Steinl johannes (25 risultati)
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Frankfurt (Main) (England und Amerikastudien), language: English, abstract: Cattle being driven through a lush, green valle…y, a cowboy sitting on his horse with his back to the audience looking out into the open range of America's Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner's 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing America's open range, at its best - one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie's frontier setting.Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western's grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood's Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a 'cultural story' .
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,0, University of Frankfurt (Main) (Neue Englischsprachige Kulturen und Literaturen), language: English, abstract: 'Space, the Final Frontier…. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go, where no one has gone before.'- Opening credits of Star Trek: The Next GenerationThese are the opening lines of one of the most successful franchises of popular culture: Star Trek. In 1966 when the first episode of the science-fiction series 'Star Trek' The Original Series was aired on US television author and creator Gene Roddenberry would not possibly have envisioned the cultural and political impact Star Trek would have even four decades later. He nevertheless envisioned very clearly that this 'trek' would take its audience to 'strange new worlds [.] and new civilizations'. That this would exactly fall into the field of the discourses of postcolonial studies is no mere coincidence. The opening credits very straightforwardly indicate what voyages the audience will participate in. The exploration of 'strange new worlds' and 'new civilizations' recalls the narratives of Imperialism and Colonialism. Accordingly Star Trek can be read as another form of travelogue. The purpose of this work is to establish the narratives of Star Trek as a travelogue in the context of imperialist and colonial discourses. Having done so, I will examine Star Trek's standing within these discourses. My focus will be on the depiction of 'the other' within Star Trek. On the basis of one episode of the TV series, Star Trek: The Next Generation I will juxtapose the argument of critics that Trek is either racist and imperialist in its conception or the depiction of a desirable Utopia.
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2010 im Fachbereich Amerikanistik - Literatur, Note: -, -, Sprache: Deutsch, Abstract: Cattle being driven through a lush, green valley, a cowboy sitting on his horse with his back to the audience looking out into the op…en range of America s Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner s 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing America s open range, at its best one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie s frontier setting. Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western s grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood s Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a cultural story .
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Frankfurt (Main) (England und Amerikastudien), language: English, abstract: Cattle being driven through a l…ush, green valley, a cowboy sitting on his horse with his back to the audience looking out into the open range of America's Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner's 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing America's open range, at its best - one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie's frontier setting.Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western's grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood's Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a 'cultural story' . 32 pp. Englisch.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,0, University of Frankfurt (Main) (Neue Englischsprachige Kulturen und Literaturen), language: English, abstract: 'Space, th…e Final Frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go, where no one has gone before.'- Opening credits of Star Trek: The Next GenerationThese are the opening lines of one of the most successful franchises of popular culture: Star Trek. In 1966 when the first episode of the science-fiction series 'Star Trek' The Original Series was aired on US television author and creator Gene Roddenberry would not possibly have envisioned the cultural and political impact Star Trek would have even four decades later. He nevertheless envisioned very clearly that this 'trek' would take its audience to 'strange new worlds [.] and new civilizations'. That this would exactly fall into the field of the discourses of postcolonial studies is no mere coincidence. The opening credits very straightforwardly indicate what voyages the audience will participate in. The exploration of 'strange new worlds' and 'new civilizations' recalls the narratives of Imperialism and Colonialism. Accordingly Star Trek can be read as another form of travelogue. The purpose of this work is to establish the narratives of Star Trek as a travelogue in the context of imperialist and colonial discourses. Having done so, I will examine Star Trek's standing within these discourses. My focus will be on the depiction of 'the other' within Star Trek. On the basis of one episode of the TV series, Star Trek: The Next Generation I will juxtapose the argument of critics that Trek is either racist and imperialist in its conception or the depiction of a desirable Utopia. 32 pp. Englisch.
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Condizione: New. Print on Demand pp. 60 24:B&W 5.83 x 8.27 in or 210 x 148 mm (A5) Perfect Bound on Creme w/Gloss Lam.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Studienarbeit aus dem Jahr 2010 im Fachbereich Amerikanistik - Literatur, Note: -, -, Sprache: Deutsch, Abstract: Cattle being driven through a lush, green valley, a cowboy sitting on his horse with his back to the audience looking… out into the open range of America s Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner s 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing America s open range, at its best one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie s frontier setting. Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western s grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood s Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a cultural story . 32 pp. Deutsch.
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,0, University of Frankfurt (Main) (Neue Englischsprachige Kulturen und Literaturen), language: English, abstract: 'Space, the Fi…nal Frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go, where no one has gone before.' Opening credits of Star Trek: The Next GenerationThese are the opening lines of one of the most successful franchises of popular culture: Star Trek. In 1966 when the first episode of the science-fiction series ¿Star Trek¿ The Original Series was aired on US television author and creator Gene Roddenberry would not possibly have envisioned the cultural and political impact Star Trek would have even four decades later. He nevertheless envisioned very clearly that this ¿trek¿ would take its audience to ¿strange new worlds [¿] and new civilizations¿. That this would exactly fall into the field of the discourses of postcolonial studies is no mere coincidence. The opening credits very straightforwardly indicate what voyages the audience will participate in. The exploration of ¿strange new worlds¿ and ¿new civilizations¿ recalls the narratives of Imperialism and Colonialism. Accordingly Star Trek can be read as another form of travelogue. The purpose of this work is to establish the narratives of Star Trek as a travelogue in the context of imperialist and colonial discourses. Having done so, I will examine Star Trek¿s standing within these discourses. My focus will be on the depiction of ¿the other¿ within Star Trek. On the basis of one episode of the TV series, Star Trek: The Next Generation I will juxtapose the argument of critics that Trek is either racist and imperialist in its conception or the depiction of a desirable Utopia.Books on Demand GmbH, Überseering 33, 22297 Hamburg 32 pp. Englisch.
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Frankfurt (Main) (England und Amerikastudien), language: English, abstract: Cattle being driven through a lush,… green valley, a cowboy sitting on his horse with his back to the audience looking out into the open range of Americäs Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner¿s 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing Americäs open range, at its best ¿ one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie¿s frontier setting.Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western¿s grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood¿s Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a ¿cultural story¿ .Books on Demand GmbH, Überseering 33, 22297 Hamburg 32 pp. Englisch.
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Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. A post-colonial approach to Science Fiction - Narrations of Imperialism within "Star Trek" | Johannes Steinl | Taschenbuch | 32 S. | Englisch | 2011 | GRIN Verlag | EAN 9783640805495 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbi…eter: preigu Print on Demand.
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Taschenbuch. Condizione: Neu. Open Range - Negotiating a Traditional Western in the 21st Century | Johannes Steinl | Taschenbuch | 32 S. | Englisch | 2011 | GRIN Verlag | EAN 9783640805327 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on De…mand.
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Studienarbeit aus dem Jahr 2010 im Fachbereich Amerikanistik - Literatur, , Sprache: Deutsch, Abstract: Cattle being driven through a lush, green valley, a cowboy sitting on his horse with his back to the audience looking out into the…open range of Americäs Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner¿s 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing Americäs open range, at its best ¿ one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie¿s frontier setting.Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western¿s grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood¿s Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a ¿cultural story¿ .Books on Demand GmbH, Überseering 33, 22297 Hamburg 32 pp. Deutsch.
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Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. Open Range - Negotiating a Traditional Western in the 21st Century | Johannes Steinl | Taschenbuch | 32 S. | Deutsch | 2011 | GRIN Verlag | EAN 9783640908431 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Dem…and.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. Print on Demand pp. 244 424:B&W 5.83 x 8.27 in or 210 x 148 mm (A5) Perfect Bound on Creme w/Matte Lam.
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New. Print on Demand pp. 244.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND pp. 244.
