Sutton Hoo, 2. Motifs and techniques in Early Medieval Celtic filigree: their ultimate origins, 3. Pushing boundaries…: Anglo-Saxon zoomorphic pins, 4. The figural iconography of the Soisceal Molaise and Stowe Missal book shrines, 5. Context and meaning: finding a place for some fragments of Early Medieval metalwork from Perthshire, Scotland, 6. Insular-type crosiers: their construction and characteristics, 7. Skeuomorphs and spolia: the presence of the past in Irish pre-Romanesque architecture, 8. A legal perspective on the saer and workshop practice in pre-Norman Ireland, 9. A twelfth-century renaissance? Irish Romanesque sculpture and the Insular tradition, 10. Collingwood and Anglo-Saxon sculpture: art history or archaeology?, 11. Artistic identity and the Irish scripture crosses, 12. Iconographical analysis of the Marigold Stone, Carndonagh, Inishowen, Co. Donegal, 13. Early Medieval sculpture in south-west Wales: the Irish Sea connection, 14. New animal ornament on the cross-slab from Hilton of Cadboll, Ross and Cromarty, Scotland, 15. Classical animals on Irish high crosses, 16. Insular display capitals and their origins, 17. Remembering Jerusalem: architecture and meaning in Insular canon table arcades, 18. 'Therefore do I speak to them in parables': meaning in the margins of the Book of Kells, 19. Looking the Devil in the eye: the figure of Satan in the Book of Kells folio 202v, 20. The incipit pages of the Macregol Gospels, 21. An examination of the blessing hand in Insular art, 22. 'Know who and what he is': the context and inscriptions of the Durham Gospels Crucifixion image, 23. Continuing the tradition: Insular influences in Irish manuscripts of the Late Medieval period.
Lingua: Inglese
Editore: Paul Mellon Centre for Studies in British Art, GB 2020
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments-completed in the early years of the 10th century-deserve a place alongside the Book of Kells as great works of their time. Draw…ing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad. Distributed for the Paul Mellon Centre for Studies in British Art.
