Stephens amy reigle (5 risultati)

Condizione: Good. Original blind stamped blue boards, dust jacket, decorated endpapers, numerous illustrations (including some photographs) mostly in colour, square (circa 29x29cm).; Small tears dust jacket repaired; edges and corners dust jacket occasionaly worn.

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 29.5 x 29.5 cm.; 1.9 kg.; 228 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket is worn, slightly loose due to wear, shows edge wear, scuffs and scratches, tear and small chip at the top of the spine and also another tear and chip at the top right side of the back cover, both top edges are slightly chipped, tiny chip also on the back cover. The hardover shows wear (only seem if the dust jacket is removed). The dust jacket is protected with a clearcover. Interior with wear marks, a previous owner pen written signature on title page. The rear of the front and back cover show minor wear marks as well as the first page. Good condition overall. Good readable/working copy.; The new wave - a term referring to the revival in Japanese woodblock printmaking during the early decades of the twentieth century - presents a comprehensive and authoritative picture of the important, but often neglected shin hanga ('new prints') of the Taisho (1912-1926) and early Showa (1926-1989) periods. The fully-illustrated publication contains three essays: an art historical overview of the developments of shin hanga (Donald Jenkins); a discussion of the pioneering role of the publisher Watanabe Shôzaburô (Henry D. Smith II and Okamoto Hiromi); and an introduction to western artists working in Japan during the formative years of the shin hanga movement (Julia Meech). The largest portion of the publication consists of over 300 annotated entries for each work (Amy Reigle Stephens). The new wave includes all the major figures of the shin hanga movement such as Hashiguchi Goyo, Ito Shinsui, Yamamura Koka and Torii Kotondo as well as over fifty lesser-known artists. In addition, in an attempt to set the stage for the development of the shin hanga movement, the publication also comprises the works by artists of the earlier Meiji period (1868-1912) such as Kobayashi Kiyochika, Kaburagi Kiyokata, Yoshu Chikanobu, Ogata Gekko and others, and by western artists working in Japan. All of the works are drawn from the impressive Robert O. Muller collection, the largest of its kind in the field of shin hanga. …

Condizione: Very Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very good, clean, tight condition - collector's "fine" in "near fine" jacket. Hardcover. First printing. Jacket in mylar cover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.…

Tokyo, Abe Publishing Ltd & Leiden, Hotei Publishing, [2000]. 215 pp. Num. ills chiefly col.). Orig. hardcover (blindstamped blue paper-vovered boards), d./j. 4to."The female image is a comprehensive survey of the genre of bijinga ('prints of beautiful woman') produced for the shin hanga ('new print'' tradition that evolved in the early 20th century. This bilingual (Japanese/English) publication is lavishly illustrated with works from Japanese, European and American public and private collections. Included are not only prints by major artists such as Ito Shinsui (1898-1972), Hashiguchi Goyo (1880-1921) and Torii Kotondo (1900-76) but also examples from more obscure print designers which have rarely been reproduced. An essay by Shinji Hamanaka of the Yamatane Museum of Art, Tokyo regarding the concept of bijinga and by Amy Reigle Newland on the appreciation of shin hanga in the West provides further insight into aspects of bijinga and shin hanga." [on dust jacket].…