stephen prina (50 risultati)

hardcover. Condizione: New.

88 pp.; 29 x 22.5 cm.; glue bound; black-and-white & color; edition size 2250; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held January 8 - February 23, 1992. Traveled to Santa Monica Museum of Art, Santa Monica, CA, April 2 - June 14, 1992 and North Carolina Museum of Art, Raleigh, NC, August 8 - October 25, 1992. Texts by Frances Colpitt and Phyllis Plous. Artists include Art & Language, John Baldessari, Robert Barry, David Bunn, Sarah Charlesworth, Clegg & Guttmann, Douglas Huebler, Mike Kelley, Joseph Kosuth, Louise Lawler, Glenn Ligon, Thomas Locher, Antonella Piemontese, Stephen Prina, Richard Prince, Buzz Spector, Lawrence Weiner, Christopher Williams. Includes checklist of the exhibition, selected chronology of 1964 - 1992, biographies, and bibliographies. Good. "LAWLER" written in black ink on top right corner of recto and 4.3 cm. sticker wraps around from verso, across the spine, to the recto. Light rubbing of cover edges. Light bumping of top right corner of publication. Contents clean and unmarked.Due to large size and weight of this publication additional shipping charges will be required for international orders.

First Edition. First edition and first printing. Hardcover. 159 pages. Text in English. Features a foreword by Axel Hemery, and texts by Remi Papillault, Thierry Leviez, Remi Parcollet, and a conversation between Jorge Pardo and Stephen Prina. Includes numerous color and black and white illustrations, bibliography, and biographical information. A fine copy in boards. No dust jacket as issued.

Condizione: Fine. As issued. [36] pp.; 13.3 X 14.7 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue and audio CD published in conjunction with "Concerto for Modern, Movie, and Pop Music for Ten Instruments and Voice" a concert by Stephen Prina held at Contemporary Art Museum St. Louis, March 18, 2010 and a screening of two films by Prina held March 19, 2010. Includes program of the concert with lyrics.

Softcover. Condizione: Fine. First Edition. Book is firm in binding, one corner is lightly creased at tip. A crisp, bright copy with 163 duotone plates and essays by Jenelle Porter, James Meyer and Wilhelm Schurmann. Free of any markings, not ex-library. ; 8vo 8" - 9" tall; 224 pages.

Exhibition invite 6 x 8 inches; very good condition; an unmailed copy.

Softcover, 176 pages, in English and German; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Softcover, 176 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Hardcover. 175 pages. Exhibition catalog for a travelling show. Text in English and German. Includes numerous color illustrations. A fine copy in cloth boards. No dust jacket as issued.

Exhibition invite, 4 x 6 inches; very good condition; light creases to edges; a mailed copy with address and postal marks on rear.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Couverture souple. Condizione: Neuf. Edition originale. Verlag der Buchhandlung Walther Koenig, Cologne, 2008, 172 p., 21,5 x 27 cm. Textes de Astrid Wege; Bennett Simpson; Karola Grasslin.

Buch. Condizione: Neu. Neuware -At the invitation of the Toulouse art festival 'Printemps de Septembre', the Cuban-American artist Jorge Pardo (\*1963) has developed a new display for the collection of Romanesque art at the Musée des Augustins in Toulouse. This collection-the world's largest collection of Romanesque sculpture-is unique for its coherence with its well-preserved ensembles of capitals. Pardo produced a kind of 'Gesamtkunstwerk' that has instantly become an iconic feature in the city and has now been adopted as the permanent display. This book includes an introduction to the collection of Romanesque sculptures at the museum, an illustrated history of its ever-changing presentation since 1830, an extensive survey of Jorge Pardo's specific works for museums as well as a brief history of remarkable exhibition designs for museum collections throughout the 20th century.With an interview between Stephen Prina and Jorge Pardo.Exhibition:Musée des Augustins, Toulouse, on permanent display 160 pp. Englisch.

Buch. Condizione: Neu. Neuware -À l'invitation du Toulouse Art Festival 'Printemps de Septembre', l'artiste cubano-américain Jorge Pardo (\*1963) a réaménagé l'exposition de la collection romane du Musée des Augustins de Toulouse 2012 - 2014. Il s'agit de l'une des plus grandes collections de sculptures romanes au monde, unique par son exhaustivité de colonnes bien conservées. Avec son installation d'exposition, Pardo a créé une oeuvre d'art totale qui est devenue une caractéristique iconique de la ville et qui fait aujourd'hui partie de l'exposition permanente du musée. Le livre comprend une introduction à la collection de sculptures romanes du musée et à l'installation de Jorge Pardo, une histoire richement illustrée des expositions du musée, en constante évolution depuis 1830, un aperçu détaillé des travaux de Jorge Pardo pour les musées et une brève présentation des créations d'expositions exceptionnelles au 20e siècle.Avec une interview de Jorge Pardo par Stephen Prina.Exposition :Exposition permanente du Musée des Augustins, Toulouse 160 pp. Französisch.

Buch. Condizione: Neu. Neuware -À l'invitation du Toulouse Art Festival 'Printemps de Septembre', l'artiste cubano-américain Jorge Pardo (\*1963) a réaménagé l'exposition de la collection romane du Musée des Augustins de Toulouse 2012 - 2014. Il s'agit de l'une des plus grandes collections de sculptures romanes au monde, unique par son exhaustivité de colonnes bien conservées. Avec son installation d'exposition, Pardo a créé une oeuvre d'art totale qui est devenue une caractéristique iconique de la ville et qui fait aujourd'hui partie de l'exposition permanente du musée. Le livre comprend une introduction à la collection de sculptures romanes du musée et à l'installation de Jorge Pardo, une histoire richement illustrée des expositions du musée, en constante évolution depuis 1830, un aperçu détaillé des travaux de Jorge Pardo pour les musées et une brève présentation des créations d'expositions exceptionnelles au 20e siècle.Avec une interview de Jorge Pardo par Stephen Prina.Exposition :Exposition permanente du Musée des Augustins, Toulouse 160 pp. Französisch.

Buch. Condizione: Neu. Neuware -At the invitation of the Toulouse art festival 'Printemps de Septembre', the Cuban-American artist Jorge Pardo (\*1963) has developed a new display for the collection of Romanesque art at the Musée des Augustins in Toulouse. This collection-the world's largest collection of Romanesque sculpture-is unique for its coherence with its well-preserved ensembles of capitals. Pardo produced a kind of 'Gesamtkunstwerk' that has instantly become an iconic feature in the city and has now been adopted as the permanent display. This book includes an introduction to the collection of Romanesque sculptures at the museum, an illustrated history of its ever-changing presentation since 1830, an extensive survey of Jorge Pardo's specific works for museums as well as a brief history of remarkable exhibition designs for museum collections throughout the 20th century.With an interview between Stephen Prina and Jorge Pardo.Exhibition:Musée des Augustins, Toulouse, on permanent display 160 pp. Englisch.

60 pp.; 25.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. Included artists Bruce Barber, Judith Barry, Troy Brauntuch, Sarah Charlesworth, Louise Lawler, Tina Lhotsky, Adrian Piper, Stephen Prina, Richard Prince, Martha Rosler, René Santos, Hiroshi Sugimoto, Christopher Williams, Peter Adair, Nancy Buchanan, Downtown Community Television, Dan Graham, Vanalyn Green, Ulysses Jenkins, Miners Campaign Tape Project, Dan Reeves, David Schulman, and El Taller de Video (Timoteo Valasquez). Also includes checklist and selected bibliography. Very Good. Light rubbing of covers and spine and cover edges. Contents clean and unmarked.

60 pp.; 25.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. Included artists Bruce Barber, Judith Barry, Troy Brauntuch, Sarah Charlesworth, Louise Lawler, Tina Lhotsky, Adrian Piper, Stephen Prina, Richard Prince, Martha Rosler, René Santos, Hiroshi Sugimoto, Christopher Williams, Peter Adair, Nancy Buchanan, Downtown Community Television, Dan Graham, Vanalyn Green, Ulysses Jenkins, Miners Campaign Tape Project, Dan Reeves, David Schulman, and El Taller de Video (Timoteo Valasquez). Also includes checklist and selected bibliography. Very Good / Fine. Light bumping of top and bottom right corners of recto. Otherwise Fine, contents clean and unmarked.

61 pp.; 20 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with installation at MAK Center for Art and Architecture, West Hollywood, in June 1998. "Martin Kippenberger : The Last Stop West" is the final METRO-Net Ventilation Shaft conceived by Kippenberger in his worldwide sculptural subway system. The seven different subway entrances, exits and air ventilation shafts that were installed on seven different sites of the word-net are extensively documented in this catalogue. Texts by Peter Noever, Steven Prina, Norman M. Klein, and Roberto Ohrt. Includes an interview with the artist by Jutta Koether. Text in German and English. Fine. As New. In publisher's shrink wrap, as issued.

211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Erste Auflage. 27,8 x 20,2 cm. 175 S. Illustrierter OPappband. Sehr gutes Exemplar. Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung, Nr. 70. Durchgehend mit meist farbigen Abbildungen versehen. Texte in deutscher und englischer Sprache. Katalog zur gleichnamigen Ausstellung des Künstlers in der Kunst Halle Sankt Gallen, vom 26. September bis zum 29. November 2015, im Museum Kurhaus Kleve, vom 30. Januar bis zum 17. April 2016 und in der Petzel Gallery in New York, vom 6. Mai bis zum 18. Juni 2016. Sprache: Deutsch und Englisch.

Soft Cover. Condizione: Very Good. Firts Thus. Illustrated wrappers display minimal wear. Book body clean and tight, illustrated throughout.

Softcover artist book; unpaginated; very good condition, tiny scuffs to front cover; no internal marks; cover and pages are all green, with tipped in blank black plates standing in for various monochrome works by modern masters. Foreign shipping may be extra.

Poster, measuring 15 x 11 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

Condizione: Sehr gut. 4°. 175 Seiten. Sehr gutes Exemplar der Erstausgabe. Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung Nr. [71]. BITTE BEACHTEN SIE: KEIN VERSAND AN PACKSTATIONEN ! VERSAND INS AUSLAND MOMENTAN NUR nach Großbritannien, Japan, Schweiz, Irland, Frankreich, Spanien, Italien, Österreich, Belgien und die Niederlande! PLEASE NOTE: SHIPPING TO FOREIGN COUNTRIES AT THE MOMENT ONLY to Great Britain, Japan, Switzerland, Ireland, France, Spain, Italy, Austria, Belgium and the Netherlands! Schneller Versand auf Rechnung (Vorauszahlung vorbehalten) mit der Post bzw. DHL. Sprache: Englisch Gewicht in Gramm: 900 Farb. illustr. Orig.-Leinenband.

Condizione: New.

Condizione: New. Extraordinary museum displays: Jorge Pardo s Gesamtkunstwerk in ToulouseAt the invitation of the Toulouse art festival Printemps de Septembre , the Cuban-American artist Jorge Pardo (*1963) has developed a new display for the collection of Romanesque.

Couverture souple. Condizione: Comme neuf. 120 PAGES-IN 8-NOMBREUSES ILLUSTRATIONS (22A).

Buch. Condizione: Neu. Neuware - At the invitation of the Toulouse art festival 'Printemps de Septembre', the Cuban-American artist Jorge Pardo (\*1963) has developed a new display for the collection of Romanesque art at the Musée des Augustins in Toulouse. This collection-the world's largest collection of Romanesque sculpture-is unique for its coherence with its well-preserved ensembles of capitals. Pardo produced a kind of 'Gesamtkunstwerk' that has instantly become an iconic feature in the city and has now been adopted as the permanent display. This book includes an introduction to the collection of Romanesque sculptures at the museum, an illustrated history of its ever-changing presentation since 1830, an extensive survey of Jorge Pardo's specific works for museums as well as a brief history of remarkable exhibition designs for museum collections throughout the 20th century.With an interview between Stephen Prina and Jorge Pardo.Exhibition:Musée des Augustins, Toulouse, on permanent display.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.