hardcover. Condizione: New.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. 20th Revised edition. Ships Out Tomorrow!
Lingua: Inglese
Editore: Nelson-Atkins Museum of Art, The, Kansas City, MO, U.S.A., 1992
ISBN 10: 0942614194 ISBN 13: 9780942614190
Da: David's Books, Ypsilanti, MI, U.S.A.
Prima edizione
Paperback. Condizione: Good. First Edition. Spine creased as is usual on heavy softcover, traces of old sticker on back, else VG.
Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. In manufacturer's shrink wrap. Oversize/Overweight: extra shipping may apply.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Good; some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.
Lingua: Inglese
Editore: Pomegranate; Brooklyn Museum, Pataluma CA; Brooklyn NY, 2012
ISBN 10: 0764962655 ISBN 13: 9780764962653
Da: Alexander's Books, Royal Leamington Spa, Regno Unito
Prima edizione
EUR 11,92
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition, first printing. Quarto hardback 128 pages Colour illustrations. Fine condition in Fine unclipped dust jacket. No inscriptions. As new.
EUR 14,34
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 24 pages. 11.00x0.06x8.50 inches. In Stock.
EUR 14,48
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 28 pages. 11.00x0.07x8.50 inches. In Stock.
Paperback. Condizione: Very Good. This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; 208 pages.
Da: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condizione: fine. Condizione sovraccoperta: fine. Illustrated profusely in color. 128 pages. Small square 4to, pictorial boards, d.w. New York: Brooklyn Museum, (2012). A fine copy in a fine dust wrapper.
Lingua: Inglese
Editore: Pomegranate Communications Inc,US, US, 2012
ISBN 10: 0764962655 ISBN 13: 9780764962653
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 29,39
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Da: Basket Case Books, Boulder, CO, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 2012 Hardcover Brooklyn Museum First Edition (#1 lowest in number line) Interior clean; binding tight. Boards clean. Dust jacket protected in mylar sleeve.
Hardcover First Printing. First Edition. Exhibition catalog for show at the Brooklyn Museum. Fine in fine dust jacket in mylar cover.
Lingua: Inglese
Editore: Pomegranate Communications Inc,US 2012-09-15, 2012
ISBN 10: 0764962655 ISBN 13: 9780764962653
Da: Chiron Media, Wallingford, Regno Unito
EUR 16,94
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Lingua: Inglese
Editore: Pomegranate Communications Inc,US, 2012
ISBN 10: 0764962655 ISBN 13: 9780764962653
Da: moluna, Greven, Germania
EUR 24,95
Quantità: 1 disponibili
Aggiungi al carrelloGebunden. Condizione: New.
Lingua: Inglese
Editore: Pomegranate Communications Inc,US, US, 2012
ISBN 10: 0764962655 ISBN 13: 9780764962653
Da: Rarewaves.com UK, London, Regno Unito
EUR 26,65
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Editore: The City University of New York, 2002
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Dissertation, copied from microfilm by UMI in 2003. Black 3-ring binder, 448 loose pp.; 62 BW illus. Dissertation. Explores artist Robert Henri's fascination "with indigenous and peasant cultures encountered during his travels. This lifelong interest resulted in a large series of portraits of ethnic types . This dissertation argues that the portraits are more than just records of the world's diversity. Rather, Henri chose his sitters not because they were 'paintable types,' as many scholars have viewed them, but because they were representatives of premodern cultures which he admired for their authenticity, natural creativity, and communal societies." (abstract). VG- (Copied from microfilm; illustrations are often undiscernable, being several generations away from the originals; text is good.).