Stanley abe stanley k abe (30 risultati)

Hardcover. Condizione: Used - very good.

Soft cover. Condizione: Fine. Tight crisp copy. 52 pages with index.

Condizione: As New. Like New condition. Volume 3. (art, asian art, sculpture) A near perfect copy that may have very minor cosmetic defects.

Soft cover. Condizione: New.

Condizione: Very Good. Very Good condition. Volume 3. (buddhist relief, archaeology) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Folio hardcover volume in as new condition with a brodart cover on the dust jacket. 115 pages are fine with no faults.

Hardcover. Condizione: New. Condizione sovraccoperta: New. still sealed, oversize hardcover, clean, unmarked pages,text, good covers, solid binding, fast shipping.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2002 University of Chicago Press (Chicago, Illinois), 8 7/8 x 9 3/4 inches tall black cloth hardcover in publisher's unclipped dust jacket, gilt lettering to spine, rust endpapers, copiously illustrated with black-and-white photographs, xxv, 373 pp. Very slight rubbing to covers. Otherwise, a very good to near fine copy - clean, bright and unmarked - in a very slightly creased and rubbed dust jacket which is nicely preserved and displayed in a clear archival Brodart sleeve. Note that this is a heavy and oversized book, so additional postage will be required for international or priority orders. ~AA~ [4.0P] This richly illustrated book explores the large body of sculpture, paintings, and other religious imagery produced for China's common classes from the third to the sixth centuries C.E. In contrast to the works made for imperial patrons, illustrious monastics, or other luminaries, these ordinary images-modest in scale, mass produced, and at times incomplete-were created for those of lesser standing. Because they cannot be related to well-known historical figures or social groups, these images have been considered a largely nebulous, undistinguished mass of works. Situating his study in the gaps between conventional categories such as Buddhism, Daoism, and Chinese popular art, Abe examines works?including some of the earliest known examples of Buddha-like images in China?that were commissioned by patrons of modest standing and produced by nameless artists and artisans. Sophisticated and lucidly written, Ordinary Images offers an unprecedented exploration of the lively and diverse nature of image making and popular practices.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Gr.-8°, gebundene Ausgabe. 397 Seiten, Das Buch ist in einem sehr guten Zustand. 9783777437583 Sprache: Englisch Gewicht in Gramm: 1042.

Condizione: New.

Condizione: New. In English.

Hardcover. Condizione: Brand New. illustrated edition. 126 pages. 14.40x11.50x0.80 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New. Situating his study in the gaps between conventional categories such as Buddhism, Daoism and Chinese popular art, Stanley K. Abe examines the large body of sculpture, paintings and other religious imagery produced for China's common classes from the third to the sixth centuries CE. Num Pages: 408 pages, 20 line drawings, 5 maps. BIC Classification: 1FPC; 3F; 3H; AFC; AFK; AGR; HBJF; HRE; HRKN5. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 249 x 225 x 30. Weight in Grams: 1426. . 2002. Illustrated. Hardcover. . . . . …

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. xxv, 373 pages : illustrations, maps ; 25 cm. Summary:"In this illustrated book Stanley Abe explores the large body of sculpture, ceramics, and other religious imagery produced for China's common classes from the third to the sixth centuries C.E. Created for those of lesser standing, these works contrast sharply with those made for imperial patrons, illustrious monastics, or other luminaries. They were often modest in scale, mass-produced, and at times incomplete. These "ordinary images" have been considered a largely nebulous, undistinguished mass of works because they cannot be related to well-known historical figures or social groups. Additionally, in a time and place where most inhabitants were not literate, the available textual evidence provides us with a remarkable view of China through the eyes of a small and privileged educated class. There exists precious little written material that embodies the concerns and voices of those of lower standing." "Situating his study in the gaps between conventional categories such as Buddhism, Daoism, and Chinese popular imagery, Abe examines works that were commissioned by patrons of modest standing in specific local contexts. These works include some of the earliest known examples of Buddha-like images in China; a group of small stone stupas from the northwest; inscribed image niches from a cavernous Buddhist cave temple; and large stele with Buddhist, Daoist, and mixed Buddhist-Daoist iconography from Shaanxi Province. In these four case studies, Abe questions established notions of art historical practice by treating the works in a manner that allows for more rather than less contradiction, less rather than more certainty. Sensitive to the fragmentary nature of the evidence and his position in a long tradition of scholarly writing, the author offers a sustained argument against established paradigms of cultural adaptation and formal development."--Jacket.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 1st edition. 408 pages. 9.50x8.75x1.25 inches. In Stock.

Condizione: New. Situating his study in the gaps between conventional categories such as Buddhism, Daoism and Chinese popular art, Stanley K. Abe examines the large body of sculpture, paintings and other religious imagery produced for China's common classes from the third to the sixth centuries CE. Num Pages: 408 pages, 20 line drawings, 5 maps. BIC Classification: 1FPC; 3F; 3H; AFC; AFK; AGR; HBJF; HRE; HRKN5. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 249 x 225 x 30. Weight in Grams: 1426. . 2002. Illustrated. Hardcover. . . . . Books ship from the US and Ireland. …

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New. pp. xxv + 373, Maps, Index.

Condizione: New. pp. xxv + 373 Illus. (230 Halftone), Maps.

Buch. Condizione: Neu. Neuware - In this richly illustrated book Stanley Abe explores the large body of sculpture, ceramics, and other religious imagery produced for China's common classes from the third to the sixth centuries C.E. Created for those of lesser standing, these works contrast sharply with those made for imperial patrons, illustrious monastics, or other luminaries. They were often modest in scale, mass-produced, and at times incomplete. These 'ordinary images' have been considered a largely nebulous, undistinguished mass of works because they cannot be related to well-known historical figures or social groups. Additionally, in a time and place where most inhabitants were not literate, the available textual evidence provides us with a remarkable view of China through the eyes of a small and privileged educated class. There exists precious little written material that embodies the concerns and voices of those of lower standing.Situating his study in the gaps between conventional categories such as Buddhism, Daoism, and Chinese popular imagery, Abe examines works that were commissioned by patrons of modest standing in specific local contexts. These works include some of the earliest known examples of Buddha-like images in China; a group of small stone stupas from the northwest; inscribed image niches from a cavernous Buddhist cave temple; and large stele with Buddhist, Daoist, and mixed Buddhist-Daoist iconography from Shaanxi province. In these four case studies, Abe questions established notions of art historical practice by treating the works in a manner that allows for more rather than less contradiction, less rather than more certainty. Sensitive to the fragmentary nature of the evidence and his positionin a long tradition of scholarly writing, the author offers a sustained argument against established paradigms of cultural adaptation and formal development.Sophisticated and lucidly written,' Ordinary Images' offers an unprecedented exploration of the lively and diverse n.…